Brice Dellsperger pushes the boundaries of genre and gender. In his multifaceted reprises of iconic film sequences—all assembled under the title Body Double—the cineast and artist reenacts selected scenes from well-known films frame for frame and lets his “body doubles” perform all of the roles, be they male or female

Shows, Signals, Unvernehmen brings together fifteen years of art critic, curator, and artist Christian Egger’s writings, from 2005 to 2020. The texts include interviews

Andy Boots Werk überbrückt die schwierige Grauzone zwischen dem Fassbaren und dem Digitalen. In seinen gleichermaßen konzeptuellen wie poetischen Objekten und Gemälden gelingt es dem Künstler, Ideen, Orte und Prozesse zu verwirklichen, die sonst in einer Welt, die sich zu oft blind auf Technologie verlässt, verborgen geblieben wären. Wir unterhielten uns mit Andy Boot über seinen Umzug von Australien nach Österreich, seine Faszination für Blockchain und natürlich über das konzeptuelle Fundament seiner Arbeit.

To write about someone else means both to expose and transform them. This is the dilemma of writing that Janet Malcolm describes as “morally indefensible.” In Doing Time: Essays on Using People, Kristian Vistrup Madsen deliberates on his correspondence with an inmate in a California prison named Michael. Over several years, this spawns a series of reflections about the politics of solidarity and

Artist’s book with twenty-one colour illustrations of German artist Maximilian Kirmse’s paintings, as well as several drawings. The book includes a prose poem by Jan Koslowski, and an essay by Fid. Fischer which situates Kirmse’s work within contemporary painting.