Compendiums and Reader

『NO-ISBN, 독립출판에 대하여』는 오스트리아 빈을 기반으로 활동 중인 아티스트 버나드 셀라를 주축으로 레오 핀다이센, 아그네스 블라하 세 사람이 ISBN(국제표준도서번호)을 부여받지 않고, 일반적인 국제 거래 시스템에 속하지 않은 총 1,800여 권의 독립출판물을 살펴보고 연구한 결과를 담은 책이다. 500여 쪽에 이르는 이 책의 내용은 크게 ‘개념미술’ 매체로 활용되는 출판물, 출판물의 매혹적인 물성, 포스트디지털 시대의 출판, 정치적 매체로서 ‘NO-ISBN’,

Queer Publishing - A Family Tree: The Queer Tree of Life maps the landscape of queer LGBTQ publishing between 1880 and 2019 in an international context.

In March 2020, the Rodman Hall Art Centre showed Industrial Niagara, an exhibition curated by Derek Knight, that brought together key works by members of the Research Centre in Interdisciplinary Arts and Creative Culture, Brock University.

What role will self-publishing play in the 21st century? Will the new kind of book printing develop to become an alternative to electronic communication? How is it possible to distinguish subversive gestures and New Biedermeier? Arab

A book about extraordinary books that deliberately withdraw from the international book trade; A register containing 1,800 recent publications printed on paper, circulating without an International Standard Book Number (ISBN). The edition is almost sold out, last copies.

'when home won’t let you stay' umfasst u. a. ein Musik-Video, Installationen, ein Künstlerbuch, eine Fotografie-Installation, einen Dokumentarfilm, einen Spielfilm, eine Performance und eine performative Lesung. Kuratiert von Isin Önol.

What happens to us and to our identity when we are forced into exile by hostility of any form, living conditions or armed conflict? Which psychosocial outcomes and cognitive dissonances are triggered by migration?

Städte wachsen seit Jahrzehnten an den Peripherien. Die Folge sind hybride Gegenden aus städtischen und ländlichen Fragmenten. Von der Verstädterung der Landschaft und der Verlandschaftlichung der Städte ist in diesem Zusammenhang vielfach die Rede........

Ein reich illustriertes Buch über Bücher, die aus der Reihe fallen und sich dem internationalen System des Warenaustauschs entziehen.Welche Rolle wird das Selbstverlegen im 21. Jahrhundert spielen? Kann der Druck auf Papier eine Alternative zum elektronischen Austausch darstellen? Wie lässt sich zwischen Subversionsgestus und Neuem Biedermeier unterscheiden?

A book about extraordinary books that deliberately withdraw from the international book trade. What role will self-publishing play in the 21st century? Will the new kind of book printing develop to become an alternative to electronic communication? How is it possible to distinguish subversive gestures and New Biedermeier?

NORMAL 2 - direkter Urbanismus x 4 zeigt die Realisierungen der 4 künstlerisch-urbanen Interventionen für NORMAL - ein Projekt für das Graz Kulturjahr 2020 und verortet diese im internationalen Diskurs, basierend auf transparadisos Methode des direkten Urbanismus.

E. Pauline Johnson, Tekahionwake (1861-1913) is a writer, poet and performer who drew upon her Canadian and Mohawk upbringing on the Six Nations of the Grand River and Brantford in Upper Canada/Ontario. Landon Mackenzie is a Canadian artist, living on the unceded traditional lands of the Coast Salish.

"18 Autoren rätseln. Sie wundern sich über die Bedeutung eines Zeichens. In WHAT teilen sie in kurzen Stücken mit, was Ihnen durch den Kopf schwebt, in Hirnwindungen hängen bleibt und schreibend zu Blatt gelangt.

The photo of a woman’s leg stepping onto an open book when climbing out of bed served as inspiration. I asked some of my friends to take a picture for me according to these guidelines. They should photograph themselves stepping on a book with their bare feet. It was agreed that the authors of the photos remain anonymous

“Arc” by award-winning author Paul Savoie is a poem which captures the pensive impressions of a moment and is suffused with a quiet musicality. Savoie’s passion for and practice of music inform this long melancholy song. Mélanie Mesager, a French dancer and scholar in contemporary dance, selected a few passages (in bold in Savoie’s text) and,

Dance and musical improvisation are ephemeral expressions urging us to embrace the moment in thoughtful joy. Devon Fornelli’s improvisations documented here are two performances: his CitySounds, created on 18 September 2015 for the opening of the Marilyn I. Walker School of Fine and Performing Arts in downtown St. Catharines, Ontario; and his Garden Performance, five years later, on 9 May 2020, offered as a reflection on the COVID-19 pandemic and the temporary lockdown of the MIWSFPA.

Künstlerbuch, Edition von 60 Stück, Format 20x 26 cm, Drucktechnik: Risograph, Bindung: japanische Fadenheftung

The glue experiment. Located in a small town approximately twenty kilometers north of Vienna, Atelier Gugging is an open studio based on the creative experience of the Gugging House for Artists, whose residents are important representatives of Art Brut. In the Atelier, these artists work in a friendly atmosphere side by side with guests from Austria and abroad.

Alejandro Cartagena’s photographs of recently built Mexican suburbs, ask us to look at this phenomenon of the suburban environs and how it has fueled variously the need for solutions to overcrowded cities, or the desire to form and incorporate community living where replication and anonymity are the rule rather than the exception.

The Dark Redacted published in April 2020 by the Small Walker Press in their Invisibility series, featuring ten of my drawings, prose by acclaimed writer Gary Barwin, publication design by Lauren Wickware, and printed by Andora Graphics.

In the Fall of 2018, the Small Walker Press invited poet Adam Dickinson and artist Lorène Bourgeois to walk through a former landfill (1976-2001), the Glenridge Quarry Naturalization Site. Located on the Niagara Escarpment, overlooking the City of St. Catharines, Ontario, it functions today as a public recreation area.

Shawn Serfas grew up exploring the northern reaches of Saskatchewan’s lakes and river systems. Although initially drawn to an academic career in the environmental sciences, Serfas pursued Fine Arts and Art History degrees in Saskatchewan as well as a Master of Fine Arts degree at the University of Alberta.

In a strictly formal arrangement, Bernhard Cella becomes engaged with the hitherto published works by Hans Ulrich Olbrist. In less than two decades, Olbrist has produced 69 publications, which are presented here in watercolor version. Edition of 300. Printed and bound in Austria.