Peter Friedl’s work addresses the conditions of representation, historiography and the political function of images.

Home assembles staged photographic works and related installations that examine identity, cultural stereotyping and the construction of authenticity within global image culture.

Pioneers of German Graphic Design tells the fascinating story of German graphic design in all its detail, from the late monarchy to the Wirtschaftswunder after World War II.

Warum sind Pizzas rund und Fischstäbchen rechteckig? Warum zerschneiden wir eine Torte anders als ein Brot?

About two decades ago, Hendrik Kerstens decided to fully and exclusively devote himself to photography. Paula, his daughter, quickly became his favourite subject.

Die Publikation untersucht das zeichnerische Werk Lucio Fontanas zwischen 1946 und 1960 und positioniert es im Kontext seiner Entwicklung vom Informel zum Spatialismus.

This publication documents the memorial erected in 2017 at the former Aspang Railway Station in Vienna, from which more than 47,000 Jewish men, women, and children were deported between 1939 and 1942.

Salt’n Vinegar presents a series of photographs created by A-chan in her New York home and during travels between 2011 and 2013.

Dies ist ein Sammelband mit von Wulffens gesammelten Comics von 2011 bis 2020, der eine scheinbar beiläufige Seite ihres Schaffens zeigt.

The portrait constitutes a fundamental component of Fazal Sheikh’s oeuvre.

Simon Denny presented a solo exhibition at the Ursula Blickle Stiftung (Kraichtal, Germany), an institution known for its focus on contemporary, conceptually oriented artistic practices.

Wear Me Out is a publication centered on the work of Austrian contemporary artist Erwin Wurm, known for his playful, provocative explorations of everyday objects and bodily presence.

This archival volume brings together key projects and works by the Austrian artist Gertrude Moser-Wagner from 2009 to 2021.

Time Is Thirsty was conceived as a “temporal mash-up” that dissolves clear boundaries between decades and cultural contexts by placing artworks and sensory stimuli from different historical moments in dialogue.

„Better Read Than Dead“ was the title Seth Siegelaub had chosen for an anthology of his own writing―one of the projects for which he never found the time, busy as he was running his global one-man operation.

When Oswald Wiener and his wife Ingrid moved to Canada in 1984, it was not only an act of intellectual inquiry but also a deliberate decision by the writer to leave art behind.

Art Spaces Directory is a comprehensive reference publication mapping independent, artist-run, and non-profit art spaces worldwide.

Tribal Art: Oceania – Asia presents a survey of ritual, ceremonial, and sculptural works from Oceania and selected regions of Asia.

Die Publikation erscheint anlässlich des 80. Geburtstages von Hartwig Ebersbach. Eine Biografie im Spiegel der Kasperpuppen-Sammlung: Hartwig Ebersbach ist Kasper.

Father and son artists Andrew Wyeth (1917–2009) and Jamie Wyeth (b. 1946) are among the most celebrated American realist painters of the 20th century.

The Baule people of the Ivory Coast are renowned for their refined sculptural work of masks and figures.

The supplement to the 1978 landmark catalogue raisonné of Jackson Pollock’s work documents forty-eight newly discovered paintings and works on paper that emerged after publication of the original volume.

This anthology examines the psychological dimensions of space and the emotional responses it provokes, including agoraphobia, vertigo, and claustrophobia.

Ecology Works surveys the practice of John Newling, focusing on his sustained engagement with ecological systems, sustainability, and the politics of food production.

Headless Woman with Parrot (Triangle) ist Teil von Caitlin Keoghs malerischer Praxis, die figurative Elemente mit dekorativen und symbolischen Motiven kombiniert.

Culturefield documents a body of work by Ryan Gander that examines systems of value, cultural production, and institutional framing.

Mark Seliger Photographs is a comprehensive retrospective of the work of Mark Seliger, spanning more than three decades of portrait and editorial photography.

Arts of the Working Class is a multilingual, international street newspaper and

This publication originates from a collaboration with David Aerne, a color scientist and long-term creative partner. Together, we explored generative gradients and examined what happens when color becomes the primary structural parameter of an artwork.

The first monographic publication by Vienna-based artist Angelika Loderer documents her examination of the definition of sculpture from 2009 to 2019.

Coming Closer was published on the occasion of Christoph Hinterhuber’s exhibition at Galerie Elisabeth & Klaus Thoman, Innsbruck, in collaboration with Nouvelle Galerie, Grenoble (2003).

Selbstporträt. Mit leeren Händen documents four conversations between Albert Oehlen and Rainald Goetz conducted between 1994 and 1998. Published as Bulletin 23 of the Fama & Fortune series,

The Drawings of Olav Westphalen presents a curated selection of works by Olav Westphalen, drawn from nearly 2,000 drawings that were examined in his Brooklyn studio.

In his collages, films, and architectural stagings, David Maljković engages critically with the legacy of modernism. Central to his practice are sculptural and

History and Other Objects brings together a substantial selection of works by Ekaterina Shapiro-Obermair, ranging across media such as installation, object, photography, and archival engagements.

Otto Zitko. Bunkier Sztuki is an exhibition catalogue documenting Austrian artist Otto Zitko’s presentation at Bunkier Sztuki – Contemporary Art Gallery Krakow in 2006.

WOODS is an artist book conceived and drawn by Alois Mosbacher between January and March 2021. The publication reflects on Mosbacher’s sustained engagement with the forest as both a real and symbolic space.

Alien Nation documents a body of work by Katrin Plavčak that moves between painting, drawing, and installation.

Korakrit Arunanondchai’s publication operates as an extension of his practice, in which painting, moving image, performance, and installation are conceived as interdependent narrative systems.

Clearly "shit mom" can be taken in several ways. Most obviously, it would seem, the title adopted by Tala Madani for her latest series of paintings (and for her book) refers to

Was trägt Sie? / What carries you? was published on the occasion of Lisa Holzer’s exhibition at the Secession in Vienna in 2019.

A Visit with the Artists documents an extended interview conducted by Sylvère Lotringer and published in 1994 as part of the Melbourne-based Pataphysics Series.

This exhibition catalogue, edited by Hans D. Chris and Iris Dressler and published in 2005 by Revolver – Archiv für aktuelle Kunst, documents a presentation dedicated to drawing by

33 degrees in the city, everything is sweating. Under the stage lights, the artificial hairpiece only intensifies the heat.

Kresiah Mukwazhi: Secession, Wien is the first monograph by Zimbabwean artist Kresiah Mukwazhi, published on the occasion of her 2023 exhibition at the Secession in Vienna.

In her work—spanning installations, videos, and performances , Carola Dertnig addresses artistic processes in relation to historiography, genre, and perspective.

TL CS PP DS was published on the occasion of Sophie Thun’s exhibition at the Secession in 2020.

Last year we traveled to China to begin filming a remake of Metropolis.

Long Haired and Freaky documents an early phase in the work of Norwegian artist Gardar Eide Einarsson.

The publication Out of Syria, Inside Facebook by Dona Abboud addresses the representation of war, displacement, and personal experience within digital media environments.

Shortly before the first lockdown, the Austrian conceptual artist and poet Kurt Ryslavy began a new series of paintings titled Werktagsmaler (“Weekday Painter”).

This illustrated alphabet of the Czech Republic ABCZ or All You Need to Know about Czechia and the Czechs takes a broad view of Czech culture,

The complete collection of Fluxus’ newspapers featuring work by iconic conceptual artists, writers and composers.

Anna Daučíková’s work investigates the perception and construction of the body, identity, and subjectivity. Since the 1980s she has developed an artistic practice that combines film, photography, installation, and text.

Since 2003 editor Alexander Linn has closely followed the graphic work of André Butzer.

The painter Henry Fuseli (Johann Heinrich Füssli) is one of the most distinctive artists of the late eighteenth century.

Between 1978 and 2008 Frida Parmeggiani was among the most sought after costume designers in Europe.

Filled with stunning 18th- and 19th-century illustrations of plants and other living creatures, this book is the first to bring together the life and art of the three Bauer Brothers,

One of the most important figures in global modernism, Cuban artist Wifredo Lam (1902'1982) traveled extensively in Europe in the 1930s,

The Vanities: Hollywood Parties 2000–2009 presents a decade of photographs by American photographer Larry Fink documenting the legendary Vanity Fair Oscar parties.