Tea-tables from the Danhauser Furniture Workshop documents a group of tea-table models produced by the Danhauser’sche Möbelfabrik in Vienna.

When artists engage with the house, it is transformed. Their artistic interpretations stand in stark contrast to the conventional dream of home ownership.

This publication analyzes various aspects of the craft sector. It explores the reasons behind the global craze for craftsmanship and

With Josef Frank (1885–1967), the acclaimed catalog accompanying the 2015/16 exhibition at the MAK in Vienna focuses on one of the most significant Austrian architects of the 20th century.

Nomadic Furniture 3.0. New Liberated Living? explores the history and present state of self-built, mobile, and flexible furniture.

The book examines two central modernist positions through the contrasting work of Josef Hoffmann (1870–1956) and Adolf Loos (1870–1933).

Friedrich Kiesler – Lebenswelten / Life Visions is dedicated to the work of the architect, artist, and theorist Friedrich Kiesler.

KALEIDOSCOPE No. 8 focuses on the theme “The Politics of Friendship” and is part of the magazine's early phase; it was founded in Milan in 2009.

The issue introduces the editorial approach that would define the magazine in its early years:

In his artistic practice Steve Bishop explores how mental states can be materialized and conveyed in space, through installations often involving personal belongings and mementos.

Taking New York City lives as starting points, the artists’ book develops their shared interest in mapping urban life by charting the city’s anonymous signs and personal signatures.

Michael Janiszewski. Fotoarbeiten 1990–1999 / Photography 1990–1999 brings together photographic works from a decade in which Janiszewski used staging, disguise, and role-play as central means of image-making.

“A Longing for Beauty: The Wiener Werkstätte and the Stoclet House” explores the Wiener Werkstätte as one of the central reform projects of Viennese Modernism.

Late Antique and early Islamic textiles, often referred to as Coptic textiles, form the focus of this volume.

From the first series, Unconscious Places (1987), to recent works addressing research and globalization, Struth’s sustained engagement with the universal themes of our time becomes clear:

My friend Thomas Erdbrink lives in Iran and subscribes to NRC Handelsblad. By the time the sealed newspaper lands on his doormat in Tehran, the Iranian authorities have already secretly inspected its contents.

The gift certificate can be redeemed for artists’ books, limited editions, publications, and special finds at Salon für Kunstbuch. Its value will be deducted from the purchase price at the time of purchase.

The gift certificate can be redeemed for artists’ books, limited editions, publications, and special finds at Salon für Kunstbuch. Its value will be deducted from the purchase price at the time of purchase.

Handmade is a series of images whose motifs show digitally imagined books made by hand.

Bernhard Cella’s sweeping pictorial documentary of convalescent men present us with an iconography of a century of medical progress and, by the same token, with a typology of the mise en scenes of soon-to-be homecoming patients.

The Last Newspaper was a hybrid exhibition inspired by the ways artists approach the news and respond to the stories and images that command the headlines.

It's been thirty years that Nina Zivancevic has been offering us the wisdom of her thought and creative observation, be it through numerous analytical publishing, specialized art reviews, critical essay writing or through her poetry.

This booklet explores the idea of “home.” It begins at a table in a Vietnamese restaurant in Hawaii, and brings together people I met there, fragments of events, and memories through photographs, drawings, and text.

This publication is centered on a body of work in which Nancy Spero’s characteristic way of working becomes especially clear.

Jeunesse Youth Part 1 is a publication by Saâdane Afif that can be understood in relation to a practice shaped by transfer, reinterpretation, and the movement of works across media.

Central to Hannes Schüpbach’s work are the conditions from which art emerges: moments of perception, encounter, and translation. In this project,

Altered After brings together artworks shaped by questions of time, care, and transformation in response to HIV/AIDS.

POSTER BOY is a magazine made up of posters

Americans is the second book in a series on America by Christopher Morris.

In his work, Miklós Erhardt explores artistic avenues for action in relation to sociopolitical and economic issues.

Mihály Biró (1886–1948) is one of the best-known and most uncompromising Hungarian graphic artists of the early 20th century.

In Ovid’s Metamorphoses, EOOS is one of the driving forces behind the Sun Chariot:

Rosemarie Trockel: Anima is the catalogue published on the occasion of the exhibition at the MAK Gallery, Austrian Museum of Applied Arts, Vienna, in 1994.

This publication is devoted to Roman Ondak, the Slovak conceptual artist whose work often operates through subtle shifts in everyday situations, social behavior, and exhibition conventions.

A highlight of the exhibition is the documentation of the spatial design developed by COOP HIMMELB(L)AU.

This publication is dedicated to nineteenth-century glassware from the MAK Collection and considers it in relation to J. & L. Lobmeyr, one of the key names in Viennese glass production.

At the interface between art and industry, the MAK has been a partner of the company J. & L. Lobmeyr since its founding.

Peter Kogler is regarded as one of the most important Austrian artists to have consistently integrated digital technologies into his artistic practice.

Die Doppeldeutigkeit des Titels Einen Dreck muss ich! gilt es zu beachten.

The duo Payer Gabriel approaches still life in a graphic-pictorial as well as theoretical-historical manner.

Luigi Ghirri’s Kodachrome, first self-published in 1978, is both an avant-garde manifesto for photography and a key work within his oeuvre.

FLYING LIKE A BUTTERFLY: a dream machine is a collaborative publication by WIRWIR Publishing in Berlin and Pitzilein Books in Mexico City.

For decades, Berlin has been a place shrouded in myth as a haven of sexual freedom, particularly for the LGBTQ+ communities.

Lucy McKenzie creates spaces that seduce and unsettle. Blending painting, architecture, fashion, and film, she stages environments where surface, meaning, desire, and control converge.

Trees are commas, is a short research-creation text in which the author observes six landscape photographs by Josh Müller.

Cindy Sherman, an iconic figure in art history since the 1980s, already questioned the boundary between authentic self-portraiture and staged self-enactment in her first major series, Untitled Film Stills (1977–1980).

In her films, photographs, and sound works, Tacita Dean uses silence, time, and entropy to explore particular human sensibilities.

German photographer Thomas Demand (b. 1964) is one of the most highly acclaimed artists of his generation.

The publication explores labour, industry, and social change through photography.

Industrial photography is presented here as a field in transition:

Industrial photography appears here as a broad visual field in which labour, technology, architecture, production, and social organization become visible.

Featuring an interview with curator Massimiliano Gioni and an essay by novelist Andrew Winer, this beautifully illustrated catalog documents virtuosic new work by British artist Glenn Brown.

Renaissance art and architecture are presented here through images, diagrams, and interactive paper elements.

The book examines 18th-century Mexican painting as a distinct and highly productive artistic field.

Buenos Aires is seen through façades, shopfronts, signs, interiors, and fragments of everyday urban life.

Arnulf Rainer’s work is defined by overpainting, erasure, intensification, and physical intervention.

Artemisia Gentileschi was the greatest female artists of the Baroque age.

What makes a person an artist? How do works of art come into being, and

Leiko Ikemura, an artist originally from Japan, has lived in Europe for nearly thirty years. Her artistic practice is shaped by her engagement with these two cultural spheres.

Photography is approached here as a form of social observation, political attention, and critical image-making.