Geboren 1944 in Budapest und in Wien aufgewachsen, rekonstruiert Christian Reder in Deformierte Bürgerlichkeit familiär vermittelte Beziehungen

Autonomous labor and its attendant values have now become familiar tools of neoliberal capitalism: work has become freelance,

Wirr singt das Volk is an artist’s book by Arno Auer published by Textem Verlag in connection with exhibition contexts.

Gregor Schneider – Double documents the exhibition series of the same name at the MMK Museum für Moderne Kunst, in which ten historical exhibitions from the legendary Bremerhaven Cabinet for Contemporary Art were restaged.

Alltagsrealität und revolutionärer Aufbruch Mexikos im Spiegel seiner grafischen Kunst.

The first impression at the train station reveals streets that are far too wide. In the city centre, they continue as a result of reconstruction.

Space. About a Dream explores outer space as a site of artistic imagination and cultural projection. Rather than approaching space solely as a scientific domain,

Born in 1821 in Anchay, a small hamlet in the Jura region, Louis Vuitton left his village at the age of 13 and set off for Paris without a penny to his name.

The Drawings of Olav Westphalen presents a curated selection of works by Olav Westphalen, drawn from nearly 2,000 drawings that were examined in his Brooklyn studio.

A Visit with the Artists documents an extended interview conducted by Sylvère Lotringer and published in 1994 as part of the Melbourne-based Pataphysics Series.

This exhibition catalogue, edited by Hans D. Chris and Iris Dressler and published in 2005 by Revolver – Archiv für aktuelle Kunst, documents a presentation dedicated to drawing by

Straßen, Plätze und Gebäude geben dem öffentlichen Leben eine Form. Aber was sind Straßen, Plätze und Gebäude, auf oder in denen kein öffentliches Leben stattfindet? Öde Orte, trostlose Areale, unwirtliches Terrain.

Post-Menopause brings together a group of works by Rosemarie Trockel that continue her long standing investigation of cultural codes, gender constructions and systems of representation.

For more than a year Juergen Teller wrote a weekly column for ZEITmagazin. Each week he selected one of his photographs and