Queer Zines, the catalogue, collects the variegated practices of zine makers past and present, from North America and Europe, and lists them alphabetically, starting with Toronto's 88 Chins and ending with the Dean Sameshima zine Young Men at Play.

A Manual for the Immaterial Worker was commissioned by Printed Matter as part of the “Artists & Activists” series. The publication takes the form of an instructional manual for the old-fashioned time clock to explore current conditions under which the “immaterial worker” functions.

For anyone who missed the keynote address given by Hans Ulrich Obrist in conversation with Joseph Grigely and Rirkrit Tiravanija at the 2008 New York Contemporary Artists' Book Conference, this pocket-sized text provides a complete transcription, beautifully printed

Synopsis: Published to coincide with Lisa Anne Auerbach's 2008 exhibition at Printed Matter, this artist's book brings together the various facets of Auerbach's artistic practice, which has included zine making, co-organizing the High Desert Test Sites project, and knitting. Political, relational,

A creepy and aggressive artist book published by Printed Matter. The cumulative impact of Beronio's intervention into his modified source material is oddly personal and unsettling.

Published on the occasion of the collective's 2008 exhibition at Printed Matter, this poster book reproduces 16 classic posters from fierce pussy in an over-sized format with spiral binding, such that the reader can tear out a poster and install it wherever she wishes. fierce pussy encourages the dissemination of its posters worldwide.

A Book About Colab (and Related Activities) – edited by Max Schumann, and with a Foreword and Afterword by art writer and Colab member Walter Robinson – traces the output of Collaborative Projects Inc. (aka Colab), the highly energetic gathering of young New York downtown artists active from the late 1970’s through the mid 1980’s.