Johanna Drucker’s Diagrammatic Writing is a poetic demonstration of the capacity of format to produce meaning. The articulation of the codex as a site for meaning-makinghas rarely (if ever) been subject to such highly focused and detailed study as in this volume,

Buy the Poster and download the Booklet (PDF) for free. Hybrid Publication: Analog Poster and Booklet Folded Artwork.

Alcohol Makes You Invincible by dddddddumar Fukunovo (a.k.a. Dumar Brown, a.k.a. Nov York) takes place in the post-apocalyptic present, a setting familiar from many twenty-first-century death-cult narratives.

"body to book” is an upcycling project that explores the relationship between the human body and books. It comprises six sculptures assembled from coat fragments and books, each covering a naked body.

This publication is the late outcome of a small symposium that took place in 2013 at the subject area time and space arts at the Academy of Fine Arts at Uniarts Helsinki.

This concertina opens in vibrant color to reveal in progressive spreads of two, four and six pages a rich sensory exploration of Edward James’ surreal jungle garden Las Posaz, in Mexico. Lush vegetation intertwines with the constructed buildings and staircases of James’ imagination and with Douglas’ own, in experiencing this garden and the rich culture of Mexico.

Bernhard Cella's performance uncovers the artistic potential of everyday situations associated with physical and mental mobility. The artist draws up scenes of European lockdown cowboys misappropriating props of lost urban life, celebrating memories of authentic knowledge sanctuaries, uninhibited revealing in open public spaces and inebriation with the flow of social interaction.
Cella manipulates and strings together various aesthetic aspects of fading cultural artifacts and, in collaboration with an art audience, produces a transformed experiential space-for a limited time only.

Derived from the short film 'Lost in Translation' (2024) by Sean Peleman and Tamara Sam, One-time edition of 100

‘Professor M looked down at his paunch and sighed. At 56 his physical decline, long established, hadn't got any easier to endure. Work didn't help. And neither would this meeting. In fact, he was dreading it. If she had shown his letter to the Dean he was done, and he knew it was his own doing. What a fool. He knew he had been kidding himself. Times had changed, and he knew that too.

Korrosion Kindheit // 1988 war Siggi Hofer – „der Künstler, der fiktive Welten schafft, diese mit realen Ereignissen mischt“ (Siggi Hofer) – 18. Das ist 19 Jahre her – der Künstler hat also seither länger gelebt, als er zu diesem Zeitpunkt bereits lebte; muß man daraus schließen,
es habe sich so gewaltig viel an Erinnerungsmasse aufgetürmt währenddem, daß dieses eine Jahr, mit 18 erlebt und 19 Jahre vorbei, bereits in den Orkus des Nicht-mehr Wissens rutschen musste? 1989, da war freilich was, aber 1988?

The things one finds wandering in a landscape: familiar things and utterly unknown, like a flower one has never seen before, or, as Columbus discovered, an inexplicable continent; and then, behind a hill, as if knitted by giant grandmothers, lies this vast rabbit, to make you feel as small as a daisy.

Lecture on Nothing is a recording of John Cage’s original text (of the same title) as read by a deaf performer.

The Donaufestival 2010 in Krems was held under the theme "Failed Revolutions" and featured a diverse program of music, performance, and visual arts. In the visual arts segment, Franz Graf and Christian Jankowski were among the artists showcasing their works. Media art pioneer Paul DeMarinis also presented pieces that combine sound, light, and technology. A catalog for the art exhibitions was self-published by the artists, providing additional insights to accompany the festival program.

How does art become a subversive partner of consumer culture? And how does the gaze into a shop window merge with that into a museum? Fresh Window illuminates a rich chapter in art history, where the shop window becomes a stage, and the promise of consumerism transforms into art. Spanning from the opulent displays of the early 20th century to the radical performances of today, this book bridges commerce, creativity, and societal change.

David Schalko, known as the director and writer of series such as Altes Geld and Braunschlag, is releasing his first photo book, Geister. It is the collection of an obsession: Schalko’s creatures, which he continuously and everywhere discovers, are stains and marks on streets, in backyards, and most prominently on house walls and in stairwells.

From 1998 to 2005, photographer Ivan Sigal worked, lived and travelled in Central Asia, traversing Russia, Kazakhstan, Uzbekistan, Tajikistan, Kyrgyzstan and Afghanistan. He roamed with a dual identity: on the one hand designing media projects with local communities; on the other, an itinerant documentarian. The images from his multi-year odyssey reveal

Author, art entrepreneur and art advisor, Christoph Noe, is back with his next round of advice on maintaining positivity in the art world with “How To Not Fuck Up Your Art-World Happiness – Volume 2.” This latest collection of guidelines is a follow-up to Noe’s bestseller, continuing the conversation of how to stay sane, engaged and even enthralled working in the art world. “

"This guidebook is my contribution to look at the positive side of the art world and give first-hand advice, tips and food for thought for a fresh perspective," explains Noe.

Franz Graf is now playing his characteristic game with emptiness and abundance, black-and-white contrasts, letters and words, small, delicate details and large iconic, archaic, and modern elements at the 21er Haus.

Headdresses and head coverings are among the most powerful vehicles of cultural identity, referring variously to nationality, subculture, gender, ethnicity, religion, and profession. Yet cultural identity is also continuously evolving. “Hybrid Heads” is a project by Daniela Dossi and the open collective studio Manoeuvre,

Weiner's later work expanded into wall installations, video, film, books, sound art, sculpture, performance art, installation art, and graphic art, maintaining his focus on language as a sculptural element.

Landscape Logic is an essay on the need for a landscape-based approach to designing sustainable urban environments.
Urbanization is one of the biggest challenges of this century.

Scratching the Surface examines graffiti and street art from multiple perspectives.

Reuse to Reduce shows the future of architecture through the process of building the new BioPartner 5 laboratory.

Kramer’s work is in the fields of sculpture and installation. She combines familiar and unfamiliar objects in unorthodox ways that lead to completely contrary and sometimes even usable objects. While her works are highly distinctive in form and figuration, all the interventions comment on cultural and political phenomena within societies.

Visual artist Diana Scherer (1971, DE) is one of the pioneers in bio tech art. Scherer lives and works in Amsterdam, the Netherlands, where she studied fine art at the Rietveld Academy in Amsterdam. Her work comprises botany, installations, textile and biotechnology.

The Thinking Foot is a study of history and associations. In method and form it claims to be no more (nor less) than an illustrated essay on the architectural expression of surface. It concentrates on the Earth on which we walk: not the Earth in depth (the underground world) nor the geological Earth, but simply the Earth as visible crust, as surface.

A poignant news photograph, a striking headline or a major international event: for more than forty years Kees de Goede (1954) has been responding very tangibly to the news. For his series of Astral drawings he uses newspapers as subject matter and as the image support.

The richly illustrated book Without and within: essays on territory and the interior contains a series of essays that trace a thread of ideas,

Another Country offers a vital rethinking of British documentary photography over the last seven decades. This collection includes a diverse range of photographers working in an exciting array of photographic and artistic modes, encompassing images from iconic reportage to photo-text pieces, from self-portraits to political photo-collages.

In 1954, the French writer, politician, and publisher Andre Malraux posed at home for a photographer from the magazine Paris Match, surrounded by pages from his forthcoming book, Le musee imaginaire de la sculpture mondiale. The enchanting metaphor of the musee imaginaire (imaginary museum) was built upon that

Gabrielle 'Coco' Chanel is an icon of fashion, and can lay claim to having invented the look of the 20th century. At the height of the Belle Époque, she stripped women of their corsets and feathers,

Do you really want to remember your dreams? I often wish to forget mine, probably because I sometimes remember them to the point that

“Russians could say: If you tie yourself to the tree, they will simply cut you down together with the tree.

The book begins with one single verse of poetry on "Abdallāh - The Slain" (Abdallāh al Qateel), a poet who was killed by the last thing he saw: the columns of the castle as palm trees. The rest of the book is footnotes on each word in this verse, and on the works of this poet, who only exists on the margins of the arabic literary canon.

Indian stunt artists who hide their faces are paid more than those who show their faces, while Black women stunt artists are often cast for character types who don't even get a proper name in the script. Madhusree Dutta writes on hierarchy and exclusion in cinematic practices, with alternating chapters from the life stories of two female film students. Situated in a space between

A text by Iman Mersal inaugurating the "Howdunnit" series, part crime literature and part archival research, exploring how different modes of investigation converge and diverge.

A text by Merle Kröger inaugurating the "Howdunnit" series, part crime literature and part archival research, exploring how different modes of investigation converge and diverge.

John Armleder and his class at the Hochschule für Bildende Künste in Braunschweig, Germany, who call themselves Team404, solicited original graphic works made on A4 paper from over 500 artists (Corrie Colbert, Sylvie Fleury, Thomas Hirschhorn,

Queer Exhibition Histories comprises case studies highlighting the countless efforts, both large and small, of LGBTQIA+ artists and curators, centring on queer art exhibitions and their modes of documentation and archiving. Often, the legacy of these projects largely depends on personal archives, memories, and

‘Feminisms’ (as a plural) is widely used today to draw attention to inequalities and to critique the status quo in limiting women’s roles/ positions/ lives/ potential. Art can offer a vision of future worlds, manifesting a desire for projecting change, playing with existing realities and conventions. Feminist Art Artivism and Activism, two sides of the same coin,

The book "Blod som skuggor i vatten" contains 72 drawings made during a two month period when the artist, Ingvild Hovland Kaldal, received treatment in hospital for a postpartum psychosis in 2013. The drawings are all made with charcoal on paper, and towels. They vary in their expression from abstract to figurative. The book can be seen as a journal from a state beyond time. A state that moves between heaven and hell, where chaos meets ecstasy and darkness is mixed with light.

How do we draft a life, make of it a project, do our daily work? In what material and language does it arrive to us? And what if but it is done with one’s own body, and that body becomes this material but not the subject? Villiger’s autofictions––whether sculpture or image, human or vegetal body––prompt such queries.

Zeichnungen / drawings 1980-1988: Martin Disler, 126 Bilder / images, multimedia, Printed in Switzerland, 1989 Martin Disler, Elisabeth Kaufmann

this book follows a series of performances by the three artists: Yves Mettler, Erin Olivia Weber, Alexander Wolff

The most famous example of the modernist residential housing design principle developed by Le Corbusier is located in Marseille and was built between 1947 and 1952.

Starship #19, Apokolypse of the praktikal moment presents artists contributions by John Boskovich, Elijah Burger, Simon Denny, Cornelia Herfurtner, Yuki Kimura, Vera Palme, Nora Schultz, Jack Smith; and by Rosa Aiello, Carter Frasier, María Galindo, Samuel Jeffery & Daniel Herleth, Elisa R. Linn, Paul B. Preciado, and Haytham El-Wardany

John Newling is one of UK’s most important conceptual artists and the first Fulbright Fellow. Writings is the comprehensive collection of the artists essays from 1995-2005. Newling tackles themes such as ‘certainty and uncertainty’, ‘perception and cognition’,

The book traces the legacy of Zona. Eastern Europe performance art festival that took place in Timișoara, Romania, between 1993 and 2002,

THE LINE - Atlas of Remoteness documents the exploration of contemporary landscapes by walking along a straight line around the Earth.

In 1978 Grey Crawford created a body of colour photographic work that was so radical in its aesthetic and technique that few people to this day understand how it was made. Chroma documents late 70s Los Angeles in a period of radical urban transformation. Scenes of vernacular architecture, demolition sites and

This book, which brings together for the first time the entire series of films around the figure of Neanderthal Man produced by Nathaniel Mellors since 2012, is also the only monograph currently in circulation on the work of this British artist, since the catalogue The Aalto Natives – A Transcendental Manual published in

Casa Barragán, built in 1948 by famed Mexican architect Luis Barragán as his private residence and studio, is today considered a landmark of modern architecture. It is filled with all of the artworks and artifacts that Barragán placed in it during his lifetime, faithfully kept as they were when the residence was inhabited by its author. Recognizing the special regard

No Martyr: San Francisco Punk Posters 1976–1981 is a comprehensive visual anthology capturing the raw energy and DIY spirit of the Bay Area punk scene during its formative years.

Cabins is the outcome of Matteo Ghidoni’s theoretical and critical research on “being”. Relying on architectural drawing, and through the investigation of a human's most basic needs, Ghidoni produces ten abstractions of architecture, dedicated to the care of body and soul.
Cabins are not residential units as described by modern architecture;

Stretchy is an Art Magazine that is made purely of art works, it includes fiction, poetry, drawings, and Photography. Participants of the first issue - Merit Trapp, Keren Cytter, Pascal Leyer, Laris Maas, Minhae Kim, Anton Schmutzler, Mira Hyein Sung, Jonathan Hinz, Jana Nestler, Lim Kim, Birthe Langner, Rosa Glaser, Amarin Lawton, Chiaki Nakaune, Kenske Miyano, Alla Zhyvotova

Elke Krystufek (* 1970 in Wien) ist eine vielfach ausgezeichnete bildende Künstlerin, Fotografin, Installationskünstlerin und Autorin, die sowohl in Wien als auch in Berlin lebt und arbeitet.

In my Father's house are many rooms; if it were not so, I would have told you. I am going there to prepare a place for you. And if I go and prepare a place for you, I will come back and take you to be with me that you also may be where l am. You know the way to the place where I am going." John 14:1-4

The Summer 2023 explores themes of myth, memory, and folklore. Featuring Rasha Abdulhadi, Abdulkareem Abdulkareem, Lydia Abedeen, leena aboutaleb, Nyree Abrahamian, Maya Abu-AlHayyat, Yasmine Ameli, Aida Bardissi, Nwuguru Chidiebere Sullivan,

Capsule is a huge new offering from the team at KALEIDOSCOPE, a glossy, chunky, spiral bound design mag—‘indulging in a lavish physicality’—and refusing to be put in a single box. It covers interiors and architecture, fashion and technology, ecology and craft in order to assess and explore the relationship between design and consumption.