Nam June Paik (1932-2006) was one of the most innovative artists of the twentieth century, whose influence is still felt in music, the visual arts, film and video.

Rachel Whiteread is famed for her use of casting to physically represent memory and absence. The progress of creating her vast sculpture for Tate Modern's Turbine Hall is followed here, featuring dramatic installation photography. "'To make a sculpture in the Turbine Hall at Tate Modern is an enormous challenge. The space is like no other - gargantuan and enveloping. I hope to challenge the space by developing a degree of intimacy, which somehow relates to all our lives.' - Rachel Whiteread"

The major retrospective 'Hélio Oiticica: The Body of Colour' on view at Tate Modern from 6 June to 23 September 2007 and 'Oiticica in London - Tate Collection', which is being shown on the fifth floor of the museum from 19 May to 21 October 2007, present a complete portrait of the artist and his works, from the most formalist to the most conceptual.

"This is an important book . . . [that] must be viewed as Cahun and Moore's crowning artistic achievement. . . . The feat of translation that brings Disavowals to English readers is worthy of respect and gratitude. The handsomely conceived publication advances a project of illumination that will permit Anglophones to better appreciate a figure Breton described as `one of the most curious spirits (among four or five) of our times´." (Tirza True Latimer, H-France Review)

From the 1970s to the early-1990s, the discourse surrounding aesthetics largely disappeared from the study of art history, theory and cultural studies. Claims for the aesthetic value of art-works were thought of as elitist and politically regressive. The 1990s witnessed a return to aesthetics, but one that stressed the independent claims of beauty, in reaction to its perceived suppression by ethical and political imperatives.

In his book, Julian Stallabrass attempts to map the socio-political context that has given rise to artistic projects designed for the Internet and categorized today as Net.art. The practices commented on by the author began appearing as the Web was developing the hybrid form we know today. Stallabrass believes that the dissipation of the Internet’s utopian potential and its evolution toward a sphere that is increasingly dominated by commercial trade invalidate the very idea of an independent history of Net.art and its definition as a medium. Hence, Stallabrass gives equal attention to the cultural issues raised by the Internet in an advanced stage of capitalism and to artistic practices.

Bringing together for the first time an extensive selection of Spencer's key letters and theoretical writings, unpublished manuscripts in the Tate Archive and important sections of his unfinished autobiography. "Brilliant and insightful, throwing light into the murkiest corners of his art and his mind." (Financial Times)

Dali & Film investigates, for the first time in depth, the part played by film as a key influence on Dali's art, as well as his extensive involvement in film-based projects. This illuminating volume presents both the major paintings that reflect the artist's famous preoccupation with film and materials related to the key film projects on which he worked.

‘Finally, a superb collection of the domestic photographs so central to the family histories and autobiographical art of Virginia Woolf and Vanessa Bell.’ (Brenda Silver, author of Virginia Woolf Icon) ‘The book will enthral many, with its inclusion of hitherto unpublished images ... Maggie Humm is the leading authority on Bloomsbury photography .... A real feast of a book.’ (Frances Spalding, biographer of Roger Fry, Vanessa Bell and Duncan Grant)

Matthew Collings explores Lucas's art and ideas in this first thorough look at one of today's most important artists. In the first monograph to be published on Lucas, Matthew Collings explores the issues relating to her art and ideas and the historical moment they inhabit. Six key works are examined in depth. The text intends to be witty and accessible, Collings provides a thorough overview of the life and work of one of the most important artists working in Britain today. This title forms part of Tate Publishing's new "Modern Artists" series

The Tate Britain Companion to British Art draws on Tate Britain's unrivalled collection to provide a lively and informative introduction to the story of art in Britain over the last five hundred years. Richard Humphreys examines works by all the major artists, both in their own right and placed in broader contexts to convey their full richness and beauty.

With 100 colour illustrations, this book by writer, editor and broadcaster Charlotte Mullins is the first significant survey to examine Whiteread's career to date.

Artist and illustrator Sara Fanelli is one of the world's foremost illustrators, renowned for her experimental techniques that have spawned many imitators. 'Fanelli's originality has brought a breath of fresh air to the world of picture books . . . with an off-beat humour and an inventive approach to everything from page design and typography, to choice of materials' (The Guardian)

A new revised edition, published in response to the first dramatic re-organisation of the gallery since 2000. Includes a new essay by Andrew Marr, an expanded of works in the collection, including recent acquisitions, and entries on over 120 artists as well as explanations of key terms in art and museology.

"Decades prior to the radical metamorphoses executed with aplomb by contemporary artists like Nikki S. Lee and Cindy Sherman, there were those of Claude Cahun and her partner Marcel Moore... Besides being prolific theater and performance artists, the pair created countless self-portraits in a variety of guises, all with a smokey, ethereal quality that prefigures the delicate work many years later of a young Francesca Woodman... Don't Kiss Me is a collection of these startling photographs, and also includes drawings, manuscripts and ephemera, framed by essays about the artistic odd couple courtesy of seven international authors. For many, the book will be their first experience of Cahun and Moore's singular artistic vision, but surely not their last." (Nylon Magazine)

'This is easily the best introduction to Turner that I have read . The Turner that emerges is entirely congenial and transfixing' - Professor Kathleen Nicholson, author of Turner's Classical Landscapes: Myth and Meaning

For the first time, this book—authorized by the Gala-Salvador Dalí Foundation—provides a visual history of Dalí’s entire career, illustrated with previously unpublished personal photographs, sketchbooks, drawings, letters, posters, and commercial designs, many of them drawn from the archives at the Gala-Salvador Dalí Foundation.

* Features a discussion between Grayson Perry (Turner Prize winner 2003), Lionel Shriver (Orange Prize winner 2005), and Mark Lawson * First book to go behind-the-scenes of celebrity art prize culture * Leading writers, artists and critics investigate the impact of the Turner Prize on the British Art scene

A runner will speed through Tate Britain’s dramatic neo-classical sculpture galleries, again and again, running as if their life depended on it, every day for the next four months. The tightly choreographed live performance Work No. 850 has been specially devised by Martin Creed for the Tate Britain Duveens Commission 2008 sponsored by Sotheby’s. Work No. 850 centres on a simple idea: that a person will sprint as fast as they can every 30 seconds through the 86 metre gallery at the heart of Tate Britain. Each run is followed by an equivalent pause, like a musical rest, during which the gallery is empty.

Art for All' is the maxim of the celebrated artists Gilbert & George. Tate Media and the Arts Council are therefore delighted to be able to release their iconic feature length film, The World of Gilbert & George to a wider audience for the first time. A major work, written and directed by Gilbert & George, it is an extraordinary journey into the world of this influential and controversial duo.