Rehearsal in Progress, a film made by René Scheibenbauer in collaboration with movement director and dancer Lydia Walker, showcases Scheibenbauer’s collection (in) Motion as well as embodying the essential vocabulary of the brand more broadly. Walker’s choreography introduces new inspirations, the work of Alexandra Bachzetsis and Vincent Dunoyer, whilst sharing in

2010. Atlas of Transformation is a sort of global guidebook of transformation processes. With structured entries, its goal is to create a tool for the intellectual grasping of the processes of social and political change in countries that call themselves "countries of transformation" or are described by this term. The Atlas of Transformation was first published in Czech and it contains more than 200 "entries" and key terms of transformation.

Hermes erhält einen Anruf aus Rumänien: Das alte Haus in der strada Liviu Rebreanu ist verkauft worden. Warum hat er noch den Schlüssel zu dieser Wohnung in Sibiu? Vielleicht, weil sich das so ergeben hat. Vielleicht, weil diese Wohnung ein Treffpunkt ist am Anfang oder am Ende einer Reise. Vielleicht, weil er sich so einfacher auf den Weg machen kann zu den Orten, die Cluj heißen oder Chișinău, Odessa oder Gjumri, Iași, Šamorín oder Tampakika.

„Sie lächelte mit einem anderen Ohr.“ / “And He smiled another ear.“ - Übersetzungsprogramme funktionieren mittels Datenbanken und algorithmischem Zugriff. Nebenbei produzieren sie semantische Fehler und ästhetische Extras, poetische Zufälle. …und diesen Einfall: das Kinderspiel „Stille Post“ mit google translate zu simulieren. Die Spielanleitung und eine Parole wieder und wieder per Rechner übersetzen: semantisch beschneiden und ästhetisch ausblühen lassen. Konkret:

The book deals with the process of visualising music using the first movement of Mozart's Symphony in A major as an example.

Hans G Helms hat zwischen 1959 und 1968 drei Sprachkunstwerke geschaf- fen, die zu den fortschrittlichsten ihrer Gattunggehören:

1958 auf der Werkkunstschule in Offenbach entwickelte Franz Erhard Walther eine eigene Typographie, die ohne Diagonalen auskommt. Im vorliegenden Künstlerbuch bildet er mit ihnen so genannte »Werksätze« – auf jeder Seite ein Buchstabe, jeweils einer Szene aus seinem Leben aus den Jahren 1954 bis 1973 gegenübergestellt, beispielsweise einer

Walker Evans’s Kitchen Corner, Tenant Farmhouse, Hale County, Alabama shows a painstakingly clean-swept corner in the house of a family of white sharecroppers.

An examination of a work that captures the spirit of the 1980s—commodification, seduction, and political inactivity.In Jeff Koons's One Ball Total Equilibrium Tank (1985), a Spalding basketball floats in the center of a glass tank that stands on a four-legged black metal structure. It has been called one of the defining works of the 1980s—

Foreign words, paper, photos, colors, ashes, organic matter: two artists mix images and texts – shapes and words. Animals and humans meet, undergo metamorphoses and establish strange connections, as elastic and intimate as membranes.

The catalog was developed in close collaboration with the artist. It examines Atkins' practice in the context of contemporary art, literature and digital representation, and explores how the artist uses the displacement of language and script as well as music, voice and sound. Through videos, texts and drawings, the artist develops a multi-layered and deeply figurative discourse. The impossibility of an adequate representation of the physical, especially the corporeal - from computer-generated visual vocabulary to the most hackneyed poetry - is

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Heimo Zobernig’s contribution to the Venice Biennial responds directly to the existing exhibition situation in the Austrian Pavilion, built in 1934 based on plans by Josef Hoffmann and Robert Kramreiter. The Pavilion’s structure, with its rounded classical arches and majestic visual axes, on the one hand, and clear, rational forms and modern construction materials, on the other, moves between the poles of historicism and modernism. At the same time, Zobernig’s intervention connects inside and outside, to create an enclosed site where one can linger and reflect on human presence in space.

“Calls for more Blackness in architecture schools can be simplistic,” writes architect Darell Wayne Fields, guest editor of Log 57. Well-meaning equity and inclusion programs often simply “associate the mere presence of Black bodies with institutional change.” In Log 57, a 208-page thematic issue titled Black is . . . an’ Black ain’t . . ., 29 authors explore the complexities of Blackness as it relates to aesthetics and architectural pedagogy. As Fields notes, “In calling for more Blackness, I, for one, am calling for more Black methodology. An inherent characteristic of [which] is a measurement of difference.”

The publication of The Against, the book that documents the process, development and results of the homonymous exhibitions that simultaneously took place last Spring at multiple sites in New York.
The book not only displays the uncontrollable compulsion of graffiti bombing by 21 artists from different parts of the US, Canada and Mexico. This remarkable book focuses on those who are the exceptional graffiti bombers in the last decade.

Canada 1: Gastone Monari / Ideato e curato da Conceived and edited by Roberto Canella, Achille Filipponi / Introduzione Preface Aldo Tagliaferri / Progetto grafico Graphic design Federico Antonini (superness.info) / Traduzioni Translations Karen Whittle / Postproduzione Postproduction Chiara Talacci / Ringraziamenti

This publication picks up on several of the themes which emerge conceptually and artistically in the Central Asian Pavilion project, and elaborates them in a philosophical, historical and poetic register within the specific materiality and temporality of a book—though the website as a repository and forum for these kinds of explorations should be mentioned as well—with its capacity to extend the time, space and context of

Archeology of the future or a prospective past? Future II, or, as this tense is also called: future perfect is a paradoxical grammatical construction. Those who use this tense to make a statement about the world create facts that do not exist yet.

This publication presents and contextualizes the current Austrian contribution to the most important of all international art exhibitions. In his work, Mathias Poledna deals with connections between art and entertainment culture, modernism in architecture and design, the language of cinema and the history of exhibiting. His works are characterized by a rigorous examination of the medium of film and the function of images in the present and past.

he mysterious interplay of light and shadow has fascinated humankind since time immemorial. In Asia in particular this led to the development of the lively traditions of shadow puppetry. The exquisitely aesthetic puppets in this volume will lure the viewer into the world of shadow puppetry, from China to south and southeast Asia and from the Orient to Europe.

FACES OF ATHENS sheds light on the consequences of the collapse of the social and healthcare system in Greece following the implementation of the austerity measures imposed by the EU finance ministers.

The Kunsthalle Linz presents itself as a white cube par excellence: a simple, empty and windowless room with white walls, gray floor and a ceiling that floods the room with light: a playground for big projects in keeping with common exhibition practice.

For their inaugural Venice edition, Index Art Book Fair will bring sixteen art book fairs from around the world presenting their personal selection of art and artists publications, accompanied by an exciting public program.

This book is aimed at tracing a connection between the architecture of the Albanian tradition and the informal nature of the spontaneous transformations of contemporary Tirana. The attempt to establish a link between the opposing features of functionalist formalism, typical of the city that grew during the totalitarian regimes, and those of the informal architecture, which represent the constructive freedom of recent times aims to provide a critical interpretation that is applicable to recent interventions for the recovery of the existing built heritage.

Di Pietro resurrects the corpus of Paul Thek, while sourcing inspiration as to what his practice might have become today

Beginning in the 1990s, the efflorescence of a technology-driven, ostensibly post-industrial “new economy” brought with it a revival of interest in an array of concepts and discourses relating systems and systems thinking that had animated both progressive utopian projects of the 1960s and 70s and the totalizing global geopolitical schemas of the Cold War.

Books are a meeting place. A sum of their many parts and artistic approaches. Form, concept, material and craft are bound together to create something rooted in its functionality, a process that often crosses over into the messier realm of art.

159 Anekdoten, zusammengetragen aus dem weit gespannten Beziehungsnetz des 1998 verstorbenen Dieter Roth, erzählen die Geschichte eben dieses Künstlers, den viele Fachleute zurecht zu den genialsten unserer Epoche zählen. Was die aufwändige Recherche des Herausgebers Aldo Frei hier zu Tage befördert, was sich der wohl letzte Universalkünstler an halsbrecherischen Unternehmen, an künstlerischen Experimenten,

Simon Dennys Interesse gilt der Entwicklung und den Widersprüchen unserer durch und durch mediatisierten Gesellschaft. Der 2012 mit dem Baloise Kunst-Preis ausgezeichnete Künstler untersucht die ästhetischen Verwandlungen von Fernsehgeräten und anderen Telekommunikationsdisplays im Lauf der letzten Jahrzehnte,

Blackbook ist Objekt und Dokumentation, Denkraum, Sammlung und Präsentation. Das Künstlerbuch Blackbook von Kriz Olbricht verschränkt Ansichten seiner künstlerischen Arbeiten mit seinen fotografischen Notizen alltäglicher Beobachtungen. Die Publikation bildet eine visuelle Topologie, die über eine ausschließliche Dokumentation hinausgeht

The Secret Agent is Douglas’s adaption of the 1907 political novel of the same title by Joseph Conrad. Set in London in 1886, the book recounts an anarchist’s failed plot to bomb the Greenwich Observatory and is considered

*Special edition with a silkscreened textile cover, signed and numbered by the artist. Limited edition of 100 copies.
Bernhard Cella’s sweeping pictorial documentary of convalescent men present us with an iconography of a century of medical progress and, by the same token,

Städte sind Orte der Vielfalt. Diese Vielfalt ist einer der Schlüssel, den großen Herausforderungen der Menschheit gestaltend zu begegnen. Wie werden aus passiv Konsumierenden aktiv Gestaltende? Welche sind die Orte, an denen

Der Berliner Schlüssel von Bruno Latour liest sich als wunderbar klarer Text, der nicht nur Latours Verständnis unserer Gesellschaft verdeutlicht, sondern gleichzeitig auch einen für viele Berliner alltäglichen und doch mysteriösen Gegenstand bespricht: Diesen Schlüssel mit doppeltem Bart, der vor 100 Jahren

Johanna Drucker’s Diagrammatic Writing is a poetic demonstration of the capacity of format to produce meaning. The articulation of the codex as a site for meaning-makinghas rarely (if ever) been subject to such highly focused and detailed study as in this volume,

Buy the Poster and download the Booklet (PDF) for free. Hybrid Publication: Analog Poster and Booklet Folded Artwork.

Alcohol Makes You Invincible by dddddddumar Fukunovo (a.k.a. Dumar Brown, a.k.a. Nov York) takes place where many twenty-first century death cult stories take place, the post-apocalyptic now. The only difference in this rendition of the utopic post-human is that one race of people survive on the burnt out landscape-the very serious alcoholics.

Bernhard Cella's performance uncovers the artistic potential of everyday situations associated with physical and mental mobility. The artist draws up scenes of European lockdown cowboys misappropriating props of lost urban life, celebrating memories of authentic knowledge sanctuaries, uninhibited revealing in open public spaces and inebriation with the flow of social interaction.
Cella manipulates and strings together various aesthetic aspects of fading cultural artifacts and, in collaboration with an art audience, produces a transformed experiential space-for a limited time only.

Die Einladungskarte für Heimo Zobernigs Ausstellung in der Galerie ist gleichzeitig ein Plakat dominiert vom Schriftzug AUSTELUNG.
Im ersten Raum der Galerie steht ein kreisrunder Tisch aus Winkel-Stahl mit sieben Beinen und einer bronzenen Spiegelglasplatte, ergänzt durch sieben Stühle mit gold-lackierten Sperrholz-Sitzschalen und verchromten Rundrohrgestellen. Zobernig löst die Gipskarton-Wand, die den Hauptraum der Galerie in zwei annähernd gleiche Hälften teilt aus ihren Ankern und legt sie auf den Boden. An ihrer Stelle
hängt ein aus farbigen Stoffen zusammengesetztes Bild von der Decke, dessen Maße 3 x 4 Meter, den Proportionen des Videoformats entsprechen.

The Donaufestival 2010 in Krems was held under the theme "Failed Revolutions" and featured a diverse program of music, performance, and visual arts. In the visual arts segment, Franz Graf and Christian Jankowski were among the artists showcasing their works. Media art pioneer Paul DeMarinis also presented pieces that combine sound, light, and technology. A catalog for the art exhibitions was self-published by the artists, providing additional insights to accompany the festival program.

1932 veröffentlichte Karl Fränkel ein in einer Kleinstauflage auf seiner Handpresse gedrucktes Bilderbuch, das aus 12 teils handkolorierten Holzschnitten mit dazu passenden Versen besteht und von Hand als Blockbuch gebunden wurde. Der wiederentdeckte Künstler Karl Fränkel (Wien 1895-1964) beschäftige sich Zeit seines Lebens mit der, wie er sie in einem Buchtitel nannte „Wiener Vorstadtkunst der Gegenwart“. In einer Zeit der

How does art become a subversive partner of consumer culture? And how does the gaze into a shop window merge with that into a museum? Fresh Window illuminates a rich chapter in art history, where the shop window becomes a stage, and the promise of consumerism transforms into art. Spanning from the opulent displays of the early 20th century to the radical performances of today, this book bridges commerce, creativity, and societal change.

Franz Graf is now playing his characteristic game with emptiness and abundance, black-and-white contrasts, letters and words, small, delicate details and large iconic, archaic, and modern elements at the 21er Haus.

Zeichnungen / drawings 1980-1988: Martin Disler, 126 Bilder / images, multimedia, Printed in Switzerland, 1989 Martin Disler, Elisabeth Kaufmann

Cabins is the outcome of Matteo Ghidoni’s theoretical and critical research on “being”. Relying on architectural drawing, and through the investigation of a human's most basic needs, Ghidoni produces ten abstractions of architecture, dedicated to the care of body and soul.
Cabins are not residential units as described by modern architecture;

What might be considered the research output of a walking practice? An important caveat to this would be to ask where and when the research occurs in relation to the walk, the walking, and the walkers. Does the walk activate our senses, or do our senses demand that we walk? Since walking involves encounters with various objects and subjects, how

To have children or to make ‘descendants’ was one of the most natural things in the world; the life of people, animals, plants, was considered poiesis per se. Many myths, legends and fairy tales are implicitly or explicitly about reproduction and sexual life. The increasing infertility of the human species and the extinction of

This artist's book is characteristic of Jean-Michel Wicker's work with typography and graphic design. It features a series of graphic works, a “tree of life” produced in collaboration with Marlie Mul, a text by Harry Burke, and a recipe for Alsatian plum pie by Charlotte Wicker. The publication's inserts reproduce collages and paintings by Wicker.

Michel Butor’s Description of San Marco (1963) is an unusual book; an unorthodox intermingling of overheard dialogue from the iconic Venetian square in question, thick descriptions of persons and buildings, along with sober historical information. In the original,

Jérôme Chazeix's publication focuses on the participatory practice and the use of textile. Chazeix's work of the last years are contemporary syntheses of the arts («Gesamtkunstwerke») in the combination of different media and their cross-references.

In issue 45, featured artists include Britta Marakatt-Labba, Rasheed Araeen, Rebecca Belmore, and Zai Kuning. Essays include Alec Finlay on indigeneity, nationality, and statehood in Scotland; Ana Texeira Pinto on the Portuguese art scene; and Wanda Nanibush and Walter Mignolo on indigeneity and decoloniality. Also Stefano Harney on Ground Provisions, Anthony Gardner on Documenta Athens and Kassel, and Vincent W. J. van Gerven Oei on Anri Sala’s Intervista.

entalhs… puts into words and images the gesture of the sculptor who cuts stone and that of the marble cutter in a quarry by the Mediterranean Sea. It celebrates nothingness from which a calm joy emerges.

Offset print, compact disc with PowerPoint song (Woog Riots), edition of 25. Since the late 1990s, Michael Riedel has advanced his own model of a self-sustaining artistic production, continuously using reproductions as a means to "reintroduce the system of art into the art system."

In addition to recent works, the exhibition focused on “Signetische Zeichnung” (1994-95), a spectacular early work by the Frankfurt-based artist, which was on display in its entirety for the first time.

Christoph Ruckhäberle (*1972) ist einer der herausragenden Vertreter der zeitgenössischen Leipziger Malerei. Bis 2002 war er Meisterschüler bei Arno Rink,

Bastian Muhrs Fokus liegt auf der Beschäftigung mit Zeichnung und Malerei. Regelmäßig realisiert er in Zusammenarbeit mit Kunstinstitutionen große, temporäre ortsspezifische Arbeiten.

Outsider Portuguese artist Filipe Felizardo delivers a singular album of 21st century loner folk from the confines of his apartment.

Featuring members of punk band Scrambled Eggs and free improv unit "A" Trio, this band from Lebanon has a style that includes elements of punk, krautrock, free jazz and improvisation.

“La Danza del Agua” (The Dance of Water) is an eclectic musical journey through Latin American experimentalism – a sort of unofficial companion to the Anthologies of Atypical Portuguese Music volumes but focussing on South American music themes instead.

It is a long time in which curator Chiara Bertola has been able to observe the metamorphoses and rebirth of this ancient palace, which, through the different visions of the artists projected into its spaces, have made it many places each time.

Kasia Fudakowski, eine junge, britisch-polnische Künstlerin, präsentiert ein humorvolles Projekt, das mit der Ästhetik und Ikonografie der Immobilienbranche spielt.