"Geschichte einer Arbeit" ist die deutsche Fassung des 1982 erschienenen Buches "Histoire d'un Travail". Mit einem Aufsatz von Bernard Marcelis. Die Publikation André Cadere, Geschichte einer Arbeit – Unordnung herstellen besteht aus zwei Teilen, herausgegeben vom Kunstverein München e.V. Der erste Band Geschichte einer Arbeit ist die deutsche Fassung des 1982 in Gent erschienenen Buches Histore d'un Travail.

In Venice will take place FASHION AT IUAV 2017, the event organised by the BA and MA courses in Fashion Design of IUAV University of Venice celebrating the end of the academic year.

Die Publikation "Sound" widmet sich der Bedeutung des Klangs in der bildenden Kunst.

"Carol Bove / Carlo Scarpa" brings together sculptures by American artist Carol Bove spanning 2003 to 2014 alongside rarely seen exhibition furniture, sculptures and architectural prototypes by Venetian architect and exhibition designer Carlo Scarpa.

Das vorliegende Katalogbuch enthält Selbstzeugnisse von allen Künstlern, auch von jenen, die sich üblicherweise diesen Anforderungen entziehen. Diese Selbstzeugnisse sind wichtig, dokumentieren sie doch authentisch die unterschiedlichen Zugänge zum Thema.

Der Basler Bildhauer Carl Burckhardt (Lindau 1878 – Ligornetto 1923) gilt als Vater der modernen Schweizer Plastik. Obgleich er beachtliche Skulpturen im öffentlichen Raum hinterliess und sich auch auf kunsttheoretischer Ebene für eine Erneuerung der Bildhauerei in der Schweiz einsetzte, wurden ihm bisher nur wenige Studien gewidmet.

The research of Mariateresa Sartori revolves around three thematic fulcrums: empirical scientific method; behavioural dynamics, often in relation to neurosciences; music and sound in relation to language. Depending on the project she embarks upon, the artist uses different mediums ranging from drawing – whether for small or wall-size works – to pinhole photography, video, and sound recordings.

roulotte. A tiny and portable pavilion. A bar. An ephemeral gathering place. An homage to the Fun Palace; the cult project by architect Cedric Price and theatre director Joan Littlewood that back in the 60’s wanted to realize a university of the street, a laboratory of fun. Little Fun Palace brings together artists, philosophers, economists, scientists, engineers, musicians, architects, sociologists, writers, meteorologists, teenagers exploring every aspects of realty in its diverse areas and shapes. This is a seriously spontaneous survey releasing intelligence from any cirrus of intellectualism.

It creates expanded and stratified performances which also include the implementation and dissemination of design collections, audio-visual formats and editorial products. Mali Weil explores the potentials of the performance intended as a space for the creation and dissemination of political imageries. This book is an organized collection of the remarks regarding the theorical and practical research carried out by Mail Weil on the design of performative objects.

On display forty Mongolfiere, made with recycled materials, objet trouvé and natural elements, each dedicated to a desire. The project was born in the spring of 2020 when, in response to the isolation imposed by the pandemic, the artist asked friends, family and colleagues to express a desire to be shaped, leaving all of them free to follow the flow of their thoughts and aspirations. This freedom gave birth to a choral discourse, made up of a set of desires all different from each other but united by the same strength and determination.

Soggetto nomade (Nomadic Subject) gathers, for the first time in one volume, shots taken by five Italian photographers between the mid 60s to the 80s. The photographs are

FAGS is a photo book by Jacopo Benassi. It brings together images in which the artist portrays and documents his own intimacy over a 25-year period, from the day he announced his homosexuality: a human journey comprising meetings that have left an indelible sign on his personal story as an artist.

Herausgegeben von . Italienischer und englischer Text. Neapel, 2020; Br., S. 152, krank. Farbe, cm 19x24. Standing on top of a building: film 2008-2019 ist liam gillicks erste publikation, die sich seiner videofilmproduktion widmet. acht Werke, die von 2008 bis heute entstanden sind, zusammen mit einer Auswahl der skulpturalen Produktion des Künstlers, ausgestellt im Muttermuseum in Neapel, kuratiert von Alberto Salvadori und Andrea Viliani:

This book is dedicated to the work of Marcin Rusak, as part of a series of monographs on the thought and work of young contemporary designers. Beside testing new channels of preferential relationship between art and science as well as between artisanal and industrial manufacturing processes, the Polish designer is known for having contributed

This book is dedicated to the work of Roberto Sironi, as part of a series of monographs on the thought and work of young contemporary designers. The activity of the Italian designer unfolds through highly symbolic projects, based on his personal interest in anthropology and ethnology.

“Where Do You Draw The Line Between Art and Politics?” consists of a series of interviews with individuals who have been active in various capacities at the intersection of art and politics.

Standing on top of a building: film 2008-2019 is liam gillick's first publication dedicated to his video-film production. eight works, created from 2008 to today, together with a selection of the artist's sculptural production, on display at the mother museum in Naples curated by alberto salvadori and andrea viliani: the most 'intimate' elements of his artistic research - film for the most conceived in his home-studio in New York where inspiration takes concrete form - original scripts with notes and images, as well as site specific installation views. Since the early 1990s, Gillick has been creating installations, sculptures, films, digital animations and sound works, stitched together from an intense critical and theoretical production, between the political-social dimension and the personal sphere. questions the parameters of the fruition of art and the interdependence between the economy, art and institutions, inviting the viewer to participate in the generation of meaning. to highlight how the critical potential and utopian ambitions of avant-garde movements risk being absorbed and neutralized by the structures of contemporary entertainment, communication, urban furniture and corporate culture.

Exhibition catalogue published in conjunction with the Austrian pavilion of the 45th Biennale of Venice held in 1993 featuring Andrea Fraser, Christian Philipp Müller and Gerwald Rockenschaub. Texts by Helmut Draxler, Chantal Mouffe, Albert Müller, Michael Müller, Felicia Riess, Otto E. Rössler, Peter Weibel and Slavoj Žižek. Includes biographies and a checklist of the exhibition. Text in English, German and Italian.

I don’t care (about football) is a participatory artistic project involving the players of the Marangoni 105 football team, created in 2011 as part of one of the rehabilitation residences of the Udine Mental Health Department managed by the Duemilauno Agenzia Sociale Cooperative. The title, inspired by the words of a girl from the community, suggests how the game is not an end in itself but rather a practice of social inclusion and integration.