Since the early 1990s, the work of Pedro Cabrita Reis (born 1956 in Lisbon) has revolved around themes of the house, habitation, architecture, and territory.

Lawrence Weiner (b. 1942) is one of the primary figures associated with the emergence of conceptual art in the 1960s.

Sculptures and Installations 1979–2007 offers a comprehensive view of Robert Gober’s sculptural practice, foregrounding his transformation of

Drawings, Collages, and Book Drafts presents a concentrated view of Rosemarie Trockel’s works on paper, revealing drawing and

Hans Purrmann (1880–1966) is regarded as one of the most important German artists of the first half of the twentieth century.

From 1960 to 1969, the City of Vienna acquired around 3,100 works of art, and almost 500 mosaics, sculptures and playground sculptures were created.

DARBOVEN, HANNE 1941 Munich – 2009 Rönneburg Title: Urzeit/Uhrzeit (Primeval Time/Time). Date: 1990. Technique: Book with 24 collaged offset lithographs. Dimensions: 43.5 x 31 x 4.5 cm. Inscription: Monogrammed, inscribed twice and numbered.

Famed for his works of physicality compounded by breathtaking size and weight, Richard Serra is one of the artists at the forefront of contemporary sculpture.

The February 1985 issue of Interview Magazine centers on Mick Jagger and captures the distinctive editorial voice shaped by Andy Warhol.

Giulia Casartelli created a series of 111 watercolour postcards, each sent to a different selected recipient.

Roman Signer has been internationally renowned since the 1990s for his artistic actions that playfully engage with water, sand and explosive materials.

Since the mid-1960s, On Kawara (b. 1933) has objectively recorded his existence through everyday numbers, words, and found images.

Christopher Morris’s My America was produced over the past three years while on assignment for Time magazine covering the first and

Zeng Fanzhi is best known for his Mask paintings: figures wearing simplified white masks, often with exaggerated hands and wide, staring eyes.

This is a monograph on *Kara Walker, offering a comprehensive overview of her work and its development.

1954, Drawings on a Bus: Sketchbook 23 offers a rare and intimate look into Ellsworth Kelly’s early drawing practice.

William N. Copley (1919–1996) was initially an American gallery owner representing major surrealists such as

The Sign Painting Project came into being between 1993 and 1997 through a collaboration between Francis Alÿs and professional billboard-painters from

Knots'n Dust is the title of a monographic exhibition of Francis Alÿs that was held at Beirut Art Center in 2018 following an invitation from Marie Muracciole.

On the Water. Palisade Bay is the result of an initiative by engineers, architects, landscape architects, urban planners and students to jointly design a so-called

There are no smoking cowboys swinging their lassoes or bare-breasted blondes on heavy motorcycles in this droll collection of highly expressive

Celebrated for his explorations of the process of creating art and of the 'idea' of art, Rudolf Stingel (b. 1957) combines minimalist, conceptual,

David Tremlett: Drawing Rooms focuses on the immersive spatial work of David Tremlett, whose practice foregrounds drawing as an expansive,

Figuration is an art publication that examines the resurgence and development of figurative imagery in contemporary art.

How Do I Make Myself a Body? is a publication centred on the work of Henrik Olesen and the eponymous project that explores concepts of embodiment,

Binaera: 14 Interaktionen – Kunst und Technologie examines the intersections of art and technology through fourteen distinct projects that explore interaction as both concept and practice.

Bonjour Tourist presents the work of Will Benedict, exploring travel, encounter, and the visual languages of place and expectation.

Hedwig’s Betrayal frames these works within a broader inquiry into how images can embody conflict, vulnerability, and

The accompanying publication to Shadow Citizens explores the radical film practice of Želimir Žilnik at the intersection of art, politics, and

ST/A/R – Städteplanung, Architektur, Religion – Zeitung für Hochkultur, Mittelmaß und Schund is a critically minded periodical that approaches the intersections of urban planning, architecture, and

Artful Lives offers a richly researched biography of Edward Weston and Margrethe Mather, set against the vibrant artistic and

This volume, belonging to the two-part publication accompanying Müller’s exhibition at the Kunsthalle Baden-Baden, is an invitation to

I love to be there near you, so close a rock, so close on the porcelain tile, teëls, ons spore op die grond, ons sweet,

Reunión: North Border is a unique artist-book and collaborative project by Dani Zelko that emerges from a conversational, poetic, and social practice

With “Pleasure, Habeas Corpus, Motoricity. The Great Western Possible”, Robert Estermann is presenting on the occasion of the exhibition

The first comprehensive edition of Eugen Wiškovský's photographs together with his texts. Photographer, teacher, translator of Sigmund Freud,

Showed in the form of a Catalogue raisonné, this photo book is a trip to an imaginary country within the borders of Lebanon,

At the core of Nikita Kadan’s practice is a critical engagement with the social and political conditions of the post-communist present and their roots in Soviet

David Robilliard: The Yes No Quality of Dreams is a focused artist monograph on the poet, painter, and performer

Edited and assembled around collaborative and intermedia practices in sound, code, and visual representation,

This publication accompanies Ai Weiwei’s exhibition Disposition at Lisson Gallery in London, presenting a focused selection of work that

The series of portraits in this book, which include Pussy Riot member Yekaterina Samutsevic and many other Moscow citizens, were created by a machine:

The book DER PARASIT/THE PARASITE showcases works by artist Sophie Tiller that were created during her long-term project of the same name.

Herbert List war fasziniert von den „künstlichen Menschen“ – lebensgroßen Figuren aus Wachs –, die im Panoptikum im Wiener Prater ausgestellt waren.

The first publication of artist and architect Frederick Kiesler’s epoch-spanning history of human architecture, largely unknown but still relevant.

What changes when we religiously worship the toxic? I

The English edition of “Notes on Space”, first published in Estonian, in collaboration of Lugemik and Theater NO99 in 2012 to celebrate

This volume explores the curious afterlives of the floppy disk in the 21st century through the work of those involved with the medium today.

Serial Grey is the publication for Jeff Weber‘s exhibition at Carré d‘Art, Nîmes. The four chapters of the book correspond to the

Fredrik Værslev: Open Window documents the artist’s exhibition at Kunstnerforbundet in Oslo, created on the occasion of the 100th anniversary

This title offers a superbly illustrated overview of the evolution of two very different strains of modern Japanese photography.

Of Love & Care is a photography book by Sabine Schirdewahn that investigates the presence of memory, intimacy, and absence through domestic

Joannis Avramidis. Ausstellung Leopold Museum, Wien is the official catalogue for the retrospective exhibition of

Nostalgia by David Horvitz is an artist’s book that explores memory as a fragile, unstable process rather than a fixed archive.

Eva Hesse: One More Than One is a comprehensive exhibition catalog and monograph dedicated to the life and work of Eva Hesse (1936–1970)

Anne Truitt: Drawings showcases a selection of works on paper by the American artist Anne Truitt (1921–2004), known primarily for her

Chris Ofilis intricately constructed works, combining beadlike dots of paint, collaged images from popular media, and elephant dung,

2017 begeht die Kunstwelt das 100. Todesjahr von Auguste Rodin (1840–1917), des Schöpfers so gewaltiger und bahnbrechender Bronzeskulpturen

s book is an exciting step back in time to when Männer Vogue was Germany's leading men's fashion magazine.

David Claerbout's large-format film projections are characterised by extremely slow-motion image sequences created using computer-generated methods.