In Venice will take place FASHION AT IUAV 2017, the event organised by the BA and MA courses in Fashion Design of IUAV University of Venice celebrating the end of the academic year.

Das vorliegende Katalogbuch enthält Selbstzeugnisse von allen Künstlern, auch von jenen, die sich üblicherweise diesen Anforderungen entziehen. Diese Selbstzeugnisse sind wichtig, dokumentieren sie doch authentisch die unterschiedlichen Zugänge zum Thema.

Der Basler Bildhauer Carl Burckhardt (Lindau 1878 – Ligornetto 1923) gilt als Vater der modernen Schweizer Plastik. Obgleich er beachtliche Skulpturen im öffentlichen Raum hinterliess und sich auch auf kunsttheoretischer Ebene für eine Erneuerung der Bildhauerei in der Schweiz einsetzte, wurden ihm bisher nur wenige Studien gewidmet.

The research of Mariateresa Sartori revolves around three thematic fulcrums: empirical scientific method; behavioural dynamics, often in relation to neurosciences; music and sound in relation to language. Depending on the project she embarks upon, the artist uses different mediums ranging from drawing – whether for small or wall-size works – to pinhole photography, video, and sound recordings.

roulotte. A tiny and portable pavilion. A bar. An ephemeral gathering place. An homage to the Fun Palace; the cult project by architect Cedric Price and theatre director Joan Littlewood that back in the 60’s wanted to realize a university of the street, a laboratory of fun. Little Fun Palace brings together artists, philosophers, economists, scientists, engineers, musicians, architects, sociologists, writers, meteorologists, teenagers exploring every aspects of realty in its diverse areas and shapes. This is a seriously spontaneous survey releasing intelligence from any cirrus of intellectualism.

It creates expanded and stratified performances which also include the implementation and dissemination of design collections, audio-visual formats and editorial products. Mali Weil explores the potentials of the performance intended as a space for the creation and dissemination of political imageries. This book is an organized collection of the remarks regarding the theorical and practical research carried out by Mail Weil on the design of performative objects.

On display forty Mongolfiere, made with recycled materials, objet trouvé and natural elements, each dedicated to a desire. The project was born in the spring of 2020 when, in response to the isolation imposed by the pandemic, the artist asked friends, family and colleagues to express a desire to be shaped, leaving all of them free to follow the flow of their thoughts and aspirations. This freedom gave birth to a choral discourse, made up of a set of desires all different from each other but united by the same strength and determination.