The site of the leather bar Eagle LA, in Los Angeles, has been home to three highly popular leather bars over the decades: the Shed, the Outcast, and the Gauntlett II. The Eagle LA, opened in 2005, follows a long-standing tradition of leather fetish and uniform, set forth by leather Eagle bars around the country.

Als "Nothing Personal", das gemeinsame Buchprojekt der Schulfreunde Richard Avedon und James Baldwin 1964 erschien, stellte es die Fähigkeit und Bereitschaft des Publikums, Mehrdeutigkeiten und Widersprüche auszuhalten, auf eine zu harte Probe.

“It might be said that the subject of Callahan’s photographs is photography, and that his world exists essentially as a formal problem.” John Szarkowski

New York-based photographer Mariana Cook is known for her character studies of persons both in and out of the public eye. Among her previous bestselling photobooks are Mathematicians, Faces of Science, Mothers and Sons and Fathers and Daughters.

This book, the first to pair the two, examines the work they produced during visits to Britain and Ireland in the 1960s and 1970s.

Lee Friedlander is one of the most renowned photographers of his generation. Through Friedlander’s lens, people in their everyday environments are transformed into arresting portraits, and the banal features of roadsides, storefronts, and city streets become vivid scenery. In Dressing Up, Friedlander ventures into new territory, turning his eye to the rarefied world of fashion and revealing precisely what is commonplace about it: behind the glamorous spectacle of the runway are many people hard at work.

Goldblatt recherchiert und dokumentiert darin mit seiner Kamera die sozialen, kulturellen und politischen Dimensionen des Bergbaus in seiner südafrikanischen Heimat Randfontein.

Weiß bemalte, nackte Körper, die Gesichter vom Betrachter abgewendet, so fotografiert Nadav Kander (*1961 in Israel) die Modelle seiner jüngsten Serie. Die Accessoires sind spärlich, die Ästhetik ist reduziert, gleichwohl erscheint das Arrangement der meist üppigen Körper barock.

Nur wenige wisswn, dass der Kultregisseur seine Karriere mit der bildenden Kunst begann und ihr bis heute treu geblieben ist. Lynchs Gemälde, Aquarelle, Zeichnungen, Lithografien und Fotografien und in jüngster Zeit auch musikalische Kompositionen sind elementarer Bestandteil seines kreativen Schaffens.

Der Antist versteht sich als Kunstzeitschrift der Wiener Avantgarde. Das Projekt des Künstlers Lukas Pusch ist eine künstlerische Plattform für radikale und anarchische Positionen jenseits des handzahmen und staatlich subventionierten österreichischen Mainstreams.

Alexey Brodovitch's Ballet published in 1945 is one of the most legendary of photobook masterpieces. While already established as a leading influential art director and graphic designer, Brodovitch turned his photographic talents towards rehearsals and performances of ballet companies visiting New York stages.

Jenisch-Feu is a publication on a collection of paintings by Thomas Koenig and Vianney Fivel. It is the third part of a project in multiple variants. Two exhibitions gone a head.

The book, Architecture as Fabulated Reality, marks the culmination of AAPK’s four experimental architectural projects, which employed virtual reality technology (VR) as the primary medium.

Bodies are agents and products of history. Bodies are history made flesh, but they are also primary tools for understanding the past, present and future. History is a choreographed sequence of gestures that makes bodies intelligible to each other. Every gesture is a link in a chain binding us to gender, race and social class. Gestures solidify into identities. They enact identities that become natural through the systematic repetition of identical gestures. And yet, a pose does more than that. Posing means becoming aware of how a body makes history. “To strike a pose is to pose a threat”, wrote Dick Hebdige referring to the meaning of style in youth subcultures. That’s why it’s important to trace the history of dissident gestures, to trace the genealogy of poses that are bold enough to confront the norm. This modality of performance may be described as radical because it opens up a space for imagining other possible bodies and futures. A radical performance invokes subjectivities for which no name yet exists and social choreographies that are still to come.

KARL HOLMQVIST, WORD SQUARES. COMPAGNIA/MOTTO BOOKS 2017, ISBN 978-2-940524-62-4. PUBLISHED WITH THE KIND SUPPORT OF THE CENTRE D’ART CONTEMPORAIN, GENEVA, TO COINCIDE WITH THE ARTIST’S EXHIBITION, 31.5.– 27.8.2017.

What is the lesson of the vine? I asked artists, writers and winegrowers the question and their responses, reflections and songs are gathered together in this publication. Textual images are roused and conjured up, such as the insatiable mouth of the winelouse devouring the language of the vine; or the surge and flow of the vine-triloquist speaking in intoxicated tongues; nocturnal fires in the vineyards; gardens of paradise and gardens of errors.

This small publication is an edited reprint of the essay ‘The Book in Intermediary Form’ written by Kasper Andreasen. It was originally published in 2011 by Wintertuin, Nijmegen as part of a compilation about the future of the book. The essay argues for a possible scenario leading up to a hypothesis about an audio­visual book. How can artists’ books be audio­visual objects?

Can an autobiographical tale tell the personal stories of many? This is what Rubén H. Bermúdez achieves through the pages of the photo book 'And you, why are you black?" where, starting from an investigation into the origins of black slavery in Spain, the author constructs an autobiographical tale that acts as a political essay, rescuing his memory captured in the images, conversations and symbols that marked his life and thus narrates the everyday and the extraordinary of a society seen from a black perspective.

«Lead Season» is the first thorough monographic catalog of Argentine artist Mauro Giaconi. Taking the drawing as a starting point, the texts address the multidisciplinarity that characterizes the artist's work, while also stressing the current socio-political context in Latin America based on the sense of impermanence, the presence of the body and a critical awareness of the matter.

This project documents Sudan, the last white rhinoceros of North Africa. Sudan lived his life inside the Prague zoo, before being transferred to Kenya for reproduction and specie preservation. Sudan lives under armed protection.

Can corporate history be art? This question can only be asked if one is not familiar with the fascinating long-term project by the Chinese artist Xiaowen Zhu. Anyone who has experienced Oriental Silk will answer this question with a clear “yes.” The project’s title is also the name of a company founded in Los Angeles in the early 1970s.

Michael Snow is, without doubt, one of foremost living artist, and a central figure in North American art in the latter half of the Twentieth Century. Since the reception of the “Independent Film Award” (1968) from the journal Film Culture, his work was placing in the ranks of such major figures of avant-garde cinema as Stan Brakhage and Gregory Markopoulos as well as in the company of two other artists-turned-filmmakers: the photographer Robert Frank and the painter Andy Warhol.

Dedicated to his friend and mentor Peter Hujar, Salters Cottages is an artist’s book of stills from a short film Schneider made in 1981 at Salters Cottages, a summer seaside cottage community on Long Island, New York.

Während seiner 40-jährigen Karriere porträtierte der schottische Fotograf unzählige Film-, Rock- und Politstars für Magazine, schuf Reportagestrecken und fotografierte mehr als 250 Titel für die Mode-Bibel Vogue.

American artist Vija Celmins (b. 1938) is widely admired and respected for her sublime images of night skies and ocean waves. "Vija Celmins:

Auf der Suche nach dem Verlorenen. Der international bekannte Modefotograf Alexander Gnädinger widmete sich in den letzten 2 Jahren einem freien Projekt, um ein Gegengewicht zu seiner kommerziellen Arbeit zu schaffen. Extrem stilisierte, ästhetisch verdichtete Bilder, wie sie z.B. seit Jahren für seinen Kunden Adidas entstehen, sind sein Markenzeichen.

In the mid-seventies, the Viking Landers were the first to land on planet Mars. Though the alien landscape was magnificent, there were no canals or skeletons or wind-blown ruined dwellings. Today, not a single trace remains of Viking Landers 3 and 4. But myth (and conspiracy theories) have it that an alien survey was commissioned of planet Earth.

The publication is the first comprehensive documentation of the project White Space in White Space, which was initiated by Stano Filko, Miloš Laky, and Ján Zavarský in 1973 and evolved over the course of almost ten year. This book examines all the international exhibitions (Brno, Budapest, Paris, Warsaw, Beograd, Kassel), the collected manifestos, and the artists’ writings as well as the project’s further transformation in the practice of Stano Filko as a solo artist.

The photo of a woman’s leg stepping onto an open book when climbing out of bed served as inspiration. I asked some of my friends to take a picture for me according to these guidelines. They should photograph themselves stepping on a book with their bare feet. It was agreed that the authors of the photos remain anonymous

Dance and musical improvisation are ephemeral expressions urging us to embrace the moment in thoughtful joy. Devon Fornelli’s improvisations documented here are two performances: his CitySounds, created on 18 September 2015 for the opening of the Marilyn I. Walker School of Fine and Performing Arts in downtown St. Catharines, Ontario; and his Garden Performance, five years later, on 9 May 2020, offered as a reflection on the COVID-19 pandemic and the temporary lockdown of the MIWSFPA.

On the occasion of the exhibition Die fünfte Säule [The fifth column], curated by Moritz Küng, Joëlle Tuerlinckx presents the lecture-performance Les moments d?espace ? lecture for YouTube in 591 panels (version 17.11.11) and the publication Moments d?espace. On 591 PowerPoint pages the artist describes her subjective and partially autobiographical thoughts concerning the paradox of space in the form of ?textimages? in French with English subtitles. While these are projected uncommented, Tuerlinckx improvises a musicalpiece on a first-generation Casio synthesizer.

'The book Public Sphere by Performance results from a two-year research project Performance and the Public that Ana Vujanović, Bojana Cvejić and Marta Popivoda carried out in 2011 and 2012, during the residency of TkH (Walking Theory) platform (Belgrade) at Les Laboratoires d’Aubervillier. The part of the research of Marta Popivoda gave rise to the documentary film Yugoslavia: How Ideology Moved Our Collective Body.

A major figure of the French arts scene, Xavier Veilhan (born in 1963) lives and works in Paris. His work is the result of a plural practice, shared between sculpture, painting, environment, live performance, video, and photography.

This publication Sobre El Río (Passage) tells of the journey of a photographic research of the origins of cumbia music along the lower Magdalena river in Colombia.

The book includes the first publication of Gidal's text from 1978, with a new introduction. Gidal in this dense theoretical essay deals with the limits of language and representation in the practice of experimental filmmaking and writing.

The term ‘ricochet’ is a means to discuss unintended consequences, rapidly delivered information and viral outbreaks, but it is also used to describe the way in which sound echoes or reverberates against objects in space.

In Noir – A Serendipitous Encyclopedia Inspired by 1001 Names for the Color Black graphic designer Sandra Praun takes on the color black and the language that charges it with a variety of characteristics. The book consists of three parts:

We are on the verge of sharing our cities with autonomous vehicles. Recent developments in driverless technologies are having an impact on our urban environment, raising questions about how self-driving vehicles could be integrated into our daily lives.

Music has been just as central as art, film and architecture in the formation of the German capital’s unique identity, although too often neglected by Berlin’s historians and biographers.

Much is popularised of the Mafia in film, literature, music and urban legend. Some stories are inspired by and respectful of the facts, but many are presented through a creative lens distorting how organized crime began. References are often made to criminal activity in the infamous Prohibition Era, but few stories cover the preceding years, until now. This new book

As an independent art publisher, Lugemik has mapped a large part of the Estonian contemporary art and design landscape through numerous collaborations with artists, designers, theorists and cultural institutions, resulting in a variety of printed matter. The exhibition strives to talk about the aspect of translation in Lugemik’s practice, and will also reflect on topics related to book-making, such as graphic design, contemporary methods for art reproduction, and various forms of collaboration.

Florian Glaubitz’s images - sometimes illuminated, sometimes behind glass, cut-back, flat and bulbous - lead me to questions around the ever-present interrelation of body, material and product. Not so much through words, but through an image language that has been developed over years, he talks of desire, relentlessly demands beauty and attempts to hold onto temporary states of being in which everything seems possible.

Contributions from Sabeth Buchmann, Burcu Dogramaci, Noit Banai and Sa’ed Atshan are accompanied by visual and literary material and references from Gal’s extensive research practice.

The research of Mariateresa Sartori revolves around three thematic fulcrums: empirical scientific method; behavioural dynamics, often in relation to neurosciences; music and sound in relation to language. Depending on the project she embarks upon, the artist uses different mediums ranging from drawing – whether for small or wall-size works – to pinhole photography, video, and sound recordings.

On display forty Mongolfiere, made with recycled materials, objet trouvé and natural elements, each dedicated to a desire. The project was born in the spring of 2020 when, in response to the isolation imposed by the pandemic, the artist asked friends, family and colleagues to express a desire to be shaped, leaving all of them free to follow the flow of their thoughts and aspirations. This freedom gave birth to a choral discourse, made up of a set of desires all different from each other but united by the same strength and determination.

Modefotografie existiert nur über das Frauenmagazin. Die Geschichte dieses fotografischen Genres ist daher mit der der Frauenpresse verbunden. Ende des 19. Jahrhunderts, als die ersten Frauenzeitschriften erschienen, war die Fotografie noch immer nur eine Hilfsillustration.

'The spirit of Gemini is best captured by the word 'collaboration.' It's about artists and printers working hand in hand to create works of art. This same spirit prevails when I take photos. There's a trust extended by the artists, allowing me to share so many special moments with them.' -Sidney Felsen

First published in Italy in 1956, Bruno Munari's »In the Darkness of the Night« tells the tale of an interconnected, intimate yet expansive journey across three settings—in the darkness, through a meadow, and into a mysterious cave—through a spellbinding combination of paper stocks, transparencies, cutouts, and simple but lively characters. This timeless artist's book, available in a new English edition, is a must-have for Munari fans, designers, bibliophiles, and lovers of exceptional book design.

In 2022 the Niagara Region welcomes the Canada Games; 2022 also marks the reintroduction of the Indigenous game of lacrosse. By thematizing lacrosse, this book celebrates the role sport plays in promoting cultural diversity.

Black Ecologies proposes the concept of Black Ecologies as a “resistance to extractive ecologies across the colonial-capitalist world.” Recognizing our world is at a crossroads, Black Ecologies is a multigenerational, multidimensional dialogue and a reminder that Black resistance is always already tending to other ecologies of being(s).

News Cuts brings together twenty-two images selected from Olaf Nicolai’s personal archive of newspaper clippings. Each image is accompanied by a collage of quotes compiled from different kinds of sources,

Soggetto nomade (Nomadic Subject) gathers, for the first time in one volume, shots taken by five Italian photographers between the mid 60s to the 80s. The photographs are

FAGS is a photo book by Jacopo Benassi. It brings together images in which the artist portrays and documents his own intimacy over a 25-year period, from the day he announced his homosexuality: a human journey comprising meetings that have left an indelible sign on his personal story as an artist.

The monograph “Modifications” is an associative book about the works of Samuel Schaab from the last years. Published by Salon für Kunstbuch. With texts by Karolina Preuschl, Ferdinand Schmalz, and Samuel Schaab. Designed by Anna Liska.

Àmor is an exploration. Roberto Timperi’s gaze leads us into an uncanny underground world where we survive despite the curse that seems to have affected everything by now, and for good. A world where new forms of filterless beauty are possible, and every corruption is holy. Àmor is the livid portrait of a humanity raging and beating in the city’s deepest heart.

An iconographic taxonomy—researched, conceived, and ideated by Wolfgang Scheppe, also author of the book’s final essay—that traces the state and police visual control through almost 500 images from the May 1968 police archives in Paris.

Die Fotografien, die Annette Kelm innerhalb einer großen Bandbreite von Erscheinungsformen im Laufe der letzten fünfzehn Jahre geschaffen hat, gehören zu den faszinierendsten und bedeutendsten Beiträgen der jüngsten zeitgenössischen Kunst.

Collecting documentation of Liam Gillick’s (born 1964) artworks, graphics, films and exhibitions since 2008, this substantial volume also features an extensive body of writings by the British-born, New York–based artist, who has also been a prolific theorist of contemporary art.

Herausgegeben von . Italienischer und englischer Text. Neapel, 2020; Br., S. 152, krank. Farbe, cm 19x24. Standing on top of a building: film 2008-2019 ist liam gillicks erste publikation, die sich seiner videofilmproduktion widmet. acht Werke, die von 2008 bis heute entstanden sind, zusammen mit einer Auswahl der skulpturalen Produktion des Künstlers, ausgestellt im Muttermuseum in Neapel, kuratiert von Alberto Salvadori und Andrea Viliani: