In our cultural imagination, the cosmos is a harmonious, utopian universe, but it is also uncontrollable, even unknown, and the source of a specifically modern fear or uneasiness—one that could be described as “cosmic anxiety.”

The work of artist Chris Evans evolves through conversations with people from various walks of life, selected in relation to their public position or symbolic role—resulting in sculptures, letters, drawings, film scripts, and unwieldy social situations.
(Engl.)

This book is the result of four years of collaborative work that focused on topics of affect, the return of history, ecology, and art and its markets in today’s power law–based economies.

With contributions by Joanna Bednarek, Ines Doujak & John Barker, Zofia Łapniewska, Raqs Media Collective, Joanna Sokołowska, Marina Vishmidt, Siona Wilson

Heralded as one of fashion’s most innovative designers, the Paris- and Berlin-based duo BLESS (Désirée Heiss and Ines Kaag) refuse to capitalize on any one milieu, and instead explore the differences between and the mixing of the systems of art, fashion, and design. This book brings together visual and written documentation of BLESS's last twelve collections (N° 30–N° 41), continually prompting and challenging the question of where a product begins and ends. Their latest project, N° 41 Retroperspective Home, culminates in an exhibition / intervention of the same title at the Kunsthaus Graz from May–August 2010.

Brice Dellsperger's Body Double is the first monograph ever published on the artist's already cult film productions, with a long essay by art historian Marie Canet that addresses filmic remake, but also issues of models, gender politics, and representational chaos.
(English)

With Turkish membership to the EU still pending, this book offers an elaborate account of the complex structure of modern Turkey whose origination was not without its contradictions, and whose radicality was to have remote effects still tangible today.

Organized by curator Pierre Bal-Blanc, the experimental architectural program “Project Phalanstère” consisted of a series of site-specific artworks in the Parisian suburbs. Taking place from 2003 to 2014, these projects developed a creative space extended in time.

This book is the first overall presentation of Silberkuppe. Since it’s founding in May 2008, Silberkuppe has become one of Berlin’s most outstanding independent spaces for contemporary art.

Siblings and Twins, a catalogue of Haegue Yang’s installation works, documents the same-titled exhibition held at Portikus, Frankfurt am Main.
(Germ./Engl.)

What Ever Happened to New Institutionalism? reflects upon the aspirations of these curatorial strategies and assesses their critical efficacy today within the landscape of contemporary art and globalized culture.

Published in relation to the exhibition “Stray Warmings” at Midway Contemporary Art in Minneapolis, this new monograph brings together writing and reproductions that extend beyond this particular context.

Co-organized by Hans Ulrich Obrist and Philippe Parreno as a group exhibition that would occupy time rather than space, “Il Tempo del Postino” usurped the durational dimension of theater by presenting time-based art on the stage of the Manchester Opera House (July 12–14, 2007).

Sweet Sixties is a long-term trans-regional research initiative working between art, research, media, and educational contexts in Europe, the Middle East, western and central Asia, Latin America, and northern Africa. Involving a particular group of experimentally oriented arts and research groups as well as individual artists, researchers, and media, Sweet Sixties investigates hidden histories or underexposed cultural junctions and exchange channels in the revolutionary period of the 1960s.

What does it mean to publish today? In the face of a changing media landscape, institutional upheavals, and discursive shifts in the legal, artistic, and political fields, concepts of ownership, authorship, work, accessibility, and publicity are being renegotiated.

Books and Ideas after Seth Siegelaub spans an arc of tension between the works of Seth Siegelaub and contemporary cultural production.

This publication accompanies Australian multidisciplinary artist Nicholas Mangan’s survey exhibition “Limits to Growth.”

“Taiping Tianguo: A History of Possible Encounters,” a touring exhibition organized by Para Site, Hong Kong, began as a series of questions: How did Ai Weiwei, Frog King Kwok, Tehching Hsieh, and Martin Wong all end up in New York in the heady 1980s?

This book constitutes the first monograph on New York-based artist Josephine Meckseper, with essays by writer/filmmaker John Kelsey and Andrew Ross, Professor in the American Studies program at New York University.

Archaeology of the Digital delves into the genesis and establishment of digital tools for design conceptualization, visualization, and production at the end of the 1980s and the beginning of the 1990s.

The 60th Jahresring takes the form of a compilation of artist interviews and offers a snapshot of a highly active art scene that stretches from Berlin, as a new international center for art.

This volume accompanies the eponymous exhibition at the Sharjah Art Museum—two parallel solo shows by Angela Bulloch and Maria Zerres brought together under one title, framed by the notion of entropy. Likewise, the publication takes the form of two separate but related exhibition catalogues, each leading toward the book’s center.

Cave is a series of publications featuring commissioned and republished explorations, anecdotes, research, documents, case studies, essays, and scenarios on how to think and practice contemporary collecting.

The Emergency Exit installation not only merges the disciplines of architecture and art within this project, it is the culmination of a collaborative dialogue between Agnieszka Kurant and Aleksandra Wasilkowska that unites their interests and professional experiences.
(Engl.)

This fully illustrated, artist-designed catalogue features the most recent work of New York-based artist Josephine Meckseper.

Giving Voices features four of Erkan Özgen’s video works dealing with war, violence, and trauma—beyond the boundaries of the political, within the dimension of the private and the human.

One of the fundamental events of modernity was the conquest of the world as picture, a process in which movies were essential.

This book presents the work of the architects, artists, filmmakers, lawyers, and theorists who participated directly in the “Forensic Architecture” project in the Centre for Research Architecture at Goldsmiths University of London, as well as the work of associates and guests. It includes forensic investigations undertaken by the project and its collaborators aimed at producing new kinds of evidence for use by international prosecutorial teams, political organizations, NGOs, and the UN. It also brings together research and essays that situate contemporary forensic practices within broader political, historical, and aesthetic discourse.

The words on the cover of Aslan Gaisumov’s first monograph are names of places no longer inhabited.

This book traces the work and research of filmmakers and visual artists Joana Hadjithomas and Khalil Joreige and their exploration through their work of online spam e-mails, specifically, advance-fee frauds and scam messages.

Encounters with art engage various conditions of interiority—whether through psychic spaces or specific physical environments, such as museums and private residences.

This publication focuses on the practice of curating in Southeast Asia, a region experiencing a time of increased global visibility as well as nation and institution building.

Der Jahresring stellt sich der Problematik eines neu formierten Rechtspopulismus, dem Phänomen Fake News und präsentiert psychologische Forschungsergebnisse wie beispielsweise den Backfire-Effekt.

Eine Fülle von Projekten in regionalen Räumen weltweit bezeugt, dass die Trias von Kunst, Design und Wirtschaft auch für die Entwicklung und Erschließung der sogenannten Peripherie eine immer größere Rolle spielt. Wie plausibel und wirkmächtig aber sind diese Unternehmungen?

Prototypes by Doireann O’Malley is a multi-screen film installation, a series of dreamscapes interrogating trans* semiotics through psychoanalytic practices, speculative technologies, and live action role-playing.

What does it mean to publish today?

This comprehensive new monograph on the influential British artist-filmmaker - renown for his playful and formally ingenious subversion of the everyday world - contains essays by Ian Christie, Martin Herbert, Kathrin Meyer, and Ethan de Seife.

This comprehensive new monograph on the influential British artist-filmmaker—renown for his playful and formally ingenious subversion of the everyday world—contains essays by Ian Christie, Martin Herbert, Kathrin Meyer, and Ethan de Seife.

This publication explores themes of the exhibition through its terms—not, however, to confine into isolated conceptual categories, but to interconnect. These terms characterize exhibiting and emphasize a “between-ness.” Examining a term lays bare its ruptures, shifts, or recreations, as well as social, societal, and cultural changes that have the power to structure through historical conjecture.

This artist book includes a selection of images—a documentation of exhibited works and those in process—that offer a sense of Valentine’s approach to working, which gestures toward abstraction and improvisation.

In Please send this book to my mother, artist Sarah Entwistle dismantles the traditional form of the architectural monograph and artist biography.

When is the digital in architecture? What are the conditions that led architects to integrate digital tools into their practices? There are eight million stories of the origins of the digital in architecture, and this book brings together fourteen of them.

The Silent University is an autonomous platform for academics who cannot share their knowledge due to their status of residence, because their degrees are not recognized or regaining access to academia is blocked for other reasons.

This issue poses as a retroactive non-catalog for the group exhibition “White Petals Surround Your Yellow Heart” at the Institute for Contemporary Art at the University of Pennsylvania curated by Anthony Elms. As such, its nominal theme is Fashion.

This is a phosphorescently brilliant exploration of the birth and life of video. In the times when electronic media meant the flow of televisual signals, video became a uniquely glimmering force of idiosyncratic memory and the ordination of time.

Als Matrix des Lebens, der Natur und des Kosmos bildet Antje Majewskis Gimel-Welt gleichsam die Quintessenz eines Eigenen privaten Universalmuseums in einer Nussschale der Künstlerin und zeigt in den Hauptrollen ein Objektseptett: Einen Ton-Teekessel in Form einer menschlichen Hand, eine Muschel, ein aus Duftholz gefertigter Topf, eine Buddhahand-Zitrone, eine Milchorange, einen weißen Stein, einen Meteoriten – alle von Majewski während ihrer zahlreichen Reisen und Begegnungen erworben.

The artist’s house is a prism through which to view not only the artistic practice of its inhabitant, but also to apprehend broader developments in sculpture and contemporary art in relation to domestic architecture and interior space.

Botanical Drift explores the hermeneutics, historicization, semiotics, and symbiosis of plant diversification, species cultivation, and destruction—past and present, extant and extinct—around the globe.

Future Imperfect critically examines the role played by cultural institutions in producing present-day and future contexts for the production, dissemination and reception of contemporary art in the Middle East and North Africa.

Design Act: Socially and Politically Engaged Design Today—Critical Roles and Emerging Tactics is a project that presents and discusses contemporary design practices that engage with political and societal issues.

French Theory and American Art examines some of the main historical conditions of this reception. It considers significant texts, artists, authors, and events that were instrumental in the introduction of French thought into the artistic field of the United States.

Higher Atlas: The Marrakech Biennale in Context [4] brings together a collection of texts that dilates on the social and historical context, history, and contemporary reality of exhibition making in North Africa and in particular, Morocco.

In October 2014, Paul McCarthy’s work entered the public space of Paris.

This book is the result of intellectual and physical journeys that artists, scholars, teachers, and students from China and Germany have undertaken together, in order to gain a better understanding of the connections between old Chinese philosophy (with an emphasis on Daoist writings), traditional Chinese painting, and contemporary art practices.

Truth is Concrete: A Handbook for Artistic Strategies in Real Politics takes the possibility of concrete truth as a working hypothesis and looks for direct action and concrete knowledge: for an art that not only represents and documents, but engages in specific political and social situations—and for an activism that not only acts for the sake of acting but searches for intelligent, creative means of self-empowerment. This book is the second manifestation under this title; the first materialized as a twenty-four-hour, seven-day marathon camp that took place in the frame of the steirischer herbst festival in Graz, Austria, in September 2012.

What are the processes that enable archives to become productive?

Fashion and Postcolonial Critique outlines a critical global fashion theory from a postcolonial perspective. It investigates contemporary articulations of postcolonial fashion critique, and

Although the format of the rehearsal is used across a number of disciplines—film and theater as well as fine arts—it has been scarcely considered in historical and contemporary art discourses.

Published in conjunction with Flaka Haliti’s solo presentation conceived for the Kosovo Pavilion at the 56th Venice Biennale, this book continues the artist’s invitation to encounter a visual field in which territorial boundaries are referenced and mediated by the sensory.

Spaces of Commoning: Artistic Research and the Utopia of the Everyday is the outcome of a research project pursued by a group of artists, architects, and social theorists.