Fluxus Subjektiv was published in 1990 on the occasion of the exhibition of the same name and the Fluxus actions at Galerie Krinzinger in Vienna.

The extensive catalogue documents a programmatic group exhibition of Austrian contemporary art of the 1980s and brings together central artistic positions of the period.

The catalog for the exhibition Kader Attia: Sacrifice and Harmony brings together a wealth of materials, images, and texts related to the French artist’s new works.

Kader Attia: RepaiR is both an artist’s book and a reference monograph on one of the central concepts in Kader Attia’s work: repair.

Leopold Kessler has revealed new possibilities for art in the public space. He has shown that every activity, even the most mundane and the most banal, can be changed into “doing art.”

The publication reflects Klub Zwei’s collaborative method. Rather than treating representation as a neutral form of visibility, it asks how images, narratives, and public statements shape political understanding.

The publication reflects a scene marked by self-organization, shifting institutional frameworks, and the need to create new spaces for art after political rupture.

Monolithische Mahnmale versammelt Zeichnungen und Essays zu Bunkern in Hamburg.

Heinz Franks Arbeit bewegt sich zwischen Zeichnung, Sprache, Objekt, Architektur und philosophischer Reflexion. Seine Zeichnungen und Texte arbeiten häufig mit Paradoxien, Verdichtungen und einer bewusst instabilen Bedeutung.

 Vor wenigen Jahrzehnten noch Science-Fiction, erobern Roboter und robotische Systeme heute unseren Alltag.

Friedrich Kiesler – Lebenswelten / Life Visions is dedicated to the work of the architect, artist, and theorist Friedrich Kiesler.

678 gibt Einblick in eine Werkphase, in der Pumhösl Film, Malerei, Zeichnung und Raum in ein präzises Verhältnis setzt.

The issue introduces the editorial approach that would define the magazine in its early years:

“A Longing for Beauty: The Wiener Werkstätte and the Stoclet House” explores the Wiener Werkstätte as one of the central reform projects of Viennese Modernism.