This inspirational book includes an introduction to Karshan’s unique drawing practice and personal history by Jonathan Casciani, a transcript from the film

How to Book in Berlin serves as a comprehensive guide to bookmaking and publishing, offering insights we wished we had when we were starting out. It includes information on research methods, funding strategies, production techniques and distribution approaches, all underpinned by the perspectives and advice of experienced publishers. Our ultimate ambition is to alleviate the challenges often associated with the journey of creating artists’ books and to foster meaningful connections within the diverse and vibrant artists’ book communities.

This is not a catalogue raisonné. Nor is it a family album. If anything, it is an album dé-raisonné, the collage of a life commented on discreetly by its author. It is a reproduction of the world of Olga Mohler-Picabia around a mentor and a great love, Francis Picabia. A variation on the theme of Pygmalion, this album is the highly personal expression of a quarter century of learning. An intaglio portrait of Picabia through the eyes of Olga, a portrait that is at once funny, intimate, sensible and often very moving.

Das AMAM verwahrt mehr als 1.500 Dokumente, darunter mehr als 300 Zeichnungen, Collagen, Aquarelle, Radierungen und Skizzenbücher von den frühen 1950er Jahren bis zum frühen Tod der Künstlerin im Jahre 1970. Sämtliche Zeichnungen und zahlreiche Seiten aus den Notebooks sind in der vorliegenden Publikation meist erstmals perfekt farbig abgebildet.

On the occasion of the exhibition "Julia Schmidt - Economies of Hygiene", Meyer Riegger, Berlin. October 6 - December 18, 2010

Keine weitere Jahresmonografie. Keine Großthesen über Zäsur und Neuanfang. Kein Versuch, sich der Gegenwart über den Weg einer ausgewählten Vergangenheit zu nähern. Stattdessen: Abschweifungen, Irrfahrten und Exkursionen am Rande der Geschichte. So verstanden ist „ca. 1972“ der Name eines Chronotopos im Schatten der politischen Prozesse und kulturellen Aufbrüche der langen 1960er Jahre. Dekolonisierung, Schwarze Bürgerrechtsbewegung, der Mai 1968, die sexuelle Revolution und andere emanzipatorische Projekte schienen „ca. 1972“ an ihren Widersprüchen gescheitert zu sein. Aber ist das schon die ganze Wahrheit?

Once considered an outsider artist, after her show at the Guggenheim Museum was seen by more than half a million visitors, Hilma af Klint firmly established her place in art history. She has also been the subject of documentary films and biographies. In 2013, Iris Müller-Westermann organized the first retrospective exhibition of af Klint s work.

What is the color of Milk? Is it white? Or almost white? The images in this book show forty colors of human milk. They have been drawn from found footage images representing breast milk and human milk.

In meinem Doktoratsprojekt „Crip Modes of Artistic Research“ erforsche ich soziale Bewegungen um „Behinderung“ in wechselnden historischen Räumen. Ziel ist es, alternative Erzählungen, Strategien der Aneignung und Verbindunglinien mit u.a. künstlerischen Mitteln aufzuzeigen. Die Arbeit verfolgt einen transdisziplinären Ansatz, der sich aus künstlerischer Perspektive den „Disability Studies“ nähert und sozialgeschichtliche, theoretische Bezüge herstellt. Es bringt diskursive Medien, Räume und Formate hervor, darunter eine regelmäßig veröffentlichte Zeitschrift (Crip Magazine) sowie andere künstlerische Formate.

@shouseRCA and @shousetanlin are two publications from their respective Twitter accounts. Each account was one of the two voices of the statementhouse (temporary title) built at the Royal College of Art in London in 2015.

The 208 pages of ERB Issue Two are bursting with essays, reviews, reportage, interview, photography and experiment by writers from all over Europe — and beyond. It is a reading experience unto itself, designed like nothing else. The ERB’s print designer, Patrick Doan, gave the magazine a distinctive, layered form. TURN the pages to read, but CUT the pages — easily done with a finger — to open a second layer, where you’ll find shorter essays, asides, and the occasional language game. Issue Two features resurrected darlings, psychic detectives, lyrical slang, Chinese palindromes and to every reader their own Dichter und Denker. Discover Europe’s new république des lettres.

Immer mehr Museen öffnen sich nach langer Tabuisierung für einen transparenten Umgang mit Fälschungen, tauschen Erkenntnisse aus und entscheiden sich – falls notwendig – Werke aus der Sammlung abzuschreiben.

This book follows the first exhibition of Robilliard’s notebooks, ‘Disorganised Writings and Sketches’ at Rob Tufnell in Cologne in April 2019. Rob Tufnell announces a new publication of extracts from the notebooks of the poet and artist David Robilliard (b.1952 – d.1988). After his premature death from an AIDS-related illness in 1988, Robilliard left a large number of notebooks in the care of his close friend and fellow artist Andrew Heard.

We design for life, death and posterity, all together - while understanding who and/or what is permissible to kill or let die. We try to understand why water is a false dragon and how it gives and takes life. We are encouraged to do some push-ups.

A Faggot is a Unit by Berlin-based artist, filmmaker, and writer Padraig Robinson, brings together two original screenplays for yet-realized video works by Robinson along with a collection of research material presented as a retrograde calendar. The screenplays, / Imagine Prompt: Catfish Monogamy and The Jealousy of Sagittarius A*, both deal with

These creative spaces were incubators of radical thinking, in which artists could exchange provocative ideas. They were welcoming environments for artists, dancers, designers, writers, and musicians pushing the boundaries of cultural and social norms.

Author, art entrepreneur and art advisor, Christoph Noe, is back with his next round of advice on maintaining positivity in the art world with “How To Not Fuck Up Your Art-World Happiness – Volume 2.” This latest collection of guidelines is a follow-up to Noe’s bestseller, continuing the conversation of how to stay sane, engaged and even enthralled working in the art world. “

Kramer’s work is in the fields of sculpture and installation. She combines familiar and unfamiliar objects in unorthodox ways that lead to completely contrary and sometimes even usable objects. While her works are highly distinctive in form and figuration, all the interventions comment on cultural and political phenomena within societies.

A poignant news photograph, a striking headline or a major international event: for more than forty years Kees de Goede (1954) has been responding very tangibly to the news. For his series of Astral drawings he uses newspapers as subject matter and as the image support.

Russians could say: If you tie yourself to the tree, they will simply cut your down together with the tree. At this struggle, all means are good enough: if you cannot love your homeland as a human being, if the enemy pushes you out, love it like a plant – stay, resist; or love it like a beast – run, attack,

John Armleder and his class at the Hochschule für Bildende Künste in Braunschweig, Germany, who call themselves Team404, solicited original graphic works made on A4 paper from over 500 artists (Corrie Colbert, Sylvie Fleury, Thomas Hirschhorn,

This book, which brings together for the first time the entire series of films around the figure of Neanderthal Man produced by Nathaniel Mellors since 2012, is also the only monograph currently in circulation on the work of this British artist, since the catalogue The Aalto Natives – A Transcendental Manual published in

Casa Barragán, built in 1948 by famed Mexican architect Luis Barragán as his private residence and studio, is today considered a landmark of modern architecture. It is filled with all of the artworks and artifacts that Barragán placed in it during his lifetime, faithfully kept as they were when the residence was inhabited by its author. Recognizing the special regard

No Martyr: San Francisco Punk Posters 1976–1981 is a comprehensive visual anthology capturing the raw energy and DIY spirit of the Bay Area punk scene during its formative years.

Die Kunst von Sandra Peters eröffnet Bezüge zwischen Skulptur, Architektur, Sound und bewegtem Bild. Anspielungen auf historisch Bekanntes werden in ihren Arbeiten zur Anregung für die Imagination des Betrachters. Ihre Werke erzeugen

The conversations and interviews of Hans Ulrich Obrist encompass a broad practice that is dialogic in relation to both words and disciplines.

ABCDLP002 - Short Big Drama, 2012 was written and composed by George van Dam.

I asked architects to send me important images that show the basis of their work. Images that are in their head when they think.

“Analog Film Manifestos” brings together eight passionate, very personal and therefore stylistically diverse confessions to analog film by Austrian filmmakers:

„Atelier E.B: Passer-by“ – Eine interdisziplinäre Auseinandersetzung mit der Welt der Schaufensterpuppen.

Experiment Expressionism – Schiele Meets Nosferatu is an expansive, cross-genre exhibition dedicated to the many facets of Expressionism.

With Concepts of All-Over, Museum Haus Konstruktiv presents a spectacular group exhibition celebrating the interplay of colors, shapes, light, and architecture.

Sophie Thun acts in a multi-layered manner in the fields of action of photography.

Microinternational was an informal yet influential network of artists active between 1993 and 1999, primarily organized by Kevin Hanley and Jonathan Kroll.

Leonardo da Vinci ist allgemein bekannt als großer Erfinder kreativer Maschinen, als Künstler der berühmten Zeichnung des Vitruvianischen Menschen.

da vinciDie Ausstellung "Leonardos intellektueller Kosmos" fand vom Mai bis zum Juli 2021 in der Staatsbibliothek zu Berlin im Dietrich Bonhoeffer-Saal statt.