"This “history” came about because my friends, Sarah Dudley and Ulie Kuhle, litho printers in Berlin, were given about 100 litho stones from a former Socialist art academy in what was the D.D.R.

Imi Knoebel is a leading figure of 1960s abstraction, and one of its most popular contemporary exponents.

How Richard Riemerschmid’s designs of everyday—but “extraordinary”—objects recalibrate our understanding of modernism.

Zoffany’s painting presents the eighteenth century as a stage of social roles.

Michael Craig-Martin reflects on artistic practice from the perspective of both artist and teacher.

This volume celebrates a new body of work by British artist Michael Craig-Martin--monumental, vividly colored sculptures that explore the nature of illusion and belief.

Derek Boshier drew his artistic themes from American pop and consumer culture.

The book traces the history of Raphael through the reproduction of all his paintings,

The first biography of the epic life of one of the most important, enigmatic and private artists of the 20th century.

Death, preservation, belief, beauty, and excess form the central field of Damien Hirst’s work.

Thomas Struth’s Unconscious Places examines urban spaces beyond representative images of the city.

The red line functions here as motif, method, and conceptual connection.

From the wooden foundations beneath Amsterdam, extending upstream to rural timber traditions in the German Rhineland,

Science and technology have always played a crucial role in advancing medical treatment.

History appears in Thomas Demand’s work as an unstable image: familiar, mediated, reconstructed, and never entirely reliable.

This book looks at Paul McCarthy's drawings, a rarely examined aspect of his oeuvre, and offers a greater understanding of the work of this provocative artist.

Historical image traditions are examined here as material of the present.

Boris Mikhailov’s work as a bookmaker is defined by sequences, series, gaps, cuts, and forms of montage.

Outer space appears in Thomas Ruff’s work not as a romantic distance, but as a technically produced image.

Photography becomes a way of reading Mondrian’s self-image, his studios, and the public perception of his work.

What does “family” mean today?