The exhibition Forms of the Shadow is accompanied by a publication that features texts by Sunjung Kim and Jeyun Moon; Su-Mi Kang; and Ingo Niermann. Functioning as both an exhibition guide and a stand-alone reader, the publication offers further insights and points-of-entry into the multifaceted practices of the artists featured in the show.

Simone Fattal’s exhibition metaphorS is accompanied by a small publication with an interview with Cecilia Alemani, who showed Fattal’s works in the main exhibition of the Venice Biennale in 2022. A series of black-and-white photographs captures the mood of a spontaneous work meeting with the artist, opening up an intimate space.

This publication is released on the occasion of Zhou Siwei’s exhibition I Sold What I Grow at the Vienna Secession, June 21–September 8, 2024.

The exhibition is accompanied by a richly illustrated publication with two conversations between the artist and the journalist Adiaratou Diarrassouba and Thomas Lax, curator at MoMA in New York, in which she discusses the new photo series Achievement, her work with AI image programs, and the role she ascribes to them in the creation of new archives.

In her film-poems artist and filmmaker Ana Vaz collages images and sounds that revolve around violence and repression, the impact of ecological ruin and the continued colonization of the earth.

Concurrent with the exhibition Autofictions in Stone, a publication features six sixteen-page sheets designed by Aglaia Konrad:

Concurrent with the exhibition Yuki Okumura, a publication features a conversation among the artist, Aaron Amar Bhamra, and Monika Georgieva, an essay by James Gatt, and numerous illustrations.