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  • Günther Selichar
    screens, cold
    Günther Selichar, Hubertus von Amelunxen, Robert C. Morgan, …
    Diese Publikation erschien anlässlich der Ausstellung Günther Selichar: screens, cold im Espai Lucas, Valencia und im Project Space der Kunsthalle Wien, Frühjahr 2001
  • "Sources"
    Günther Selichar
    Hubertus v. Amelunxen The insignia of media-technical apparatuses proliferate on the large-format Sources; in these macroscopic shots of image carriers, or rather information carriers, it seems at first glance that the sign-like message has been separated from that of the media, the carrier. It is as though we were seeing the purity of the physical material – the canvas – before us, overlaid with the enlarged epidermis of the physical-chemical or electronic carrier material. The enlargements of infographic carriers, of monitors, photocopies, printing, etc. make us aware of the ”place” that bears (away) the traces of our presence. Thus the carriers, to which we entrust the legacy of our presence, already bear a ”mark”, seem to be ”punctured”, injured, and do not correspond at all to the immaculacy of a surface, to which we sacrifice the dimensions of space.
    12.00 €
  • Who's Afraid of Blue, Red and Green?
    Suchbilder 1991-1993
    Günther Selichar
    Unter diesen Bedingungen erweist sich die zurzeit so viel beschworene »Identität des Menschen mit der Natur« als hoffnungslos inadäquates Unmittelbarkeitsgestammel. Daran kommt Kunst ebenso wenig vorbei wie ästhetische Theorie… (D/Engl./Spanish)
    12.00 €
  • Third Eye
    Günther Selichar
    Seit knapp zwei Jahrzehnten arbeitet der österreichische Künstler Günther Selichar im Grenzbereich von Fotografie und Malerei und reflektiert die medialen Produktionsbedingungen von Bildern.
  • Who's afraid of Blue, Red and Green?
    Günther Selichar
    Pigmentdruck

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