QUEER TIME — ASYMPTOPES OF ARTICULATION is about moving through queer time and language, modular and folding, communities, communal, traces, memories, collapsing and building.

Kate Newby’s works celebrate the moments in which they are created and presented; at the same time, they are open to change. Drawn from impressions collected when navigating cities and landscapes, her sculptures and interventions foreground process:

Die antikolonialen und antirassistischen Bewegungen des 20. Jahrhunderts gingen mit künstlerischen und theoretischen Gegenentwürfen zur Exklusivität der westlichen Moderne einher.

Body. Listening. Book. Library. Institution. How can art libraries be generative resources and sites of action for all who identify as queer, as women, as Black, as Indigenous, as people of colour? What does it mean to consider the art library as a collective practice that spans multiple scales?

In the Making: In the Desert of Modernity: Colonial Planning and After. A Research-Based Practice is about the working method of the artist and exhibition maker Marion von Osten.

Tabea Blumenschein (1952–2020), Hilka Nordhausen (1949–1993) und Rabe perplexum (1956–1996) waren exzentrische Künstler*innen der achtziger Jahre – sie agierten abweichend von Normen und außerhalb des Zentrums im subkulturellen Milieu.

A Female Gaze explores the paintings and drawings of contemporary artist Caroline Walker through the lens of Laura Knight, arguably Nottingham's most famous artist and the first woman to be elected a Royal Academian.

"If it is somehow identifiable as part of a referential system, we immediately understand the meaning of a line on a piece of paper. A horizontal line will be easily read as a minus, an em dash or a way on a map, no matter how sloppily it is written or drawn."

"In a house you wanted to intrude, searching for a narrative you've detected between a character, images and photographs. I remember bumping against a floor lamp, causing its glow to waver briefly. Trying to ascertain the transmissions while already standing in front of objects that demand to be looked at."

The apparent primary goal of Eric’s treatise is to define something called ‘the Real’, with the help of a patchwork of theoretical materials drawn from contemporary mathematics, mathematical physics, ‘neurophysics’ and continental theory. Other topics in the text,

Forked Apologies gathers twenty-five texts by Michael Van den Abeele, all but two written on invitation by fellow artists and architects in the course of the last ten years. Drawings by Michael Van den Abeele of the concerned works and exhibitions accompany the texts. In fiction or description,

Surreal arrangements of artifacts from skulls and teapots to fried eggs and dirty socks by Théo Mercier. Théo Mercier (born 1984) employs found objects in his photography and sculpture to subvert viewers’ expectations. His inaugural monograph reveals the impressive scope of his oeuvre.

“Erasure is a visual depiction of the modernist erasure of graffiti. It is authored by X, the artist, and I merely the conceptual constructor of what X had innocently, non-artistically performed.” – Eldon Garnet

arbitrary presents “Delirious Cartographies” (arbitrary13) by composer, improviser and synthesist Richard Scott. Part of the Danish imprint’s Framework editions, this release includes three pieces on 12" vinyl and six printed drawings – as well as a text by Scott – published as a limited edition portfolio folder.

In “Playing with Ludwig”, artist Nikolaus Gansterer and philosopher Klaus Speidel adress fundamental questions of sense making in language and visual forms. In a playful dialogue with the writings of Ludwig Wittgenstein, they tackle subjects like pain and pictures,

This special issue is the cataLog for “Model Behavior,” a group exhibition of models, architectural and otherwise, curated by the Anyone Corporation and presented by The Irwin S. Chanin School of Architecture at The Cooper Union, in New York City. The exhibition, which ran October 4–November 18, 2022, questioned the role of the model in projecting or eliciting social behavior.

Gaëlle Lauriot-Prévost and Dominique Perrault invited the historian Frédéric Prot and the photographer Philippe Chancel to reveal, both in writing and images, this radical work by the architect Jean Dubuisson that he designed during the 1960s, as well as the commitment of his client André Weil to build a domain at Pontpoint.

Over the years 1919–20, the celebrated medical scientist and doctor Carl Julius Salomonsen began giving public lectures and publishing pamphlets regarding a new “epidemic” that had begun to affect the European populace: the increasing ubiquity of modernist art.

First publication to document the use and potential of Decentralised Autonomous Organisations in the arts that use blockchain technology and build on NFT innovations. Decentralised Autonomous Organisations (DAOs) offer unique tools for translocal peers to encode rules, relations and values into their joint ventures using blockchain technology.

In the turbulent square of Martim Moniz, stands a robust building by the architect Bartolomeu Costa Cabral. Invited by TECLA PLAY Cultural Association, artist Leylâ Gediz presents an installation of paintings in the interior gallery of the building,

“Where Do You Draw The Line Between Art and Politics?” consists of a series of interviews with individuals who have been active in various capacities at the intersection of art and politics.

In “Sculptor's Notebook”, originally written in 1985, the artist Pushpamala N evaluates the artistic practice that she had been developing until then. Centred largely around themes of adolescence and womanhood, her sculptures had won her the Sixth Triennale Award and the National Award.

“Urban Kitsch”, originally written in 1996, explores the forms of vernacular visual culture that emerged in the city of Baroda following the liberalization of the Indian economy. Plastic toys, celebrity mud flaps, and postmodern architecture collide into a new formal category—both celebrated and derided—as Praneet Soi traverses the city on his trusted Yamaha RX 100.

An account of an album about Albania by British experimental musicians made in the eighties.

Es gibt Themen, die Horn in vielen ihrer Arbeiten verhandelt. Dazu gehören vor allem die Frage nach der Wandlungsfähigkeit und Vielfältigkeit von Identität sowie das Aufzeigen von Abweichungen zwischen dem Wesen der Dinge und deren visueller Erscheinung mit künstlerischen Mitteln.

World Trade Center, New York, USA, "And then the surgical intervention in the World Trade Center in New York City. Everything top secret and illegal of course. In days of conspiratorial work, somewhere on the 148th floor and

Der Medienkünstler, Schauspieler, Theoretiker, Musiker und Museumsleiter Peter Weibel der in den 1960er- und 1970er-Jahren zu den österreichischen „Rebellen“ zählte, wurde in diesem Jahr für sein künstlerisches Gesamtwerk mit dem Oskar-Kokoschka-Preis 2014 ausgezeichnet.

With contributions by Richard Artschwager, Jo Baer, Stanley Brown, Jenny Holzer, On Kawara, Sherrie Levine, Ad Reinhardt, Gerhard Richter, Robert Ryman, Rosemarie Trockel and Andy Warhol which were shown in this context once again made it overly clear how radically the definition of the concept 'picture' has changed in this century. Erschienen anlässlich der Ausstellung - Das Bild nach dem letzten Bild in der Galerie Metropol, Wien. Mit Beiträgen folgender Künstler / innen: Jean Christophe Ammann, Hubert Damisch, Jenny Holzer, On Kawarar, Gerhard Richter, Rosemarie Trockel und Andy Warhol u.a. Texte in Deutsch und Englisch.

The starting point here is the relation between writing and time,
object and text, hence the title “Schreibtischuhr” (writing desk clock).
We are considering the time of the written as a point of origin and
analysis, rather than the duration of the spoken. e desk stands for
the common starting point of both the artist and

This collection of eerie figurative works by the young Polish painter Marcin Maciejowski, who has shown at Leo Koenig Gallery in New York and at the 2004 Art Basel fair as a "Statement" artist, features work from 2003 to 2007, as well as extensive background information.

Standing on top of a building: film 2008-2019 is liam gillick's first publication dedicated to his video-film production. eight works, created from 2008 to today, together with a selection of the artist's sculptural production, on display at the mother museum in Naples curated by alberto salvadori and andrea viliani: the most 'intimate' elements of his artistic research - film for the most conceived in his home-studio in New York where inspiration takes concrete form - original scripts with notes and images, as well as site specific installation views. Since the early 1990s, Gillick has been creating installations, sculptures, films, digital animations and sound works, stitched together from an intense critical and theoretical production, between the political-social dimension and the personal sphere. questions the parameters of the fruition of art and the interdependence between the economy, art and institutions, inviting the viewer to participate in the generation of meaning. to highlight how the critical potential and utopian ambitions of avant-garde movements risk being absorbed and neutralized by the structures of contemporary entertainment, communication, urban furniture and corporate culture.

Spätestens mit ihren Auftritten auf der 50. Biennale Venedig und der Manifesta 5 hat sich die deutsche Künstlerin Amelie von Wulffen auf dem internationalen Kunstparkett einen Namen gemacht. In ihren Collagen, Zeichnungen und fotografischen Überblendungen beschäftigt sie sich mit biografischen Recherchen und Rekonstruktionen.

"The textual whole forms that empty space in which the eyes can both rest and open to see the unexpected."
With Martina Steckholzer painting is documentary, deconstructive and poetic. In large-format room images, she looks at exhibition architecture and

German multimedia artist Michaela Meiser's first monograph, Ding und Körper focuses on two groups of work which address respectively the inanimate object and the human body. Minimalist-style sculptures investigate the purpose and meaning of objects and tools, and in a series of self-portrait photographs Meise pays homage to artist Valie Export.

Peter Friedl is a conceptual artist whose practice is characterized by a critical examination of social, political, and cultural narratives. Working across various media such as photography, video, drawing, installation, and text, Friedl challenges established power structures, historical representations, and systems of perception by creating alternative perspectives and narrative strategies.

SCHÖN VERMÄHLT is an artist’s book by Kamilla Bischof accompanying the most comprehensive solo exhibition of her work to date at KM - Künstlerhaus, Halle für Kunst & Medien in Graz.

Curated by Kris Lemsalu and Sarah Lucas at MEYER KAINER Vienna October 2020

a large presentation of works by Marcin Maciejowski (born 1974) – a painter and draughtsman, one of the most fascinating and renowned artists of the younger generation...

Seit den 1960er-Jahren haben Künstler verstärkt begonnen, die Bedingungen der Entstehung von Kunst - Produktion, Präsentation und Rezeption - in den Blick zu nehmen. Mit Minimal Art, Institutionskritik und Kontextkunst hat sich eine ambivalente Haltung gegenüber dem Objekt entwickelt.

Edited by Eric Troncy and Stéphanie Moisdon, Frog is an international art and architecture magazine. Published in October 2016 this issue features: Dominique Gonzalez-Foerster, Jim Shaw, Alex Israel / Bret Easton Ellis, Christian Rosa, Lili Reynaud Dewar, Sarah Lucas, Ugo

Exhibition catalogue published in conjunction with the Austrian pavilion of the 45th Biennale of Venice held in 1993 featuring Andrea Fraser, Christian Philipp Müller and Gerwald Rockenschaub. Texts by Helmut Draxler, Chantal Mouffe, Albert Müller, Michael Müller, Felicia Riess, Otto E. Rössler, Peter Weibel and Slavoj Žižek. Includes biographies and a checklist of the exhibition. Text in English, German and Italian.

Ein Ausnahmekünstler gibt sich die Ehre: Der großartige Jannis Kounellis stellt aus, und der Rahmen könnte angemessener nicht sein. In der Monnaie de Paris, der alten Börse von Paris, ist in einem furiosen Streich ein begehbares Gesamtkunstwerk in situ' entstanden, das den Pionier der Arte povera angemessen würdigt.

An early discussion at an Independent Space Index Stammtisch led to a proposal that Vienna’s independent scene could be considered a large and diverse intergenerational institution, presenting hundreds of exhibitions and projects per year, creating a responsive web of international networks.

The H-block, or Høyblokka as it is called in Norwegian, was the Government Quarter’s main building. The was building was completed in 1958. Architect Erling Viksjø was inspired by the French modernist Le Corbusier, and set out to create an elegant, monumental but sober functionalism.

Anlässlich des 70. Geburttages von Günter Brus veranstaltete das BRUSEUM der Neuen Galerie Graz am Landesmuseum Joanneum 2008 "Ein Fest für Günter Brus", das aus einem Symposium mit internationalen Referenten und Referentinnen,

"Type I enacts a hyperreality, in which the effects of climate change are damaging our world, and technological advances are held up as the key innovative tools for alleviating ecological collapse. Merging poetics, visuals, fiction and essaying to create a vivid, multi-layered novel, Max Parnell's debut offers up not only an

A multimedia meditation on the many meanings of the ocean across history

The oceans are rising. On the rise are the metrics of accelerated human activities: sea level, water temperature, acidity, algal blooms, and the depletion of fish communities and marine life. The loss of abundance and diversity has devastating effects on the services the oceans render to the earth, exhausting their unrecognized labor of

In over 1,300 pages, The Commissions Book engages in depth with more than one-hundred works of art. The publication organizes and weaves together sequences of potential narratives and interrogations, along with close examinations of different works of art and an archive of images. The stories embedded in these works, as well as in the foundation’s work, and that of TBA21–Academy, an itinerant site of transdisciplinary research and cultural production engaging with the oceans, are stories of making new connections across

The celebrated Dada artist Hannah Höch explores her use of collage as the artistic medium of choice for both satire and poetic beauty. World-renowned for her work during the Weimar period, Hannah Höch was a pioneer in many aspects, both artistic and cultural. She was the lone woman of the Berlin Dada movement — the riotous form of

With 2 to 3 issues a year, the members of the team publish their magazine around their personal encounters and artistic interests. Each issue present around fifteen contributions, in both texts and images. Artists, writers, scientists and specialists in all kind of fields are invited to contribute and intervene in a sober and efficient layout already acknowledged by the London Design Museum in its exhibition Best European Design 2005.

Dieser Katalog erscheint anlässlich der Ausstellung OPEN zur Eröffnung des Museums der Heidi Horten Collection, Wien, vom 3. Juni bis 2. Oktober 2022.
This catalogue is published for the OPEN exhibition, the opening of the Museum of the Heidi Horten Collection, Vienna, from June 3rd to October 2nd, 2022.

Der Kurator Harald Szeemann (1933–2005) war eine Schlüsselfigur der Kunstszene des 20. Jahrhunderts. Anarchisch, hellsichtig, traumwandlerisch und Grenzen sprengend leitete er sowohl Institutionen wie die Kunsthalle Bern (1961–1969), wie er auch freie Ausstellungen zusammenstellte und die Rolle des Kurators neu erfand.

In Fischerspooner's new project, two things remain constant: the physical space--Casey Spooner's apartment--and the cast--the artists