For decades, Berlin has been a place shrouded in myth as a haven of sexual freedom, particularly for the LGBTQ+ communities.

In Von Mutti verbindet Béla Machemer überlieferte Kochrezepte mit einer persönlichen Recherche nach familiärer Erinnerung.

Lucy McKenzie creates spaces that seduce and unsettle. Blending painting, architecture, fashion, and film, she stages environments where surface, meaning, desire, and control converge.

Cindy Sherman, an iconic figure in art history since the 1980s, already questioned the boundary between authentic self-portraiture and staged self-enactment in her first major series, Untitled Film Stills (1977–1980).

In her films, photographs, and sound works, Tacita Dean uses silence, time, and entropy to explore particular human sensibilities.

Arnulf Rainer’s work is defined by overpainting, erasure, intensification, and physical intervention.

Leiko Ikemura, an artist originally from Japan, has lived in Europe for nearly thirty years. Her artistic practice is shaped by her engagement with these two cultural spheres.

Am 14. Oktober 1959 erschien die erste Ausgabe des Schweizer Boulevardblatts BLICK.

Joseph Beuys used the poster as an important medium for communication, distribution, and public visibility.

Imi Knoebel is a leading figure of 1960s abstraction, and one of its most popular contemporary exponents.

Historical image traditions are examined here as material of the present.

Die Spätgotik erscheint hier als eine Epoche tiefgreifender künstlerischer und medialer Veränderungen.

Outer space appears in Thomas Ruff’s work not as a romantic distance, but as a technically produced image.

André Thomkins zählt zu den innovativen und vielseitigen Künstlern der zweiten Hälfte des 20. Jahrhunderts.