The volume presents a mid-career survey of the work of the artists' collective Slavs and Tatars (founded 2006). The group explores issues of identity, language and belief in the region "east of the former Berlin Wall and west of the Great Wall of China."

12 individual sheets with prints of drawings.
12 einzelne Blätter mit Druckgrafiken.
Edition of 100

12 individual sheets with prints of drawings.
12 einzelne Blätter mit Druckgrafiken.
Edition of 100

In the book “I used to be a lovely boy but turned out queer,” the author Jovan Josifovski,

Mizna: The Black SWANA Issue, guest-edited by Safia Elhillo and produced by an all-Black takeover team, explores the infinitely varied and kaleidoscopic nature of the Black SWANA experience.

I don’t care (about football) is a participatory artistic project involving the players of the Marangoni 105 football team, created in 2011 as part of one of the rehabilitation residences of the Udine Mental Health Department managed by the Duemilauno Agenzia Sociale Cooperative. The title, inspired by the words of a girl from the community, suggests how the game is not an end in itself but rather a practice of social inclusion and integration.

The publication is an essay written by Kirsty Bell on “Help the Dead” by Every Ocean Hughes.

The photographs that are included in this book form part of the archive of the photographer Alberto Flores Varela. The majority were taken

Har Shaam Shaheen Bagh is an ode to the infinite courage and resilience of the women of Shaheen Bagh, Delhi, who sat in protest for a 100 days and nights. A book of photographs, drawings, songs, letters and other material gathered as a record of the iconic protest, marks an extraordinary moment in the political and contemporary history of India.

C21ST RECENT HISTORY: Handmade in an edition of 100, B&W digital and four-colour riso plates on Munken Pure smooth 120gsm paper, Stardream Metallic SILVER 120gsm, Xerox Bright White coated 170gsm with matt black foil debossed Fedrigoni Ultra Black 185gsm boards; pearl Plastikoils binding;

Philatelic Items documents 220 works produced over the last ten years by Lolly Batty. It includes an index showing the envelopes followed by a selection printed at actual-size. ⁣

The Egyptian Postures is a guide to the most advanced Mazdaznan exercises that Johannes Itten taught his students at the Bauhaus. Often performed while singing or humming the postures were intended to activate glands and re-channel internal energies, stirring the blood in ways that contributed to the perpetual evolution of humanity. They were also said to induce auto-illumination, the participant’s body generating an intense light from within.

Sarah Dobai’s The Donkey Field weaves a link between a racist attack in on a young boy and the story of the persecution of Marie and Balthazar in the acclaimed film Au Hasard Balthazar (Robert Bresson, 1966).

The notebook of James William Lacelot Lowther brings together drawings, sketches, dreams, watercolours, and paintings that document the artistic work of the artist. William, who passed away at the age of 21, was a talented, passionate, and empathetic young artist.

NO-ISBN

arbitrary presents the first in a series of remix collaborations and releases by Mads Emil Nielsen and Chromacolor, a project from the German sound artist and producer Hanno Leichtmann.

My Letter Friends is a limited edition graphic design book by Amsterdam-based designer/illustrator Annabel Keijzer. Years of sketching, experimenting and tweaking were merged into this debut.

This inspirational book includes an introduction to Karshan’s unique drawing practice and personal history by Jonathan Casciani, a transcript from the film

Conceived by artist and filmmaker Margaret Salmon, this publication is a tribute to a group of innovative sister cinematographas and to the analogue motion picture camera. The book pairs an enquiry into women’s filmmaking practice with a comprehensive survey of experimental analogue technique across generations.

Between December 2022 and March 2023, Vivian Suter shared hundreds of photos, all taken with her mobile phone, with the designer and editor of this book. A selection of these snapshots, condensed, juxtaposed, complementing each other, now forms a kind of photographic journal. It offers insights into

Intervention by the artists: Karrabing Film Collective has created a limited-edition series of four cards for the publication, one of which is enclosed with each copy. The faces of the cards show image-text collages in Karrabing’s characteristic technique of layering and

»Von wunderbarer Klarheit« – mit diesen Worten beschrieb Friedrich Simony die Aussicht vom Gipfel des Dachsteins im Jahr 1847. Diesen Pionier der Alpenforschung und Geografie faszinierte

Tagging has rarely been the subject of serious examination. The Tag Conference is a first attempt to conceptually frame contemporary tagging, and to study it alongside its abundant but largely ignored historical antecedents. Informal name writing in public spaces is

Antny Kreeg 47 and his lady-friend Contruh Guerre (pronounced “Country Girl”) had a rent-controlled apartment on the 112th floor (where the players dwell) of the Empire World Trade Twin Towers and they were never heard of again after 9/11. The ideas in this book were buried under

You ever read the back of a book and blah blah blah words and more words, and function. Poets depend on the emotional character of words. Manuals depend on the instructiveness of words. Yet words can be pronounced backwards or cut up and given new meaning, they can be looked at for their mathematical value, pondered over how they change in translation or seen as hiding messages within them.

An insightful study of Joseph Cornell's fascination with the Cubist painter Juan Gris, shedding new light on the work of both artists Joseph Cornell first viewed Cubist painter Juan Gris's The Man at the Cafe in October 1953. This visual encounter prompted

Lewis Carroll began photographing children in the mid-nineteenth century, at a time when the young medium of photography was opening up new possibilities for visual representation and the notion of childhood itself was in transition. In this lavishly illustrated book, Diane Waggoner offers

Bringing forth the silent voices in the history of photography, this publication highlights key aspects of image production and representation by four ‘minute camera’ practitioners in India: Bharat Bhushan Mahajan (Delhi), Teekam Chand Pahari and Surendar Kumar Pahari (Jaipur); and Kinshan Chand Hemlani (Pushkar).

In 2018, the Museum Villa Stuck presented a comprehensive retrospective with works by the goldsmith and silversmith Rudolf Bott. The book accompanying the exhibition is a 672-page monumental work. Far from a usual catalog with colorful illustrations, it is "thought in black and white" like the entire exhibition. With a 340-page photo report by Jörg Koopmann and Lene Harbo Pedersen, who photographed the objects across Europe at the lenders and in Bott's studio.

This new study critically assesses the work of one of the art world's most creative and controversial duos. It includes a rare specially commissioned interview with Jake Chapman and features essays from leading international art scholars and commentators. Brothers Jake and Dinos Chapman enrage some with their art and reduce others to hysterics, but no one is neutral about two of Britain's most outstanding artistic provocateurs.

Anish Kapoor is one of a highly inventive generation of sculptors who emerged in London in the early 1980s. Since then he has created a remarkable body of work that blends a modernist sense of pure materiality with a fascination for the manipulation of form and the perception of space.

F LETTER assembles the feminist poets who have palpably changed the Russian language over the last decade.

The humanism of the past five hundred years is dead. Believing man was exceptional, it opened the abyss of extinction. A new approach is needed to re-enchant the world and establish the commonality of all life on Earth.

Modern Animal by Yevgenia Belorusets is a book published in 2021 by ISOLARII Belorusets connects a series of different characters and ideas, making use of a Soviet-style lecture form.

Produced in partnership with the Office of the President of Ukraine and the PinchukArtCentre, this publication was released on the occasion of the 2022 Venice Biennale exhibition

The Disassembled Dictionary is a growing series of books that each, in various ways, discusses a particular word. “Black” consists of the A–Z list and an adapted version of the essay by Oscar Guermouche from the book Noir – A Serendipitous Encyclopedia Inspired by 1001 Names for the Color Black by Sandra Praun, and a part of an interview with Pierre Soulages. Rotolito / Nava Press

The Disassembled Dictionary is a growing series of books that each, in various ways, discusses a particular word. “Non-territorial” consists of texts by Yoko Andersson Yamano, Rachel Armstrong, Ylva Björnberg, Athena Farrokhzad, Jörg Heiser, Rolf Hughes, Ronald Jones, Lundahl & Seitl, Petra Malm, Aldy Milliken, David Neuman, Aleksander Perski, Tessa Praun, Theodor Ringborg, Robert Stasinski and Alessandra Di Pisa, and Liv Stoltz.

The Disassembled Dictionary is a growing series of books that each, in various ways, discusses a particular word. “Portrait” consists of a glossary of synonyms and an essay by artist and poet Leif Holmstrand.

Square of Will in Square of Love gathers a selection of texts, notes and drawings by Alina Popa, edited by Florin Flueras. Most texts are more poetic and more personal than Alina’s previously published writing, “...a mixture of styles, subjects and mediums – theory, poetry, drawings, diary notes, it's unclassifiable, as she liked it.”
– Florin Flueras

In 1977 Ingemo Engström and Gerhard Theuring embark on a journey through France.

Next Spring is an occasional series of reviews that offers a different approach to the writing of art criticism. Focused on the reading of one film work, each book in the series presents a parallel text on the artwork as both a critical response and literary production. The film selected and the text produced consider ecological issues, environmental concerns, and systematic revisionings. The language of place is given priority and image reproductions used nominally. Paris, May 16, the pilot issue, includes writings by Clara Schulmann, Barbara Sirieix, and Jennifer Teets, as well as a visual essay by Scott Rogers on the invitation of Richard Frater.

The work of the artist takes as its subject the current neoliberal system and its impact on the individual, as measured under Marxist analysis. It particularly approaches issues such as working conditions,

Rab-Rab Press announces the publication of “Free Jazz Communism“, a new book actualising Archie Shepp–Bill Dixon Quartet at the 8th World Festival of Youth and Students in Helsinki 1962.

Bandra Sentimental, the new photography book on the block, documents style on the streets of Mumbai.

A collective effort from a vital scene in Kampala, KIKOMMANDO takes its name from Ugandan street food of flat bread and beans.

To write about someone else means both to expose and transform them.

Julie Ault and David Deitcher illuminate the life and work of the influential art historian, New Museum curator, and Visual AIDS co-founder William Olander (1950–1989). Olander’s exhibitions challenged oppressive institutional boundaries, blew open dichotomies, and boldly confronted discrimination, sexual difference, and AIDS, shaping curatorial practice for decades to come.

Queer Nursing offers an alternative, inclusive way for both performing and supporting nursing. Written as a human manual, it takes the reader through the nursing process from start to finish. Through easy, loving language it supports nursing parents, other parental figure(s) and friends in their journey of emotional and physical milestones as well as offering gentle ways to take care of each other.
The manual includes a new way of nursing by introducing the phasing system, which will aid the family in both starting and ending nursing in a calm, caring way. Queer Nursing is Gorilla Milk’s first release.

In The Carrier Bag Theory of Fiction, visionary author Ursula K. Le Guin tells the story of human origin by redefining technology as a cultural carrier bag rather than a weapon of domination.

From one of the most lauded artists of his generation comes a purging soliloquy: a profound nowt delivered in some spent afterwards.

They Will Say I Killed Them is the result of a one-year research marked by visits to public film archives, private foundations, and meetings with important testimonies of Italian cinema. The aim was to conduct an in-depth investigation on those Italian movies—from the 1950s to the 80s—that due to censorship have been left on the shelf in the form of a screenplay, or filed away

On subjects including an interrogation on cinephilia and gender, surveillance, infant observation during the pandemic and the screen as psychic portal,

Artist’s book with twenty-one colour illustrations of German artist Maximilian Kirmse’s paintings, as well as several drawings. The book includes a prose poem by Jan Koslowski, and an essay by Fid. Fischer which situates Kirmse’s work within contemporary painting.

"Healing The Museum" is a mid-career monograph looking at Grace Ndiritu’s diverse practice over the last twenty years, which encompasses performance, film, social actions, painting, publications, textile work, and collection research.

Zur Ausstellung erscheint eine Publikation mit einem Essay von Stephen Ellcock, in dem er die spirituellen und mythologischen Bezüge in Delaine Le Bas’ Werk und insbesondere in der für die Secession konzipierten Installation exemplarisch anhand von Referenzen aus der griechischen Mythologie und altägyptischen Totenkulten darlegt.

The first monograph by Taiwanese artist Chen Chieh-jen (b. 1960, Taoyuan) appears in the Secession’s publication series.

Timo Huber, Gründungsmitglied der Architekturgruppen Zünd-Up und Salz der Erde, ist vom Verführungspotential und der Irritationskraft alltäglicher Bildwelten fasziniert;

Selbstinszenierung, Selbstentblößung, Selbstauslöschung – das sind die Themen, die Michaela Moscouw (*1961) über drei Jahrzehnte kompromisslos, exzessiv und einprägsam bearbeitete. Bis Anfang der 1980er-Jahre malte die Wiener Künstlerin abstrakte Bilder, dann zerstörte sie ihr gesamtes Werk und filmte sich dabei. Damit wechselte sie das Medium und verwendete

My Body is a Battlefield bietet einen umfassenden Einblick in das Werk der 1988 auf der Krim geborenen ukrainischen Künstlerin Maria Kulikovska. Bereits in frühen Arbeiten setzt sie sich mit patriarchalen Strukturen und der Abwesenheit weiblicher Subjektivität in der ukrainischen Kunst auseinander. Mit der Annexion

This publication summarizes the results of the 40th-Anniversary Symposium of the Austrian Ludwig Foundation, which was dedicated to examining current and future perspectives of museum collections. Considering the growing awareness—on an aesthetic as well as an institutional level—of the need to pursue a more inclusive

Seit Beginn ihrer künstlerischen Laufbahn thematisiert Christina Zurfluh die abstrakte Malerei. Ihre Abstraktionen gründen dabei nicht auf der Reduktion von Gegenständlichkeit, sondern entstehen in einer Symbiose aus Kalkül und Intuition.