Peep-Hole is a non-profit organization dedicated to contemporary art in Milan.

Galleria Civica di Modena Sprache: Italian and English

The book Foxtrot Gate – Cyprus is part of a series of publications about nations at war, or in crisis; conceived by Giovanna Silva, they tell the stories of different countries through photographs of their multifaceted landscapes.

Riccardo Benassi and Tomaso De Luca, the winners in the first year of the competition organized by Fondazione Pastificio Cerere and by Civita, were offered a period of residency at Pastificio Cerere in Rome, a place historically devoted to giving artists a home that fosters dialogue and a shared creative life. (english/ italien)

The book is an archive of the happenings during the last nine years

The catalogue for the 8th edition of the Furla Prize

september 2011

On the occasion of Peep-Hole Sheet #03, Dora García presents Mad Marginal. This is the first appearance of a larger project, titled in the same way. The whole project is prompted by Dora García’s readings of the writings of Franco Basaglia and is related to issues of censorship, audience-artist relationship, mainstream and marginality.

Since 1977 John Miller has been working extensively as artist, critic and writer finding himself in a “singular position of an artist involved in both his own and other artists’ work.” Peep-Hole Sheet #02 comes out in conjunction with the opening of Miller’s solo exhibition at Kunsthalle Zürich, giving evidence to the coexistence of a parallel and coherent artistic and critical activity.

Peep-Hole Sheet is a project designed to host artists’ thoughts, theories and stories. For this first issue Liam Gillick presents "Stories," a text that was originally intended as a speech at a conference about the roles of galleries and critics held at the Hôtel des Arts, Fondation Nationale des Arts, in Paris in September 1992.

a collection of travel journals by 20 artists

This monograph on the artist Marie Lund comprises a two-sided reflection – the first mute, iconographic; the second speculative, text-based

The title of the exhibition „implies a state of lingering doubt“, observes Vincenzo de Bellis, the curator of this Mexican artist’s show at the Museion. A dialectic tension – physical, content-based, and semantic – runs through the exhibition, as a tool for meddling with the viewer’s beliefs.

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