In 1972, Ulises Carrión produced his first artist’s book SONNET(S) which consists on 44 variations of a sonnet by Dante Gabriel Rosetti titled “Heart’s Compass”. Using the language as a material, Carrión writes Rossetti’s poem over and over again on a typewriter, in slightly different versions.

To Perform a Ferry is a book that holds eight performance scripts and other material to be spoken. Inspired by the figure of the renegade who leaves land behind and crosses the sea or leaves civilization to take refuge in the vast desert, the eight scripts embody the state of migrating, through space but also through languages, bodies, and writing genres. Written in English by Mohamed Abdelkarim.

Manifesto per una nuova ceramica [For a Manifesto of the New Ceramics] is born from the necessity to shape a shared feeling, a “trembling,” that crossed the Italian and international ceramics landscape in the past few years. Irene Biolichini, curator and professor, intercepted this sensation and,

“Saint Louis in his prison in Damietta”, “A house engulfed in flames ...”, “A snowman, such as children build ...”: The painter and illustrator Henri-Achille Zo (1873–1933) received a total of 59 instructions of this kind in the early 1930s.

Gehfotografen, literally “walking photographers”, were active on the streets of cities and tourist destinations across Europe between 1927 and 1935. This type of profession became increasingly popular with the Great Depression, when the 1929 collapse of the New York stock exchange led to an economic crisis throughout Europe. Unemployment and poverty eventually led to a civil war in 1934.

Im Frühjahr 2019 bereiste ich zum ersten Mal Japan. Ich blieb für zwei Monate. Meine Reisevorbereitungen starteten gewissenhaft: kurz vorher besuchte ich auf Empfehlung einen zweiwöchigen Japanisch-Intensivkurs für Anfänger*innen am Japonikum der Uni Bochum. Trotz ernsthafter Bemühungen gingen meine Sprachlernversuche komplett daneben. Mir fehlte

1809 fand im Londoner Wirkwarengeschäft seines Bruders die erste und einzige Einzelausstellung des Maler-Dichters William Blake statt. Sie erwies sich als Reinfall. Kaum jemand sah sie. Die Kritiken waren verheerend, mit Ausnahme einer Rezension, die im Januar 1811 in einem patriotischen Hamburger Kulturmagazin erschien.

»Die Dinge, die durch den Dunst von gestern so gewaltig erschienen – Eigentum, Klima, Erziehung, persönliche Schönheit und anderes mehr, haben ihre Verhältnisse merkwürdig verändert. Alles, was wir für fest hielten, schwankt u. klappert …«
“The facts which loomed so large in the fogs of yesterday,—property, climate, breeding, personal beauty, and the like, have strangely changed their proportions. All that we reckoned settled shakes and rattles …” Ralph Waldo Emerson (zitiert von / quoted by Robert Musil)

Books not only describe their own contents but also the eras in which they were created. Conceived as a color inventory, this publication gathers a selection of titles that I have dealt with, exhibited, and produced since the early 2000s.

Notes on Book Design is a collection of 50 texts written by designers Siri Lee Lindskrog and Amanda-Li Kollberg of graphic and type design studio Formal Settings, based on books from the collection of Hopscotch Reading Room in Berlin.

In 1988, a seminar was held at the Bauhaus Dessau as part of the UN-HABITAT programme that dealt with questions of housing construction in 'developing countries'. A prefabricated building system developed by GDR architects was presented here, which was used for the first time in an education and development center of the African National Congress (ANC) in Dakawa, Tanzania. The educational

Ökologien von Entitäten und Wesen bringt Praktiker, Denker und Künstler aus ganz Eurasien zusammen, um gemeinsam multispezifische Ökologien zu erforschen. Der Band spiegelt anthrozentrische und verkörperte Ansätze zur Zusammenarbeit und Wissensproduktion wider – Prozesse, die immer mit einer Vielzahl von Entitäten und Akteuren verflochten sind.

Belgrade collective Škart has been operating within and around existing hierarchies of the art world and everyday life, working in collaboration with marginalized groups, NGOs, and anti-war movements. Škart ‘s understanding of the artwork is fluid and relationship based. No matter the medium —

'When artefacts become pieces of evidence and artists are transfigured into fictional characters animated by their worship of Western art, culture shrinks into the narrow border of the state nation:" would state Tweetu, the weird curator and main suspect of the plot. Detective Elchmanyahu's auto-da-fe follows

Off-the-grid from commercial galleries – selling visuals – and canonical institutions – there to support the often static national or regional identities– artists instigate grass-roots cultural safe havens in order to deliver the progressive and the experimental. They are fundamentally vulnerable to public-policy cycles, in the voluntary effort that holds the initiative together, in their provision of opportunities, and more. Despite the precarity of such organising by these civil initiatives, and regardless of their promoting of a public cultural vitality beyond the demand of the public life, they are in poor public support and lack opportunities to gain public visibility.

This groundbreaking account of postwar American art traces the profound influence of Antonin Artaud. Proposing an original reassessment of art from the 1950s to the 1970s, No More Masterpieces reveals how artistic practice in postwar America was profoundly shaped by the work of the rebellious French poet and dramatist Antonin Artaud (1896–1948).

Weaving as a Metaphor offers the intimate side of the artist's oeuvre. . . . Emulating a gallery setting, the catalog, itself a work of art, presents each weaving on a separate page. Trenchant information as well as thought-provoking essays--by Arthur C. Danto, Joan Simon and Nina Stritzler-Levine--archival photographs and notebooks round out this wonderful publication.

How to Book in Berlin serves as a comprehensive guide to bookmaking and publishing, offering insights we wished we had when we were starting out. It includes information on research methods, funding strategies, production techniques and distribution approaches, all underpinned by the perspectives and advice of experienced publishers. Our ultimate ambition is to alleviate the challenges often associated with the journey of creating artists’ books and to foster meaningful connections within the diverse and vibrant artists’ book communities.

Idol Hands presents a wealth of source and visual references, alongside original drawings from the artist’s unique and expanded narrative of imagery stemming from alternative means of communication such as braille, morse code and sign language.

Developing a new body of work specifically for this publication, Collected Arrangements is the product of a sustained collaboration between the artist Lucas Dupuy and Foolscap Editions. The page is used to frame and contextualise the distinct marks, lines and shapes of the artist’s visual language. Reconfigured compositions explore the space and structure of the page, which offers a testing ground akin to that of the gallery space.

This book, a collaboration between the Victoria and Albert Museum and the University of Westminster, captures the British mosque at a pivotal moment in its history. There are 1,800 mosques in the UK today – mostly converted from terraced houses, libraries, cinemas and supermarkets. Now, these improvised spaces are beginning to disappear, as Muslim communities replace them with purpose-built structures.

A collection of drawn proposals presenting an ongoing project between the artist and Tower Hamlets Community Housing. Focusing on our relationship with architecture and the history of ornamentation within public spaces, the drawings highlight the increasingly important role of communal and shared spaces to elicit social interaction. The publication details the artist’s plans for the redevelopment of the communal spaces within a housing estate in East London.

Cocoon or Carcass. Past or Future. Building the ruin. This edition pays close attention to the metaphorical structures and cultural crisis in South West Cornwall.

Soft Edges, Draw Close presents a body of work by Euphrosyne Andrews that explores how materials and their subsequent associations shape our interactions within space. Architecturally scaled sculptural works are displayed alongside intimate ‘viewing rooms’ in reference to public and private divisions. Schematic drawings for

The book ...Umas […Some] begins before I existed. First of all, because of the artist's own connection with the newspaper: Lenora de Barros worked for many years behind the production of magazines and newspapers, artistically thinking the process of some of the main publications that still circulate in Brazil. The newspaper Folha de São Paulo, as it is known today, also has a lot of her touch.

Subduing our bodies, in the sense of controlling our impulses and desires, is an aspiration which is older than Christianity. At that time, the dominant question was: how do you get good control over yourself? Christianity made women the symbol of possible loss of control over our bodies. Achieving our self-control turned into being able to control the woman, to avoid the temptation that she, malevolent, represents.

In this warm and soft book, covered by a blood red fabric, artist Rosana Paulino brings together for the first time the series of drawings that give their title to the publication: Buffalo and Lady of Plants. Both represent female archetypes related to the black psyche, and they go against the dominant European and colonial collective consciousness.

But, tell me, how did he feel about the book? Well, it was in it that an awareness came up, the awareness that the work spoke more about him than about the other. And why? Who knows?

Ode to Construction – Abstraction in the Digital Age explores the intersections of graphic design and art through the means of generative code, gesturing playfully and melancholically towards the foundational legacies of the Suprematist and Constructivist movements of the early 20th century.

Anna Jermolaewa ist Preisträgerin des Otto-Breicha-Preises für Fotokunst 2021. Die Konzeptkünstlerin bezeichnet sich selbst als »Realistin« und ihre Auseinandersetzung mit der Wirklichkeit ist ebenso kritisch wie abgründig humorvoll.

Eine blecherne Taschenlampe mit einer runden Glaslinse und diesem kleinen Schalter, an dem immer wieder der Fingernagel hängenblieb. Eine Farbfilmdose von Agfa, die grobe, altmodische Küchenreibe (ich benutze sie immer noch) und vieles mehr… Dinge.

Zum 100. Geburtstag von Inge Morath in diesem Jahr erscheint in der FOTOHOF>EDITION ein Doppelband von zwei selten gezeigten Fotoserien. Beide Bücher nehmen sich Themen im Werk von Inge Morath an, die nicht zum Mainstream ihrer Arbeit gehören, die aber eine ganz besondere Qualität besitzen.

Die Auseinandersetzung mit Arbeit ist ein zentrales Thema der Künstlerin Katharina Gruzei. In der Serie Bodies of Work befasst sie sich mit Österreichs letzter Donau-Schiffswerft. Dort sind hochtechnologische maschinelle Fertigung und industrielle Handarbeit eng miteinander verzahnt.

Als Oswald Wiener und seine Frau Ingrid 1984 nach Kanada zogen, war das nicht nur ein Akt der Erkenntnissuche, sondern auch ein bewusster Schritt des Schriftstellers, die Kunst hinter sich zu lassen. Interesse an den Extremen der Natur am Polarkreis, an außergewöhnlichen gesellschaftlichen Umständen machte Dawson City in der arktischen

Der Bildband ist eine ausführliche fotokünstlerische Beschreibung des privaten Lebens- und Arbeitsraumes von Inge Morath in ihrem Wohnort in Roxbury, Connecticut, USA. Die SW-Fotoreportage folgt der Tradition der Dokumentation der Ateliers bedeutender Künstler:innen als wichtige Quelle ihrer künstlerischen Arbeit.

Die Grenzen der Medien überwindet Ashley Hans Scheirl so mühelos wie die Beschränkungen durch geschlechtliche und kulturelle Normen. Die als Angela Scheirl geborene Künstler*in erlangte Ende der 1980er-Jahre durch ihre experimentellen Film- und

The title, which is read phonetically as Kollabierende Herde (Collapsing Herd), reveals the subtle humour of the Austrian artist that always accompanies his works.

Im Fokus dieser Publikation stehen die Fotoarbeiten von Aglaia Konrad und Armin Linke zu wegweisenden Hollein-Bauten der vergangenen fünf Jahrzehnte.

Thomas Feuerstein hat die Räume der Galerie im Taxispalais Innsbruck in ein zusammenhängendes Ensemble aus Gewächshaus, Laborküche, Kühlraum und Fabrik verwandelt. Schläuche mäandern durch die Ausstellung, sie verbinden Apparaturen und Objekte, aus Algen und Pilzen wird

Wenn Thomas Feuerstein (*1968) auf sein überbordendes Werk an­­­­ge­sprochen wird, in dem es um Biologie, Literatur, Kunstgeschichte, Philosophie, Medizin, Kybernetik, Religion, Sex, Ökonomie und die Massenmedien geht sowie die ­Auswirkungen der Biopolitik auf das Indi­viduum und den Traum von der ewigen Jugend, dann ­antwortet er gerne schriftlich mit einem ­litera­rischen Statement.

Lois Weinberger - Debris Field. Publikation, Herausgeber: documenta und Museum Fridericianum GmbH, Kassel 2017, 218 Seiten, ca. 500 Abbildungen, Design: VIER5/Paris, Texte: Harald Stadler, Beatrix Nutz und Lois Weinberger.

Agency of Singular Investigations (ASI) wurde 2014 von Anna Titova und Stanislav Shuripa gegründet, um gegenüber den dramatischen Veränderungen der politischen Realität und kulturellen Atmosphäre in Russland Stellung zu beziehen und angesichts des postfaktischen Zeitalters über andere Möglichkeiten von Bildern und Kommunikationsmitteln für die Konstruktion von Identitäten und Weltanschauungen nachzudenken. 

Charlie Prodgers Praxis verbindet Bewegtbild, Schreiben, Skulptur, Zeichnung und Druckgrafik. Ihre Kunst erkundet die verwickelten Beziehungen zwischen Körper, Landschaft, Sprache, Technologie und Zeit im Prisma queerer Subjektivität.

Zu Tishan Hsus Ausstellung recent work 2023 erscheint ein Buch mit einem Essay von Laura Brown, in dem sie seinen künstlerischen Techniken der letzten vier Dekaden nachgeht und insbesondere den Wendepunkt Anfang der 2000er Jahre beleuchtet, als digitale Bildbearbeitungsprogramme viele der von Hsu antizipierten Effekte plötzlich innerhalb von Sekunden erzeugen konnten. In einem Gespräch mit Martha Schwendener geht Hsu vor allem auf seine Anfänge ein und auf sein großes Thema, die Verschmelzung von Körper und Technologie in einer zunehmend virtuellen Welt. 

The Secession Talks. Exhibitions in Conversation versammelt 46 Ausstellungsgespräche, die von 2011 bis 2022 in der Secession stattfanden. Die Gespräche spiegeln exemplarisch die Ausstellungsgeschichte der Secession in dieser Zeit wider. An ihnen waren Künstlerinnen mit ausgewählten Gesprächspartnerinnen beteiligt, unter ihnen auch

Olivier Richon provides a detailed examination of Walker Evans’s now-iconic 1936 photograph Kitchen Corner; in doing so he reveals an unexpected set of visual and literary associations that lie beneath the surface.

Friederike Mayröcker zählte zu den wichtigsten österreichischen Autorinnen ihrer Generation. Ihre poetischen und sehr persönlichen Zeichnungen nehmen eine einmalige Position im Werk der Schriftstellerin ein. Die Auswahl besorgte Frederike Mayröcker gemeinsam mit dem Kurator Hans Ulrich Obrist, einem langjährigen Wegbegleiter der Künstlerin.

This is not a catalogue raisonné. Nor is it a family album. If anything, it is an album dé-raisonné, the collage of a life commented on discreetly by its author. It is a reproduction of the world of Olga Mohler-Picabia around a mentor and a great love, Francis Picabia. A variation on the theme of Pygmalion, this album is the highly personal expression of a quarter century of learning. An intaglio portrait of Picabia through the eyes of Olga, a portrait that is at once funny, intimate, sensible and often very moving.

Neu - Ein Streifzug durch rund 500 Jahre Modegeschichte im Spiegel der Kunst: Wie haben Künstler auf extreme Erscheinungen wie Schlitzmode, die Schamkapsel, die Krinoline oder den Smoking reagiert Mode ist sowohl ökonomischer Faktor wie Seismograf gesellschaftlicher

The work of the sculptor Rachel Harrison is both the zeitgeist and the least digestible in contemporary art. It may also be the most important, owing to an originality that breaks a prevalent spell in an art world of recycled genres, styles, and ideas.&;&;Peter Schjeldahl, The New Yorker

This is the first book devoted to Frank Lloyd Wright's designs for remaking the modern city. Stunningly comprehensive, The Urbanism of Frank Lloyd Wright presents a radically new interpretation of the architect’s work and offers new and important perspectives on the history of modernism. Neil Levine places Wright’s projects,

The two-dimensional drawing with plan layout, elevation, and section is a necessary prerequisite for all building. Perspectives help to give three-dimensional expression to the architect’s ideas.

Thomas Ruff is one of the most important contemporary German photographers living today. Studying under Bernd and Hilla Becher, Ruff experimented with large-format printing. This comprehensive book focuses on his photographic series from the past twenty years.

A celebration of the visual artistry behind the evolution of sound recording with specially commissioned photography of iconic, rarely-seen artefacts from the collections of the EMI Archive Trust

Whether you have already tried your hand at bookbinding or are a complete beginner, Rachel's knowledge and passion will inspire you to explore the many possibilities of bookart.

View India brings together recent works by Saumya Khandelwal, Selvaprakash Lakshmanan, Ritesh Uttamchandani, Ajit Bhadoriya, Apoorva Guptay, Venkatesh Peevee Perumal, Anoop Ray, Anisha Baid, Nihaal Faizal, Gayatri Ganju, Anushree Fadnavis, Arshad Hakim, Ram Krishna Ranjan, Chinar Shah, Vivek Mariappan, Sl Shanth Kumar, Cheena Kapoor, Vaibhav Bhardwaj and Chandan Gomes.

A two-volume artist’s book highlighting the sculptor’s protracted career and stringent works
Designed by American conceptual sculptor Cady Noland (born 1956), The Clip-On Method’s two volumes can be picked up and read in any order: back to front, front to back, or started in the middle. Readers take it upon themselves to weave their way through Noland’s tangled oeuvre.

Fashion is often seen as an industry of eccentric personalities and unique, exceptional talents but it's the collaborators, rather than the individuals, who underpin the industry and inspire this book. This stylish volume, compiled by Lou Stoppard, editor-at-large of London's SHOWstudio, delves into the behind-the-scenes worlds of the fashion industry s most intriguing partnerships to explore what, exactly,