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  • Der Themenkatalog
    Francesco Pedraglio, Reto Pulfer
    Reto Pulfer (born Bern, 1981) is a Berlin-based artist, whose work has been featured in exhibitions in institutions such as Kunsthalle Bern, ExtraCity, Antwerp, the Chelsea Art Museum, New York, and Stedelijk Museum Bureau, Amsterdam.

    (D/Engl.)
  • Momentary Monument
    The Swamp
    Lara Favaretto
    Lara Favaretto (born Treviso, Italy, 1973) lives and works in Turin. Her works have been featured in the Sydney, Sharjah and Venice Biennials, the Torino Triennial, and exhibited in Castello di Rivoli, MOCA Los Angeles, and Palais de Tokyo, Paris.
  • Topografia Aneddotata del Caso
    Daniel Spoerri
    Daniel Spoerri, geboren 27.3.1930, wurde als bildender Künstler vor allem mit den sogenannten „Fallenbildern“ (60er Jahre) bekannt. Seine Karriere begann jedoch in den 50er Jahren als Tänzer in Bern. Später machte er sich als Restaurantchef (70er Jahre) und Begründer der Eat Art einen Namen (Eat Art Galerie in Düsseldorf und zahlreiche Bankette).
  • No Order
    Art in a post-fordist Society
    Marco Scotini.
    No Order is a research, production and publication machine based in Milan, employing different tools to impact the social, semiotic
    and economical assemblages within the contemporary cultural industry.

    (Engl./ Italian)
  • The Exhibitionist Issue 1
    Journal of Exhibition Making January 2010
    Jens Hoffmann
    The Exhibitionist is a journal focusing solely on the practice of exhibition making. Its objectives are to create a wider platform for the discussion of curatorial concerns, encourage a diversification of curatorial models, and actively contribute to the formation of a theory of curating.
  • The Exhibitionist Issue 2
    Journal on Exhibition Making June 2010
    Jens Hoffmann
    The Exhibitionist is a journal focusing solely on the practice of exhibition making. Its objectives are to create a wider platform for the discussion of curatorial concerns, encourage a diversification of curatorial models, and actively contribute to the formation of a theory of curating.
  • The Exhibitionist Issue 3
    Journal on Exhibition Making January 2011
    Jens Hoffmann
    The Exhibitionist is a journal focusing solely on the practice of exhibition making. Its objectives are to create a wider platform for the discussion of curatorial concerns, encourage a diversification of curatorial models, and actively contribute to the formation of a theory of curating.
  • The Exhibitionist Issue 4
    Journal on Exhibition Making June 2011
    Jens Hoffmann
    The Exhibitionist is a journal focusing solely on the practice of exhibition making. Its objectives are to create a wider platform for the discussion of curatorial concerns, encourage a diversification of curatorial models, and actively contribute to the formation of a theory of curating.
  • From A to B & Back Again
    Jonathan Monk
    Chartered as it has been that the work of Jonathan Monk reaches into the past, looking in particular at the strategies of artists synonymous with the birth of conceptual art, adopting the language of conceptualism and infusing it with references he makes to his own personal history [...]

    Intro by Adam Carr
  • Remedies to the absence of Reiner Ruthenbeck
    Vincenzo Latronico
    Here, then, life is understood as something narrated and documented but unable to be shown or presented. This lends the documentation a plausibility of representing life that a direct visual presentation cannot possess.
    B. Groys

    (Engl.)
  • The Incest Museum
    An erotic survey of mankind from front to back and sideways
    Simon Fujiwara
    Simon Fujiwara is a Berlin and London-based artist.The Incest Museum has been shown at Umberto Di Marino Arte Contemporana, Naples, The Royal College of Art, London, OTIS, Los Angeles, and Limonchello, London.
  • Rimedi all'assenza di Reiner Ruthenbeck
    Vincenzo Latronico
    Sottomessa alla tirannia del Particolare (...) l'opera d'arte immortale e tanto a lungo desiderata mi appariva trasformata in una piccola vecchia di pietra, di cui avrei potuto misurare l'altezza e contare le rughe.
    M. Proust

    (Italian)

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