„Better Read Than Dead“ was the title Seth Siegelaub had chosen for an anthology of his own writing―one of the projects for which he never found the time, busy as he was running his global one-man operation.

When Oswald Wiener and his wife Ingrid moved to Canada in 1984, it was not only an act of intellectual inquiry but also a deliberate decision by the writer to leave art behind.

Tribal Art: Oceania – Asia presents a survey of ritual, ceremonial, and sculptural works from Oceania and selected regions of Asia.

Father and son artists Andrew Wyeth (1917–2009) and Jamie Wyeth (b. 1946) are among the most celebrated American realist painters of the 20th century.

Die rechtliche Gleichstellung von Kunst und Wissenschaft war neben der Einbindung der Studierenden und des akademischen Mittelbaus in Entscheidungsprozesse die

Selbstporträt. Mit leeren Händen documents four conversations between Albert Oehlen and Rainald Goetz conducted between 1994 and 1998. Published as Bulletin 23 of the Fama & Fortune series,

Sigmund Freud House Bulletin – Special Issue Autumn 1989 is a periodical publication issued by the Sigmund Freud Museum (House of Freud), Vienna.

WOODS is an artist book conceived and drawn by Alois Mosbacher between January and March 2021. The publication reflects on Mosbacher’s sustained engagement with the forest as both a real and symbolic space.

Alien Nation documents a body of work by Katrin Plavčak that moves between painting, drawing, and installation.

Clearly "shit mom" can be taken in several ways. Most obviously, it would seem, the title adopted by Tala Madani for her latest series of paintings (and for her book) refers to

Shortly before the first lockdown, the Austrian conceptual artist and poet Kurt Ryslavy began a new series of paintings titled Werktagsmaler (“Weekday Painter”).

In mid-nineteenth-century Turin, legend has it that, among the forms of discourtesy reserved by the people for the executioner, bakers would hand him the bread upside down as a form of contempt and evil eye

Since 2003 editor Alexander Linn has closely followed the graphic work of André Butzer.

Haunts can be seen as part two of a trilogy which began with Trying to Dance, JH Engström’s artist’s book project which was short-listed f

The catalogue accompanies a body of work situated between photography, installation, and conceptual practice, reflecting Trauttmansdorff’s interest in urban space, perception, and the structures that shape everyday environments.

The artist’s book presents a selection of source images and visual materials that relate to Hila’s painting practice and to his sustained engagement with architecture, public space, and the social transformations of Albania and post-socialist Europe.

Strobl’s practice moves between photography, collage, drawing, text, design, and found visual material. Animals appear throughout her work not as sentimental motifs,

Suellen Rocca's publication, a facsimile of her own design prototype, comprises nine drawings she selected from her sketchbook.

Tea-tables from the Danhauser Furniture Workshop documents a group of tea-table models produced by the Danhauser’sche Möbelfabrik in Vienna.

Atelier Van Lieshout chez beaumontpublic was published on the occasion of Atelier Van Lieshout’s exhibition at beaumontpublic in Luxembourg in 2004.

Late Antique and early Islamic textiles, often referred to as Coptic textiles, form the focus of this volume.

Kleine Welt examines the visual and semantic life of the book cover, focusing on the recurring use of images by Caspar David Friedrich and Paul Klee in academic publishing.

In his work, Miklós Erhardt explores artistic avenues for action in relation to sociopolitical and economic issues.

In Ovid’s Metamorphoses, EOOS is one of the driving forces behind the Sun Chariot:

Die Publikation widmet sich einem eigenständigen Bestand der Wiener MAK-Sammlung und richtet den Fokus auf Knüpfteppiche aus China und Ostturkestan.

Joseph Beuys used the poster as an important medium for communication, distribution, and public visibility.

Food production is examined here as an industrial, cultural, and political field.

Zoffany’s painting presents the eighteenth century as a stage of social roles.

Die Spätgotik erscheint hier als eine Epoche tiefgreifender künstlerischer und medialer Veränderungen.