Kerem Ozan Bayraktar s solo exhibition "Rocks and Winds, Germs and Words" is about reflecting on "life" on earth. It is organized around the concepts that Kerem has been tackling in his recent work "Great Oxidation Event" (2019).

The extensive catalogue documents a programmatic group exhibition of Austrian contemporary art of the 1980s and brings together central artistic positions of the period.

Otto Muehl. Leben / Kunst / Werk. Aktion Utopie Malerei 1960–2004 was published in 2004 on the occasion of the exhibition of the same name at the MAK, Vienna.

Daniel Dewar & Grégory Gicquel: Sculptures in the Round is an artist’s book published on the occasion of the duo’s exhibition at the Secession in Vienna in 2021.

Wissenschaft als Marke untersucht, wie die Psychoanalyse nicht nur durch ihre Begriffe, Theorien und Institutionen sichtbar wurde, sondern auch durch Formen der Präsentation, Gestaltung und medialen Vermittlung.

Carlos Bunga is an artist’s book published in connection with the artist’s exhibition at the Vienna Secession.

Christine Sun Kim. Draw a Blank – Blank ziehen is the first monograph on Christine Sun Kim and was published in connection with her exhibition Cues on Point at the Vienna Secession.

The publication accompanies Strafer’s film of the same title and offers insight into its development.

The publication investigates forms of authorship that are unstable, digressive, self-reflexive, and open to interruption. Sterne’s novel is relevant here because it famously turns narration itself into a medium:

The catalogue accompanies a body of work situated between photography, installation, and conceptual practice, reflecting Trauttmansdorff’s interest in urban space, perception, and the structures that shape everyday environments.

Rather than a conventional catalogue, the publication takes the form of an artist’s portfolio: a gathering of loose pattern sheets, a facsimile letter by Chaimowicz, and a booklet with exhibition views and a text by Silvia Eiblmayr.

Rather than treating autobiography as a stable narrative of identity, the publication approaches it as a performative and fragmented form.

The publication reflects Klub Zwei’s collaborative method. Rather than treating representation as a neutral form of visibility, it asks how images, narratives, and public statements shape political understanding.

The artist’s book presents a selection of source images and visual materials that relate to Hila’s painting practice and to his sustained engagement with architecture, public space, and the social transformations of Albania and post-socialist Europe.

Verena Dengler: Die Galeristin und der schöne Antikapitalist auf der Gothic G’stettn was published in connection with the artist’s exhibition at the Vienna Secession in 2020.

František Lesák. Vermutung und Wirklichkeit – ein Selbstversuch is an artist’s book published by the Vienna Secession in 2021 in connection with Lesák’s exhibition of the same name.

Willmann is one of the key figures in Austrian photography. As an artist and as co-founder and long-time editor of Camera Austria, he played an important role in shaping the discourse around contemporary photography in Austria.

Strobl’s practice moves between photography, collage, drawing, text, design, and found visual material. Animals appear throughout her work not as sentimental motifs,

Marioni is associated with Radical Painting, a movement that approached painting not as image, composition, or representation, but as a material and perceptual event.

The publication reflects a scene marked by self-organization, shifting institutional frameworks, and the need to create new spaces for art after political rupture.

Rita McBride’s Secession Tower takes as its point of departure one of the most symbolically charged buildings of Viennese modernism: the Vienna Secession.

Suellen Rocca's publication, a facsimile of her own design prototype, comprises nine drawings she selected from her sketchbook.

Monolithische Mahnmale versammelt Zeichnungen und Essays zu Bunkern in Hamburg.

Die Broschüre gehört in den Kontext der britischen Frauenbewegung und der sozialistischen Organisierung von Frauen in Arbeitswelt, Haushalt und Öffentlichkeit.

Peter Land belongs to a generation of artists who, in the 1990s, reimagined the interplay between video, performance, installation, and drawing.

Tea-tables from the Danhauser Furniture Workshop documents a group of tea-table models produced by the Danhauser’sche Möbelfabrik in Vienna.

Heinz Franks Arbeit bewegt sich zwischen Zeichnung, Sprache, Objekt, Architektur und philosophischer Reflexion. Seine Zeichnungen und Texte arbeiten häufig mit Paradoxien, Verdichtungen und einer bewusst instabilen Bedeutung.

This publication analyzes various aspects of the craft sector. It explores the reasons behind the global craze for craftsmanship and

 Vor wenigen Jahrzehnten noch Science-Fiction, erobern Roboter und robotische Systeme heute unseren Alltag.

With Josef Frank (1885–1967), the acclaimed catalog accompanying the 2015/16 exhibition at the MAK in Vienna focuses on one of the most significant Austrian architects of the 20th century.

Nomadic Furniture 3.0. New Liberated Living? explores the history and present state of self-built, mobile, and flexible furniture.

The book examines two central modernist positions through the contrasting work of Josef Hoffmann (1870–1956) and Adolf Loos (1870–1933).

Friedrich Kiesler – Lebenswelten / Life Visions is dedicated to the work of the architect, artist, and theorist Friedrich Kiesler.

Kunst und Industrie. Die Anfänge des Museums für Angewandte Kunst in Wien untersucht die Entstehung des heutigen MAK aus dem Zusammenspiel von Kunst, Gewerbe, Industrie und Bildung im 19. Jahrhundert.

678 gibt Einblick in eine Werkphase, in der Pumhösl Film, Malerei, Zeichnung und Raum in ein präzises Verhältnis setzt.

Ulrich Reimkasten arbeitet mit Malerei, Zeichnung, textilbasierten Verfahren, konzeptuellen Ansätzen und baugebundenen Arbeiten.

Michael Janiszewski. Fotoarbeiten 1990–1999 / Photography 1990–1999 brings together photographic works from a decade in which Janiszewski used staging, disguise, and role-play as central means of image-making.

I wish I knew what dress to wear. Fashion transforms. Fashion thrives on turning everything created in its name into a performance.

Vanilla. Ein Lokal und seine Zeit traces the history of a Viennese venue where gastronomy, art, music, fashion, and urban culture intersected.

“A Longing for Beauty: The Wiener Werkstätte and the Stoclet House” explores the Wiener Werkstätte as one of the central reform projects of Viennese Modernism.

Late Antique and early Islamic textiles, often referred to as Coptic textiles, form the focus of this volume.

The gift certificate can be redeemed for artists’ books, limited editions, publications, and special finds at Salon für Kunstbuch. Its value will be deducted from the purchase price at the time of purchase.

The gift certificate can be redeemed for artists’ books, limited editions, publications, and special finds at Salon für Kunstbuch. Its value will be deducted from the purchase price at the time of purchase.

Handmade is a series of images whose motifs show digitally imagined books made by hand.

Bernhard Cella’s sweeping pictorial documentary of convalescent men present us with an iconography of a century of medical progress and, by the same token, with a typology of the mise en scenes of soon-to-be homecoming patients.

Central to Hannes Schüpbach’s work are the conditions from which art emerges: moments of perception, encounter, and translation. In this project,

Kleine Welt examines the visual and semantic life of the book cover, focusing on the recurring use of images by Caspar David Friedrich and Paul Klee in academic publishing.

In his work, Miklós Erhardt explores artistic avenues for action in relation to sociopolitical and economic issues.

Mihály Biró (1886–1948) is one of the best-known and most uncompromising Hungarian graphic artists of the early 20th century.

In Ovid’s Metamorphoses, EOOS is one of the driving forces behind the Sun Chariot:

Die Publikation widmet sich einem eigenständigen Bestand der Wiener MAK-Sammlung und richtet den Fokus auf Knüpfteppiche aus China und Ostturkestan.

Rosemarie Trockel: Anima is the catalogue published on the occasion of the exhibition at the MAK Gallery, Austrian Museum of Applied Arts, Vienna, in 1994.

This publication is devoted to Roman Ondak, the Slovak conceptual artist whose work often operates through subtle shifts in everyday situations, social behavior, and exhibition conventions.

A highlight of the exhibition is the documentation of the spatial design developed by COOP HIMMELB(L)AU.

This publication is dedicated to nineteenth-century glassware from the MAK Collection and considers it in relation to J. & L. Lobmeyr, one of the key names in Viennese glass production.

At the interface between art and industry, the MAK has been a partner of the company J. & L. Lobmeyr since its founding.

Peter Kogler is regarded as one of the most important Austrian artists to have consistently integrated digital technologies into his artistic practice.

Die Doppeldeutigkeit des Titels Einen Dreck muss ich! gilt es zu beachten.

The duo Payer Gabriel approaches still life in a graphic-pictorial as well as theoretical-historical manner.

Hervorgegangen aus der Zusammenarbeit des Künstlers Thomas Demand und des Direktors der Nationalgalerie in Berlin Udo Kittelmann, versammelt der Band Beiträge von Autoren aus den verschiedensten Bereichen des öffentlichen Lebens, die alle etwas gemeinsam haben: