Alcohol Makes You Invincible by dddddddumar Fukunovo takes place where many twenty-first century death cult stories take place, the post-apocalyptic now.

Tagging has rarely been the subject of serious examination. The Tag Conference is a first attempt to conceptually frame contemporary tagging, and to study it alongside its abundant but largely ignored historical antecedents. Informal name writing in public spaces is

Während sie Damwild in einem Gebiet verfolgt, in dem früher Tagebau betrieben wurde, entdeckt Kat Dogtok ein Zickzack-Symbol, das mit einer schmalen Stiftspitze in einer dunklen Unterführung für Wildtiere geschrieben wurde. Die anschließenden unheimlichen Begegnungen und der zeitliche sowie räumliche Zauber, den dieses Zeichen ausstrahlt, sind so beeindruckend, dass Dogtok ihnen nicht mehr entkommen kann. Was oder wer steckt hinter den Zickzack-Markierungen?

Antny Kreeg 47 and his lady-friend Contruh Guerre (pronounced “Country Girl”) had a rent-controlled apartment on the 112th floor (where the players dwell) of the Empire World Trade Twin Towers and they were never heard of again after 9/11. The ideas in this book were buried under

You ever read the back of a book and blah blah blah words and more words, and function. Poets depend on the emotional character of words. Manuals depend on the instructiveness of words. Yet words can be pronounced backwards or cut up and given new meaning, they can be looked at for their mathematical value, pondered over how they change in translation or seen as hiding messages within them.

The physical form of the book explored with photographs of reflections, that are positioned with the line of symmetry aligned with the pages binding. The turning of the pages echoes and adds depth to the two dimensional plane of each photo. (ref. the pealing apart of ink blot paintings, Rorschach test cards). The reader is goaded to put stress on the intersection of pages, generating a morphologic change in the shape of the book, producing creases on the spine.

Due Magneti by artist A. Herms is a collection of day and dream texts that become interwoven into a narrative about the construction of roles. The banal is sacred, the dreams are treasures. Both the reflection of everyday occurrences and the ability to transform oneself in dreams offer possibilities to question and shape one's own biographical identity.

Matthias Wermke is teaching a seminar (Zweckfreie Räume - Intervention und Performance) with four students at ETH Zurich (Department of Architecture and Art, Prof. Karin Sander) on the topic of "appropriation and theft in art". Later, this very technical title is changed to "Absenz – das Abwesendsein von einem Ort" (absence - being absent from a place ).