Latitudes is a collage whose only constraint is to use fragments of existing texts and images and whose objective is to briefly suggest the outline of an imaginary novel.

Design führte in Wien lange Zeit ein Schattendasein. Doch seit den späten 1990er-Jahren hat sich eine kreative Szene etabliert, die mittlerweile auch über die Grenzen Österreichs hinaus wahrgenommen wird.

The Kunsthalle Linz presents itself as a white cube par excellence: a simple, empty and windowless room with white walls, gray floor and a ceiling that floods the room with light: a playground for big projects in keeping with common exhibition practice.

Midnight Deer Abstractions is a collaboration between artist Geoff Farnsworth and poet Erin Knight to produce limitless in-betweens and vast spaces where slight variations contain all the precisions of colour and diction, rendered immediately nebulous. Creating spectral selves, they invite us to look “between foreground and background” for the traces and sketches of identities, whose edits are vague, always disappearing to be retraced, resketched.

Linda Carreiro and Lan “Florence” Yee refute the notion that what cannot be apprehended is worthless. Their glossary may be read as a manifesto encouraging us to pay more attention to the blurs and vagueness of our environments and thoughts, and to our societies’ invisibilities – prompting us to open our creative minds and welcome uncertainties and the unknown with generosity.

This book follows the first exhibition of Robilliard’s notebooks, ‘Disorganised Writings and Sketches’ at Rob Tufnell in Cologne in April 2019. Rob Tufnell announces a new publication of extracts from the notebooks of the poet and artist David Robilliard (b.1952 – d.1988). After his premature death from an AIDS-related illness in 1988, Robilliard left a large number of notebooks in the care of his close friend and fellow artist Andrew Heard.

What is the work of the African creative intellectual? Whether branded as ‘native’ by Fanon or ‘negro’ by Cruse, the vocation and commitment of Africa’s creative intellectuals and their mode of ‘self-writing’ has been under examination for much of the post-colonial era. Bekolo’s new text is a valuable addition to this important library.

Can we decolonize art book fairs? Can we decentralize knowledge and deconstruct privilege in our contexts?
Decolonizing Art Book Fairs aims to rethink through the existing and speculative frameworks of organizational practice in the art book fairs.

Colonial Banality, printed by the Print Room, is a personal project, questioning the imperialist, colonial hierarchies of Russian culture. Masha was born and raised in Russia and has been living in The Netherlands since 2009. She grew up in Bashkortostan,

Conversation between the collective Artea 360 Grados and the collective tumbalacasa ediciones in Nahuatl, Spanish and English.

Erika Hirose is a miso brewer based in Rotterdam in the Netherlands.

A conversation between Oscar Tusquets and Luis Cerveró. Co-Produced by BD and Terranova. Photography by Eduard Sánchez Ribot

“What happens,” asks Luis Felipe Fabre, “to the body dressed in Sánchez-Kane?”

For their inaugural Venice edition, Index Art Book Fair will bring sixteen art book fairs from around the world presenting their personal selection of art and artists publications, accompanied by an exciting public program.

This book is aimed at tracing a connection between the architecture of the Albanian tradition and the informal nature of the spontaneous transformations of contemporary Tirana. The attempt to establish a link between the opposing features of functionalist formalism, typical of the city that grew during the totalitarian regimes, and those of the informal architecture, which represent the constructive freedom of recent times aims to provide a critical interpretation that is applicable to recent interventions for the recovery of the existing built heritage.

The Albanian Handbook for Art and Education is an ongoing, bilingual and freely accessible publication dealing with art and education in Albania, tracing a history that is still only partially accessible and complex to unravel.

Almost All the Flowers in My Mother’s Garden is a 144-page work containing more than 100 pictures of flowers,

The mandragora plant is one of the best recorded gynaecological herbal substances. It is also the only plant in the European context historically depicted as a half-human-half-plant-creature. The mandragora was, is and continues to be haunted by stories.

We design for life, death and posterity, all together - while understanding who and/or what is permissible to kill or let die. We try to understand why water is a false dragon and how it gives and takes life. We are encouraged to do some push-ups.

The exhibition Forms of the Shadow is accompanied by a publication that features texts by Sunjung Kim and Jeyun Moon; Su-Mi Kang; and Ingo Niermann. Functioning as both an exhibition guide and a stand-alone reader, the publication offers further insights and points-of-entry into the multifaceted practices of the artists featured in the show.

Di Pietro resurrects the corpus of Paul Thek, while sourcing inspiration as to what his practice might have become today

The Fountains of Za'atari is the articulated project that artist Margherita Moscardini has been developing since 2015 from her study of refugee camps as urban realities meant to last.

Beginning in the 1990s, the efflorescence of a technology-driven, ostensibly post-industrial “new economy” brought with it a revival of interest in an array of concepts and discourses relating systems and systems thinking that had animated both progressive utopian projects of the 1960s and 70s and the totalizing global geopolitical schemas of the Cold War.

Jasper Johns (b. 1930) is arguably the most influential artist living today.

Books are a meeting place. A sum of their many parts and artistic approaches. Form, concept, material and craft are bound together to create something rooted in its functionality, a process that often crosses over into the messier realm of art.

Simone Fattal’s exhibition metaphorS is accompanied by a small publication with an interview with Cecilia Alemani, who showed Fattal’s works in the main exhibition of the Venice Biennale in 2022. A series of black-and-white photographs captures the mood of a spontaneous work meeting with the artist, opening up an intimate space.

This publication is released on the occasion of Zhou Siwei’s exhibition I Sold What I Grow at the Vienna Secession, June 21–September 8, 2024.

Simon Dennys Interesse gilt der Entwicklung und den Widersprüchen unserer durch und durch mediatisierten Gesellschaft. Der 2012 mit dem Baloise Kunst-Preis ausgezeichnete Künstler untersucht die ästhetischen Verwandlungen von Fernsehgeräten und anderen Telekommunikationsdisplays im Lauf der letzten Jahrzehnte,

The exhibition is accompanied by a richly illustrated publication with two conversations between the artist and the journalist Adiaratou Diarrassouba and Thomas Lax, curator at MoMA in New York, in which she discusses the new photo series Achievement, her work with AI image programs, and the role she ascribes to them in the creation of new archives.

Susan Philipsz is one of the internationally most renowned contemporary artists. Her art explores the boundaries between sculpture and sound, between materiality and immateriality.

Short bursts of sound produced with my own voice traverse the space.

The Secret Agent is Douglas’s adaption of the 1907 political novel of the same title by Joseph Conrad. Set in London in 1886, the book recounts an anarchist’s failed plot to bomb the Greenwich Observatory and is considered

These creative spaces were incubators of radical thinking, in which artists could exchange provocative ideas. They were welcoming environments for artists, dancers, designers, writers, and musicians pushing the boundaries of cultural and social norms.

*Special edition with a silkscreened textile cover, signed and numbered by the artist. Limited edition of 50 copies.
Bernhard Cella’s sweeping pictorial documentary of convalescent men present us with an iconography of a century of medical progress and, by the same token,

Neue Straßen überwinden das Leitbild der autogerech­ten Stadt und zeigen so die wiedergefundene Bedeutung öffentlichen Raums auf. So werden aus reinen Verbin­dungs- und Erschließungslinien multifunktionale Aufenthalts- und Begegnungsräume.
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New streets overcome the model of the car-friendly city and thus demonstrate the rediscovered importance of public space. In this way, pure connecting and access routes are transformed into multifunctional recreational and meeting spaces.

In the first half of the 20th century, when architecture and literature dreamed of transparency, glass was the material these dreams were made of. However, the historiography of both fields usually focuses on a few canonical works by male authors to tell the story of this shared fascination. Departing from this imbalance,

Johanna Drucker’s Diagrammatic Writing is a poetic demonstration of the capacity of format to produce meaning. The articulation of the codex as a site for meaning-makinghas rarely (if ever) been subject to such highly focused and detailed study as in this volume,

Buy the Poster and download the Booklet (PDF) for free. Hybrid Publication: Analog Poster and Booklet Folded Artwork.

Alcohol Makes You Invincible by dddddddumar Fukunovo (a.k.a. Dumar Brown, a.k.a. Nov York) takes place in the post-apocalyptic present, a setting familiar from many twenty-first-century death-cult narratives.

"body to book” is an upcycling project that explores the relationship between the human body and books. It comprises six sculptures assembled from coat fragments and books, each covering a naked body.

This publication is the late outcome of a small symposium that took place in 2013 at the subject area time and space arts at the Academy of Fine Arts at Uniarts Helsinki.

This concertina opens in vibrant color to reveal in progressive spreads of two, four and six pages a rich sensory exploration of Edward James’ surreal jungle garden Las Posaz, in Mexico. Lush vegetation intertwines with the constructed buildings and staircases of James’ imagination and with Douglas’ own, in experiencing this garden and the rich culture of Mexico.

Bernhard Cella's performance uncovers the artistic potential of everyday situations associated with physical and mental mobility. The artist draws up scenes of European lockdown cowboys misappropriating props of lost urban life, celebrating memories of authentic knowledge sanctuaries, uninhibited revealing in open public spaces and inebriation with the flow of social interaction.
Cella manipulates and strings together various aesthetic aspects of fading cultural artifacts and, in collaboration with an art audience, produces a transformed experiential space-for a limited time only.

Derived from the short film 'Lost in Translation' (2024) by Sean Peleman and Tamara Sam, One-time edition of 100

‘Professor M looked down at his paunch and sighed. At 56 his physical decline, long established, hadn't got any easier to endure. Work didn't help. And neither would this meeting. In fact, he was dreading it. If she had shown his letter to the Dean he was done, and he knew it was his own doing. What a fool. He knew he had been kidding himself. Times had changed, and he knew that too.

Korrosion Kindheit // 1988 war Siggi Hofer – „der Künstler, der fiktive Welten schafft, diese mit realen Ereignissen mischt“ (Siggi Hofer) – 18. Das ist 19 Jahre her – der Künstler hat also seither länger gelebt, als er zu diesem Zeitpunkt bereits lebte; muß man daraus schließen,
es habe sich so gewaltig viel an Erinnerungsmasse aufgetürmt währenddem, daß dieses eine Jahr, mit 18 erlebt und 19 Jahre vorbei, bereits in den Orkus des Nicht-mehr Wissens rutschen musste? 1989, da war freilich was, aber 1988?

The things one finds wandering in a landscape: familiar things and utterly unknown, like a flower one has never seen before, or, as Columbus discovered, an inexplicable continent; and then, behind a hill, as if knitted by giant grandmothers, lies this vast rabbit, to make you feel as small as a daisy.

Lecture on Nothing is a recording of John Cage’s original text (of the same title) as read by a deaf performer.

The Donaufestival 2010 in Krems was held under the theme "Failed Revolutions" and featured a diverse program of music, performance, and visual arts. In the visual arts segment, Franz Graf and Christian Jankowski were among the artists showcasing their works. Media art pioneer Paul DeMarinis also presented pieces that combine sound, light, and technology. A catalog for the art exhibitions was self-published by the artists, providing additional insights to accompany the festival program.

How does art become a subversive partner of consumer culture? And how does the gaze into a shop window merge with that into a museum? Fresh Window illuminates a rich chapter in art history, where the shop window becomes a stage, and the promise of consumerism transforms into art. Spanning from the opulent displays of the early 20th century to the radical performances of today, this book bridges commerce, creativity, and societal change.

David Schalko, known as the director and writer of series such as Altes Geld and Braunschlag, is releasing his first photo book, Geister. It is the collection of an obsession: Schalko’s creatures, which he continuously and everywhere discovers, are stains and marks on streets, in backyards, and most prominently on house walls and in stairwells.

From 1998 to 2005, photographer Ivan Sigal worked, lived and travelled in Central Asia, traversing Russia, Kazakhstan, Uzbekistan, Tajikistan, Kyrgyzstan and Afghanistan. He roamed with a dual identity: on the one hand designing media projects with local communities; on the other, an itinerant documentarian. The images from his multi-year odyssey reveal

Author, art entrepreneur and art advisor, Christoph Noe, is back with his next round of advice on maintaining positivity in the art world with “How To Not Fuck Up Your Art-World Happiness – Volume 2.” This latest collection of guidelines is a follow-up to Noe’s bestseller, continuing the conversation of how to stay sane, engaged and even enthralled working in the art world. “

"This guidebook is my contribution to look at the positive side of the art world and give first-hand advice, tips and food for thought for a fresh perspective," explains Noe.

Franz Graf is now playing his characteristic game with emptiness and abundance, black-and-white contrasts, letters and words, small, delicate details and large iconic, archaic, and modern elements at the 21er Haus.

Headdresses and head coverings are among the most powerful vehicles of cultural identity, referring variously to nationality, subculture, gender, ethnicity, religion, and profession. Yet cultural identity is also continuously evolving. “Hybrid Heads” is a project by Daniela Dossi and the open collective studio Manoeuvre,

Weiner's later work expanded into wall installations, video, film, books, sound art, sculpture, performance art, installation art, and graphic art, maintaining his focus on language as a sculptural element.

Landscape Logic is an essay on the need for a landscape-based approach to designing sustainable urban environments.
Urbanization is one of the biggest challenges of this century.

Scratching the Surface examines graffiti and street art from multiple perspectives.

Reuse to Reduce shows the future of architecture through the process of building the new BioPartner 5 laboratory.