The work of Paulina Olowska (born 1976 in Gdańsk, lives and works in Raba Niżna, Poland) demonstrates an interest on Communist Poland's fascination with Western consumerism and celebrates the spirit and stylish improvisations of the "Applied Fantastic"—a term coined by Polish writer Leopold Tyrmand in 1954, to describe the vernacular re-creations of Western styles.

The first monograph on the New York based artists’ collaborative known for its socio-political art practice. Organised by former group members in keeping with the methods and aims Group Material employed, the book charts the origins, processes, developments, projects and contexts of the group’s activities, and draws heavily from Group Material’s archive, including original documents, photographs, drawings, correspondence, artefacts, anecdotal information and texts.

Das Buch „post-“ des russischen Photographen Dmitry Vyshemirsky ist ein Einblick in den postdeutschen und den postsowjetischen kulturellen Raum der Kaliningrader Region, der russischen Exklave an der Ostsee.

In Pirelli Work, taken at the famous tire manufacturer's plant, UK photographer Chris Killip (born 1946) documents the factory setting and the workers.

For use in cases of opening paralysis, fear of the future, and other known effects of advanced curatorial dependency. How does Neokuratin work? Neokuratin is a newly developed active ingredient belonging to the anxiolytika family.

mit Textbeiträgen von Maria Vassileva, Iara Boubnova, Nedko Solakov und einem Gespräch zwischen den Mitgliedern von Gelatin

(Engl./ Bulgaria)

Part document, part photographic album, this book by artist duo Jos de Gruyter & Harald Thys captures the sculptural revisionings of the descendants of an executioner family from Greifswald in Pomerania, a historical region on the southern coast of the Baltic Sea.

This book follows Image is Imminent and conflates the past four years of work by the artist. The title Holding the Frame came to the artist while watching Agnes Martin’s film Gabriel.

Exhibition catalogue / Silo-City welcomes you to an exhibition featuring artists on both sides of the Niagara River.

MAP, the award-winning contemporary visual art quarterly based in Scotland is committed to bringing you the best and most innovative in contemporary art. Each issue includes profiles on emerging and established artists and reviews and reports from around the globe.

In May 1968, demonstrations against the French government spread across Parisian universities, and then to factories and other workplaces, resulting in a general strike of eleven million workers that brought the country to a virtual standstill.

Morgan Fisher studierte zunächst von 1960 bis 1964 Kunstgeschichte in Harvard, besuchte dann die Filmakademie in Los Angeles und wechselte schließlich zum Film. Er arbeitete danach mehrere Jahre in Hollywood, vor allem als Cutter, eine Erfahrung, die seine Experimentalfilme mitprägte. (German/English)

Rachel Whiteread is famed for her use of casting to physically represent memory and absence. The progress of creating her vast sculpture for Tate Modern's Turbine Hall is followed here, featuring dramatic installation photography.
"'To make a sculpture in the Turbine Hall at Tate Modern is an enormous challenge. The space is like no other - gargantuan and enveloping. I hope to challenge the space by developing a degree of intimacy, which somehow relates to all our lives.' - Rachel Whiteread"

Skipper & Cora Beals and Major & Helen Huey in the Early Years of Camp Leelanau for Boys, the Leelanau Schools, and the Homestead in Glen Arbor. Volume One: 1921–1963

Women Between Buildings focuses on Wermers’ practice of the past 15 years, and includes essays by Sabeth Buchmann, David Bussel and Kerstin Stakemeier. Designed by Daly & Lyon, published by Kunstverein in Hamburg, Compagnia and Motto Books.

Women Between Buildings was published in conjunction with Wermer's solo exhibition at Kunstverein in Hamburg.

In her essay "Infrared Dreams in Times of Transparency – The Love Life of Drones and Other Western Cyborgs" Vika Kirchenbauer investigates the concepts of transparency, love, the “western” gaze etc. by reference to the global drone system:
Drones are masturbatory: they resemble only a self-consuming illusion of total subjectivity, a lonesome wank in the safest place.

An artist book juxtaposing text and image, history and its revision, The Blind Merchant was produced from 1989 to 1991.

The Communist Manifesto was first printed as a 24 page pamphlet in February 1848, in London. Since that time, it has been reproduced in countless contexts — making it not only one of the most widely read texts ever, both one that continues to be disputed for the efficacy of its call to action.

Painting Behind Itself begleitet die Entwicklung zweier aktueller Werkreihen der Künstlerin Melissa Gordon, Blow Up Modernists und Material Evidence, vom Atelier zum Ausstellungsort. Die Entstehungsprozesse, Querverbindungen und das Präsentieren von Gordons Gemälden und Siebdrucken werden im Kontext ihrer Entwicklung dargestellt und im kritischen Diskurs durch einen Text von Oliver Zybok, ein Interview von Roos Gortzak mit der Künstlerin und den Essay »Malerei hinter sich« von Eva Kenny weiter beleuchtet.

Mexico City artist Gabriel Kuri presents an index of recent works here, from plastic heads of lettuce stuffed with lotto tickets to handwoven "leaflet" tapestries to silver emergency blankets on big wooden sticks, crushed drink cans and various ephemeral found objects collected in plastic bags.

A catalogue about Markus Schinwalds work at the 54th Biennale di Venezia.

The second issue of Amc² journal features the funerary practices of the Fali tribe of Cameroon, Martin Parr’s appreciation of the concrete hotels of the Spanish Costas, the tragic story of Henri Gaudier-Brzeska’s love Sophie, Ian Jeffrey’s history of Berlin’s KaDeWe department store and much more.

Natural Histories. Traces of the Political explores representations of nature in reference to social processes and historical events. Looking at various themes, these works show the mutual interrelations between nature and history beyond all idyllic idealization.

Der brasilianische Performance- und Videokünstler Alex Villar stellt in eine Art Portfolio verschiedene Projekte vor. Die Ausstellungsansichten und Stills aus Videoarbeiten seiner performativen Interventionen werden von Textbeiträgen, einer ausgewählten Bibliographie und einer ausführlichen Biographie ergänzt.

Faltblatt zu Jesper Justs Ausstellung auf der 55. Venedig Biennale 2013.

It’s impossible for the viewer not to be affected by the color sensations that Roland Schimmel’s airbrushed paintings evoke. In his work, he strives towards a visual short circuit: he manipulates perception at the level of its unconscious reflexes. The after images that are generated after perceiving shapes and colors play a central part in his work. He combines image with after image: when they are squeezed together into a simultaneous presence, an unbearable pressure results. Reality and illusion seem to be projected interactively on the canvas through the eye. This way, what takes place within us is made perceptible outside us, so he plays a game with the border between perceptible reality and projection.

Introduction by Eva Wittocx
[ENG/DUT]

INFLUENCE brings together five projects in a series of exhibitions developed by Komplot. Each project will design its own rules of engagement with divers participants, evolving around different types of collaborations - between artists and curators, local residents, students, artisans and craftsmen.

Schleichende Werbung und schnelle Avantgarde. Technology Exchange and Flow: Artistic Media Practices and Commercial Application.

1953. Possible Scenarios of a Discontinued Future creates a multi-layered investigation into an unrealized social vision for a new modernist utopia—conceived of as a city within a city, for a working class population of 17,000—on the site of the displaced communities of Chavez Ravine, situated just northwest of downtown Los Angeles.

In the 1960s, the Rhineland was an important focus for massive changes in contemporary art. A new internationally networked generation of artists turned away from traditional notions of art.

Produced by Academie Anartiste as an extension of the eponymous exhibition organized by the Royal Swedish Academy of Fine Arts and Moderna Museet in 2011. (engl.)

Neuauflage der Publikation von 1980, erscheint anlässlich den Ausstellungen im Project Arts Centre, Dublin, im Grazer Kunstverein und im Utah Museum of Contemporary Art, Salt Lake City.

The book. 101 Art Works, is an attempt at approaching the history of contemporary art in Turkey through the art works and is offered both as an experience and a proposition.

Zine, limited to 120 copies

Drawings From My Previous Life is a collection of Mai Ueda’s closest friends watercolor portraits that the artist created during the last decade, when she was part of the so called Neen art movement.

(Englisch)

Exhibition Catalogue to the 55th Biennale di Venezia, 2013

(English)

Fanzine, 1990

(Englisch/Spanisch)

Not so much for London based Illustrator Gino Cullen. His unique touch for anmials, in the broadest sense possible, is in full effect throughout this book. (Englisch)

Neben Abbildungen der ausgestellten Werke enthält der Katalog Textbeiträge von Diedrich Diederichsen, Katerina Gregos, Kai Hammermeister, Elisabeth Hirschmann, Veit Loers und Peter Pakesch sowie ein Gespräch der Kuratoren mit Martin Prinzhorn.

Viennese Actionism is the most important Austrian contribution to international avantgarde developments in the Sixties that extended the definition of art.

DEAR MAGAZINE focuses on the fashion production industry, small traders and enterprises in Korea.

(Korean and English)

He’s the only human being in recorded history to claim the distinction of swimming the entire length of the Mississippi River.

Diese Publikation ist anlässlich einer Ausstellung entstanden.

Eine Fotoreihe, die Bewegung und Wandel in der Natur sowie im Alltag festhält.

Die Fotos der 6-teiligen Serie „Selbstportrait N.Y.C.“ sind während meines Stipendium-Aufenthalts 2001-2002 entstanden.
( Sabine Schwaighofer)

The catalogue was published on the occasion of the exhibition Brian Mc Kee: Urbanus, held at Mitchell-Innes & Nash, New York, March 9 - April 9, 2005

- Signiertes Exemplar

Published on the occasion of Struktur&Organismus.

The housing question is a universal question.

An art project in book form that juxtaposes the photographic and the epistolary, race and class, and gentrification and displacement in the Brooklyn neighbourhood of Bedford-Stuyvesant.

Ulay - Life-Sized
He describes himself self-deprecatingly as the “most famous unknown artist”: Frank Uwe Laysiepen aka Ulay. With his concept of transformation, he constantly

KRAFT created in collobaration between Grundtner&Söhne and Kraft Studio is a magazine that focuses on all things culture.

This English collaborative art practice was formed in 1984 and created a radical stance towards the art world, based on critical post-modern thinking.

Caio Reiswitz's work sets out to establish connections between the construction of what is real and the recording of what is artificial through photography.

In November 2010, a state security report was made public, one of its appendices listin the addresses of so-called "operative flats" used by the secret police.

An artist book juxtaposing text and image, history and its revision, The Blind Merchant was produced from 1989 to 1991.

Danish artist Ebbe Stub Wittrup works with superstition and the creation of myths, optical illusions and tricks of the mind in his art.

Punk rock fags fetishize cowboys, sailors, athletes, beefcakes, basketball players, Cher, Bessie Smith, Divine and farmers, all the while remaining politically engaged in race, economics and drug issues of the era.

Eigentlich kennen wir sie bisher kaum: Die Damen der Pop-Art. ›Power Up – Female Pop Art‹ bietet endlich eine Revision der Pop-Art durch herausragende weibliche Positionen.

From a background as an illustrator, comic book artist and graphic designer Søren Behncke changed his focus in 2002 and began working solely with painting and sculpture.

Von den Buch Stilmöbel: Stühle, Sessel, Kanapees von Ludwig XIII. bis Napoleon III., Madeleine Jarry, De May, Düsseldorf/Lausanne, um 1960.