Twice a year, The Institute of Social Hypocrisy publishes a fanzine. These publications serve as a tool with a dual purpose. Primarily they are a means to put out developing art projects by a range of invited artists and contributors, throughout the duration of the ISH project.

This publication accompanies the exhibition Let’s Talk About Nationalism! Between Ideology and Identity at the Kumu Art Museum in 05.02.–25.04.2010.

I giovani che visitano le nostre rovine non vi vedono che uno stile /
The young people visiting our ruins see nothing but a style
kuratiert von FormContent

“…moving closer to the artwork involves moving away from the artwork—to look closer at fringes and margins and representations, and ask what seems to me a very fundamental question: to what extent are these various exhibition conventions actually part of the art—and not merely an extension of it?”

Somewhere between a chic shark and a straight talking carp, Dorade enjoys rolling around in breadcrumbs, asking silly questions then gleaning spawning theories, maximising the absurd and pursuing metaphors to the bitter end. Although it may take the joke too far, it knows how to make up for it the next time around.

Fillip is a publication of art, culture, and ideas issued three times a year by the Projectile Publishing Society and Emily Carr University of Art and Design.

Ultraviolet Magazine highlights exciting artists that are a little beyond the regular spectrum. Ressembling a mixtape, it's a conceptual yet very personal mix of material linked by a theme or mood and always presented in the signature colour.

On Sunday the street is transformed into oasis of foliage and flowers. Everything from bedding plants to 10 foot banana trees are up for grabs. The air is intense with the scent of flowers and the chant of the barrow boys “Everthin' a fiver”. A lot of the flower sellers grow their own plants or import flowers from around the world.

A two-part publication co-produced and designed by Mark Beasley and Dexter Sinister will accompany Hey Hey Glossolalia.

Girls Like Us magazine was founded by Jessica Gysel and Kathrin Hero in 2005.
In 2009 Vela Arbutina stepped in as new art director and co-editor. The magazine is made in Amsterdam, published in New York and available in the bigger cities worldwide.

Paper Monument is a semi-annual print journal of contemporary art published in association with n+1.

The book project I was (t)here. is a collection of stories compiled over a few years. The sources are newspapers, books, magazines, TV, Internet, museums, rumors and encounters. Both texts and images.

The book consists of re-narrations of collected stories, frequently taken out of context, highlighted or twisted according to memory and perception. It is all so-called nonfiction and second or third hand information.

Alphabet prime is a new biannual arts journal presenting critical texts, artist contributions, and fictional works, among other content. The publication takes as its focus the problem of language in contemporary discourse, and its limitations within the established framework of "theory."

The National Grid is a speculative and idealistic publication for graphic design, operating loosely in grey areas between academia and professional practice, and between art and design.

White Fungus is an experimental arts magazine based in Taichung City, Taiwan.
Featuring writing on art, music, history and politics, plus original artworks, poetry, fiction and comics, White Fungus is an ongoing experiment in community media art. As the spores have been released in creators look forward to seeing which way the wind blows. The only thing more uncertain than its future is its past.

Tuukka "Deeli" Kaila is best known from the Numero magazine and his skate photographs for Kingpin etc.

In each issue of Kaleidoscope, we publish a selection of "tips," recommendations for what/who not to miss in art, architecture, design, film, fashion, publishing, and more. Every time that a new issue is out, the new tips are published in this special section of our website for your updating pleasure.

Can a design manifesto be written in a post-manifesto age?

With:
Jannah Loontjens (poet-curator)
Aam Solleveld (artist)
Katja van Stiphout (graphic design)

Forms of Inquiry Annex is a fragment of the fifth constellation of Forms of Inquiry: The Architecture of Critical Graphic Design, an exhibition staged in two parts at Archizoom, Lausanne and BolteLang, Zürich.

The Interview is a theatrical play for two actors in six scenes, written in collaboration between the artist Guillaume Leblon and the critic Thomas Boutoux.

A delightful typographic comedy, mocking the perverse fanaticism in design.

english/turkish fanzine

‘The documentary photo project ‘We would come to doubt everything…’ deals with Juan (Jan), a Brabant dentist who thirty years ago left everything behind to start a new life in the remote mountain village of San Sebastian de Garabandal in Spain. Juan de la Torre leads the life of a hermit and has devoted himself to the ‘study of life’, immersing himself in books on religion, alternative philosophies, the falsification of history and conspiracy theories.

A tribute to Abbie Hoffmann’s pamphlet of the same name, Steal this Book documents eleven recent performative projects by Spanish artist Dora García.

Riso printed photo book

Das Fotobuch "Reise durch die USA" zeigt Bilder des Hobbyfotografen und damaligen Theologiestudenten Paul Gerhard Diez,

The book accompanies an exhibition of the same title, presented at Zacheta—

HaFI 008 presents an unpublished talk given by Harun Farocki in 1987 at the event “Films that Think in Images” at the Akademie der Künste, West Berlin.