Stump offers a radical, up-close look at the political spectacle in the United States, at a time marked by unprecedented partisanship,

Twenty years after Modern Lovers, a body of work on androgyny and transgender created when AIDS was at its peak, Bettina Rheims now presents Gender Studies

Haunts can be seen as part two of a trilogy which began with Trying to Dance, JH Engström’s artist’s book project which was short-listed f

This artist’s book brings together two technological extremes: one of the earliest photographic processes, the daguerreotype, and one of the most advanced contemporary imaging techniques, scanning electron microscopy.

A GUIDE TO TREES, Yto Barradas’s artist’s book, follows in the satirical tradition of Jonathan Swift.

In terms of both form and content, Breath Holding Spell draws directly on Bruce Nauman’s artist’s book LA AIR, published in 1970,

Mit ihren konzeptuellen Fotografien und experimentellen Kurzfilmen hat sich Friedl Kubelka – als Filmemacherin ab 2009 Friedl vom Gröller – international einen Namen gemacht.

This unique collaboration between two key figures in performance art spans all phases of their twelve-year partnership and shared life.

Highways are the lifelines of Europe. They carry the goods we need every day to supermarket shelves, hauled by thousands of trucks driven by hardworking drivers.

Philippe Parreno (born 1964) undermines the notion of the discrete, ownable, copyrighted artwork through collaborations with artists such as

The self-published photo volume Wet City / Islak Kent is Murat Yusuf Sen’s contribution to the visual reflection on urban change in Istanbul.

Per Dybvig understands drawing as an immediate form of observation. His work is based on quick, open lines that register gestures, postures, movements, and social situations without fixing them into closed compositions.

Fluxus Subjektiv was published in 1990 on the occasion of the exhibition of the same name and the Fluxus actions at Galerie Krinzinger in Vienna.

Toutou, tueur né: Natural Born Killer / Apocalypso Place documents two central bodies of work by Christoph Draeger and Reynold Reynolds from around 2000.

Kerem Ozan Bayraktar s solo exhibition "Rocks and Winds, Germs and Words" is about reflecting on "life" on earth. It is organized around the concepts that Kerem has been tackling in his recent work "Great Oxidation Event" (2019).

The extensive catalogue documents a programmatic group exhibition of Austrian contemporary art of the 1980s and brings together central artistic positions of the period.

The catalog for the exhibition Kader Attia: Sacrifice and Harmony brings together a wealth of materials, images, and texts related to the French artist’s new works.

Kader Attia: RepaiR is both an artist’s book and a reference monograph on one of the central concepts in Kader Attia’s work: repair.

Otto Muehl. Leben / Kunst / Werk. Aktion Utopie Malerei 1960–2004 was published in 2004 on the occasion of the exhibition of the same name at the MAK, Vienna.

The Sound of Normalisation is a collection of audio recordings and a book of transcriptions documenting the sounding culture of the ultras group Brescai 1911 in relation to modern football and the wave of repressive measures targeted at organised supporters groups.

This magazine takes the necktie as its subject: a small accessory with a remarkable capacity to carry social codes, contradictions, and historical change.

Daniel Dewar & Grégory Gicquel: Sculptures in the Round is an artist’s book published on the occasion of the duo’s exhibition at the Secession in Vienna in 2021.

A new book on an artist at the height of his powers, covering the last decade and a half of his extraordinary career and designed by the artist himself Since the early 1990s Wolfgang Tillmans has established himself as one of the most exciting and innovative artists working today.

Carlos Bunga is an artist’s book published in connection with the artist’s exhibition at the Vienna Secession.

Christine Sun Kim. Draw a Blank – Blank ziehen is the first monograph on Christine Sun Kim and was published in connection with her exhibition Cues on Point at the Vienna Secession.

The publication accompanies Strafer’s film of the same title and offers insight into its development.

The publication investigates forms of authorship that are unstable, digressive, self-reflexive, and open to interruption. Sterne’s novel is relevant here because it famously turns narration itself into a medium:

Leopold Kessler has revealed new possibilities for art in the public space. He has shown that every activity, even the most mundane and the most banal, can be changed into “doing art.”

The catalogue accompanies a body of work situated between photography, installation, and conceptual practice, reflecting Trauttmansdorff’s interest in urban space, perception, and the structures that shape everyday environments.

Rather than a conventional catalogue, the publication takes the form of an artist’s portfolio: a gathering of loose pattern sheets, a facsimile letter by Chaimowicz, and a booklet with exhibition views and a text by Silvia Eiblmayr.

Rather than treating autobiography as a stable narrative of identity, the publication approaches it as a performative and fragmented form.

The publication reflects Klub Zwei’s collaborative method. Rather than treating representation as a neutral form of visibility, it asks how images, narratives, and public statements shape political understanding.

The artist’s book presents a selection of source images and visual materials that relate to Hila’s painting practice and to his sustained engagement with architecture, public space, and the social transformations of Albania and post-socialist Europe.

Verena Dengler: Die Galeristin und der schöne Antikapitalist auf der Gothic G’stettn was published in connection with the artist’s exhibition at the Vienna Secession in 2020.

František Lesák. Vermutung und Wirklichkeit – ein Selbstversuch is an artist’s book published by the Vienna Secession in 2021 in connection with Lesák’s exhibition of the same name.

The book is connected to Abu Hamdan’s installation Earwitness Inventory, an ongoing work consisting of sourced and custom-designed objects used to reconstruct, describe, or evoke remembered sounds.

Willmann is one of the key figures in Austrian photography. As an artist and as co-founder and long-time editor of Camera Austria, he played an important role in shaping the discourse around contemporary photography in Austria.

Strobl’s practice moves between photography, collage, drawing, text, design, and found visual material. Animals appear throughout her work not as sentimental motifs,

Marioni is associated with Radical Painting, a movement that approached painting not as image, composition, or representation, but as a material and perceptual event.

The publication reflects a scene marked by self-organization, shifting institutional frameworks, and the need to create new spaces for art after political rupture.

Rita McBride’s Secession Tower takes as its point of departure one of the most symbolically charged buildings of Viennese modernism: the Vienna Secession.

Suellen Rocca's publication, a facsimile of her own design prototype, comprises nine drawings she selected from her sketchbook.