This is an anthology of the artist’s collected comics from 2011 to 2020, only allegedly a casual branch of her practice. It includes November (2011) and At the cool table (2013) as well as lesser known, shorter comics of the last few years.

Cet ouvrage est publié à l'occasion de l'exposition Amelie von Wulffen, à l'espace 315, Musée national d'art moderne du Centre Georges Pompidou, Paris, 2 mars-2 mai 2005.

Her most recent comic seemingly depicts Amelie von Wulffen’s own life. It stands in for a parody of the contemporary, female, mid-career artist.

Bianca Baldis Publikation Play-White ist zwischen ihrer jüngsten gleichnamigen Videoarbeit und einer neu in Auftrag gegebenen Serie von Textilarbeiten angesiedelt, und vereint Ideen rund um den komplizierten Akt des „Passing".

The winter 2020 issue of Mizna is guest edited by Palestinian graphic novelist Leila Abdelrazaq and addresses prompt of A New World Order. These days, it seems as though revolutionary changes are happening daily.

Mizna is a critical platform for contemporary SWANA literature, film, art, and cultural production centering the work of Arab and Southwest Asian and North African artists. For more than twenty years, we have been creating a decolonized cultural space to reflect the expansiveness of our community and to foster exchange, examine ideas, and engage audiences in meaningful art.

The winter 2021 issue of Mizna, guest-edited by Tarik Dobbs, challenges conventional forms, language, and ideas within literary processes and traditions.

How can art and culture contribute to creating new imaginaries of the future within the current political and social discourse marked by misinformation, radicalization, populism, and a general crisis of representative democracy? Shaping Desired Futures draws the map of a changing Europe that can help contextualize today’s burning questions and trace still unknown narratives shared by Eastern and Central Europe. Through a series of interviews, essays, and artistic contributions, it proposes new means through which art can model alternative visions and help shaping different desirable futures.

Als Blinky Palermo im Alter von 33 Jahren auf den Malediven starb, studierte Förg noch an der Münchner Akademie. Die beiden sind sich nie begegnet. Kann man trotzdem von einer Freundschaft der beiden sprechen? Nein, kann man nicht. Man muss!
When Blinky Palermo died unexpectedly in February 1977 while on a trip to the Maldives, he was 33 years old and Günther Förg studied at the Munich Academy of Fine Arts. So, Förg and Palermo never met.

Das Operndorf Afrika ist zehn Jahre alt geworden. Was ist aus Schlingensiefs Vision, ein Operndorf im westafrikanischen Burkina Faso zu gründen, geworden? Werden dreißig Kilometer außerhalb der burkinischen Hauptstadt Ouagadougou nun Wagner-Opern inszeniert?

CORNER football + society is a periodical publication that proposes a crossdisciplinary approach, taking football and its complex contemporary and historical context as a starting point.

The publication “Jean-Frédéric Schnyder. Mappe A55” shows 17 female nudes from the “How To Paint (1973–75)” works series created according to the instructions of the DIY painting course of the same name by Walter T. Foster.

130 Propagandabilder, Werbe- und künstlerische Plakate von den 40er- bis Ende der 80er-J.

Throughout the history of the built environment there has been no more significant endeavor than the construction of houses of worship, which were once the focal point around which civilizations and city-states developed. Constructing the Ineffable is the first book to examine this topic across continents and from the perspective of

You’ll Never Work Alone: Collective Infrastructures in Moving Images demonstrates the possibilities and challenges inherent in collective cinematic and artistic work by presenting international and local perspectives from academics and practitioners.

Created in Berlin around 15 years ago, this large-format collage book by Isa Genzken is both a personal diary and artistic manifesto. In it are portraits of the artist and her friends;

The work of a pioneering artist, whose explorations of mass culture, consumerism, and politics remain highly relevant today.

This publication revisits Jennifer Tee’s tampan tulip series and the themes, motifs, and research that went into it.

Six years after landing at the Isle Enchanted in 2016, and after much inland exploration, native assimilation,

"For my artist's book for the Secession, I reproduced my diary calendar from 1986, the year I was eighteen. The calendar is full of dense handwritten entries that obsessively revolve around questions of my identity. Finding myself was what it was about.
"Als Künstlerbuch für die Secession reproduziere ich meinen Tagebuchkalender von 1986, aus dem Jahr, in dem ich 18 war. Der Kalender ist eng handschriftlich beschrieben und verhandelt Fragen zu meiner Identität im Dauerloop.


Which man? Daniel, Olli, Arnd? My math teacher? No one? Passages that now strike me as too private were blacked out in the process. Today's digital trace masks the analogue trace from decades ago. The censorship becomes a graphical addition, a drawing that pulls together the two different periods of time, separated by thirty-three years." (Alexandra Bircken)
Die Suche war das Thema. Welcher Mann? Daniel, Olli, Arnd? Mein Mathelehrer? Keiner? Subjektiv als zu privat empfundene Passagen wurden im Prozess nachträglich geschwärzt. Die digitale Spur von heute legt sich über die analoge von damals. Die Zensur wird zu einem zeichenhaften Zusatz, einer Zeichnung, der die beiden Zeitebenen, die 33 Jahre auseinander liegen, zusammenzurrt." (Alexandra Bircken)
Berlin 2019, 216 pages, 11 x 15,5 cm, Flexocover, English

Die antikolonialen und antirassistischen Bewegungen des 20. Jahrhunderts gingen mit künstlerischen und theoretischen Gegenentwürfen zur Exklusivität der westlichen Moderne einher.

Ein Buch über 1971 und die Zeit davor, Freiheit als Bild, die Materialität eines Übergangs, Musik, Sexualität und was ein aus Italien kommender, in Kairo geborener crooner in Berlin verliert: Ricky Shayne

In the Making: In the Desert of Modernity: Colonial Planning and After. A Research-Based Practice is about the working method of the artist and exhibition maker Marion von Osten.

“Erasure is a visual depiction of the modernist erasure of graffiti. It is authored by X, the artist, and I merely the conceptual constructor of what X had innocently, non-artistically performed.” – Eldon Garnet

Es gibt Themen, die Horn in vielen ihrer Arbeiten verhandelt. Dazu gehören vor allem die Frage nach der Wandlungsfähigkeit und Vielfältigkeit von Identität sowie das Aufzeigen von Abweichungen zwischen dem Wesen der Dinge und deren visueller Erscheinung mit künstlerischen Mitteln.

This collection of eerie figurative works by the young Polish painter Marcin Maciejowski, who has shown at Leo Koenig Gallery in New York and at the 2004 Art Basel fair as a "Statement" artist, features work from 2003 to 2007, as well as extensive background information.

Spätestens mit ihren Auftritten auf der 50. Biennale Venedig und der Manifesta 5 hat sich die deutsche Künstlerin Amelie von Wulffen auf dem internationalen Kunstparkett einen Namen gemacht. In ihren Collagen, Zeichnungen und fotografischen Überblendungen beschäftigt sie sich mit biografischen Recherchen und Rekonstruktionen.

Peter Friedl is a conceptual artist whose practice is characterized by a critical examination of social, political, and cultural narratives. Working across various media such as photography, video, drawing, installation, and text, Friedl challenges established power structures, historical representations, and systems of perception by creating alternative perspectives and narrative strategies.

SCHÖN VERMÄHLT is an artist’s book by Kamilla Bischof accompanying the most comprehensive solo exhibition of her work to date at KM - Künstlerhaus, Halle für Kunst & Medien in Graz.

Curated by Kris Lemsalu and Sarah Lucas at MEYER KAINER Vienna October 2020

A multimedia meditation on the many meanings of the ocean across history

Ein umfassendes Forschungsprojekt am Städel Museum untersucht derzeit die Kunstszene der Bundesrepublik Deutschland im Zeitraum von 1960 bis 1989 aus der Perspektive von Zeitzeugen. In Gesprächen mit über 70 Künstlern, Galeristen, Sammlern, Ausstellungsmachern und Journalisten, die maßgeblich an der Entwicklung der westdeutschen Kunstszene mitgewirkt haben, werden wichtige Stationen der jüngsten deutschen Kunstgeschichte

Pollution Diaries is a collectively written text, based on a small corpus of authentic recordings from the WhatsApp group of the same name, intended to share daily experiences of life in one of the most polluted cities in the world - Delhi.

The notebook of James William Lacelot Lowther brings together drawings, sketches, dreams, watercolours, and paintings that document the artistic work of the artist. William, who passed away at the age of 21, was a talented, passionate, and empathetic young artist.

NO-ISBN

arbitrary presents the first in a series of remix collaborations and releases by Mads Emil Nielsen and Chromacolor, a project from the German sound artist and producer Hanno Leichtmann.

Unbekannte Dame in der Strahlenschutzabteilung, Pfütze, tanzendes Paar im Kostüm, Beschädigung einer Mülltonne, Verabschiedung eines Rentners, Bleiabschirmung, ausgebranntes Handschuhfach, Skorpion mit Mikrochip – das sind alles

An insightful study of Joseph Cornell's fascination with the Cubist painter Juan Gris, shedding new light on the work of both artists Joseph Cornell first viewed Cubist painter Juan Gris's The Man at the Cafe in October 1953. This visual encounter prompted

Die großen, grotesken Fotoserien von Anna und Bernhard Blume sind heute wohlbekannt. In ihnen inszenieren die Künstler im dokumentarischen Gestus paranormale Situationen, die sich im Inneren einer „kleinbürgerlichen“ Welt oder in symbolisch besetzten Regionen deutscher Kunst (wie dem Schwarzwald) abspielen.

The humanism of the past five hundred years is dead. Believing man was exceptional, it opened the abyss of extinction. A new approach is needed to re-enchant the world and establish the commonality of all life on Earth.

On subjects including an interrogation on cinephilia and gender, surveillance, infant observation during the pandemic and the screen as psychic portal,

Artist’s book with twenty-one colour illustrations of German artist Maximilian Kirmse’s paintings, as well as several drawings. The book includes a prose poem by Jan Koslowski, and an essay by Fid. Fischer which situates Kirmse’s work within contemporary painting.

Timo Huber, Gründungsmitglied der Architekturgruppen Zünd-Up und Salz der Erde, ist vom Verführungspotential und der Irritationskraft alltäglicher Bildwelten fasziniert;

Seit Beginn ihrer künstlerischen Laufbahn thematisiert Christina Zurfluh die abstrakte Malerei. Ihre Abstraktionen gründen dabei nicht auf der Reduktion von Gegenständlichkeit, sondern entstehen in einer Symbiose aus Kalkül und Intuition.

Off-the-grid from commercial galleries – selling visuals – and canonical institutions – there to support the often static national or regional identities– artists instigate grass-roots cultural safe havens in order to deliver the progressive and the experimental.

Laura Brown’s essay examines the artistic techniques Tishan Hsu has developed over the past four decades, with particular attention to the early 2000s,

Neu - Ein Streifzug durch rund 500 Jahre Modegeschichte im Spiegel der Kunst: Wie haben Künstler auf extreme Erscheinungen wie Schlitzmode,

The two-dimensional drawing with plan layout, elevation, and section is a necessary prerequisite for all building. Perspectives help to give three-dimensional expression to the architect’s ideas.

Questioning the ephemeral quality of a performance, the artist published a documentation of an act he did in 2017. The textual score of the performance and the visual material became an independent art book. Suspended between a theoretical lecture and a personal diary style, the publication captures a subjective experience of non binary person who practices sex with gay men. The project poses questions on the place of body in our language, appropriation of sexuality by marketing and consumerism and problems in defining non-binary identity. Photographs and texts: Julek Malinowski, Book Design: Wikor Gromadzki

Wien is a perennial calendar featuring twelve illustrated glimpses of contemporary Vienna. Francesco Ciccolella, born in Salzburg in 1990, is an illustrator and graphic artist living in Vienna. His award-winning illustration work regularly appears on the covers of international newspapers and magazines or on advertising billboards around the globe. And now, on a brand-new calendar. Limited edition of 500

Die erste umfangreiche Präsentation von Andreas Slominskis gleichnamiger Werkgruppe von Fußballplakaten, die aus Anlass der Fußball EM 2024 in Essen präsentiert wird.Andreas Slominskis umfangreichste Fußball-Arbeit ist die Plakatserie "Wohnorte gegen Geburtsorte" (1986-1988).

This remarkable project started on the initiative of four collectors from Vienna, who went through their own holdings to curate an intimate Franz West exhibition in a former gallery in the heart of Vienna. Featuring more than 400 works from all the artist's work groups

Illustrated with images from Jan Tschichold's little-known private collection of design ephemera, this important book explores a legendary figure in the history of modern graphic design through the artists, ideas, and texts from the Bauhaus that most influenced him. Tschichold (1902-1974), a prolific designer, writer, and theorist,

With the intention to inspire, the clear instructions and hand-drawn illustrations make it wonderfully easy to assemble items like this Flying Shelf by Matteo Thun." -Absolutely City & Angel "Ever wanted to actually use the drill your aunt bought you three Christmases ago? Try one of these 50 DIY builds from the world's most lauded artists and designers...

The perfect gift for Hockney fans and dog lovers everywhere, "David Hockney's Dog Days", now in a gift edition, is an album devoted to two of the artist's closest friends, his dachshunds Stanley and Boodgie.

Ein umfangreicher Ausstellungskatalog, der gleichzeitig die erste umfassende Monographie zum Werk einer der wichtigsten Künstlerinnen ihrer Generation in Osteuropa darstellt. Seit den 1960er Jahren gehört Ana Lupaș zu den wichtigsten Künstlerinnen ihrer Generation in Osteuropa. In ihrem Werk finden sich zahlreiche

This book is a dynamic and generously illustrated survey of independent publications that are breathing new life into old media.