Der Künstler aus New York, der sein Werk anonym veröffentlicht hat, arbeitet mit dem 4-Farbdruck und der japanischen Bindung.

By turning the direction and intensity of the light, a variety of stage effects is produced: the Diorama, compartment within which, through a window, the viewer can discover new worlds and observe them from kaleidoscopic perspectives.

The Magic Forest is a limited edition artist's book and a photographic portray of the forest area also known as Meat Rack, by AA Bronson.

Though we can view the history of Modern Art in terms of the progression of small groups experimenting with new theories of art, the works of art themselves tend to be viewed as authored by a single individual.

Complete catalogue entries of one hundred exemplary artist books, multiples, recordings, et cetera, found within the Art Metropole Collection at the National Gallery.

I’m that angel is a cycle of writings and performances that explore the conditions of how we work on and against the computer, narrated from the perspective of a “content farmer”: an emergent type of online journalist contracted to generate articles based on words peaking in Google Trends.

1818 First edition of Mary Shelley’s classic: Frankenstein
2018 Frankenstein gone mad: the many horrifying uses of technology, such as Web 2.0 that encourages you to give your time and personal information up to faceless IT companies or worse…

Bird guide I and II, is a collection of texts from classical mythology related to concrete bird species, which the artist's aunt, a professor of ornithology Zora Feriancová Masárová, helped to identify.

Die Bedeutung des Kunstwerks im ausschließlich musealen Sinne gibt es kaum noch. Heute liegt der Fokus in den Künsten vermehrt auf dem Entstehungsprozess und der Interaktion. Da so kaum etwas Konkretes übrig bleibt, sind Dokumentationen umso wichtiger geworden: Sie sind gewissermaßen das neue Produkt des Kunstprozesses.

The primer is divided into three parts: Liberal Education with essays establishing the centrality of enlightenment thinking, and the moral virtue of education and tradition.

„To be a poet is to be a visitor on a distant shore until one dies.“ Halldór Laxness

„Not only functions of space are exchanged. ‘Exchange’ itself becomes the function of the space.“ Mitten im renommierten Finanz- und Shoppingdistrikt Hongkongs liegt der Exchange Square. Im Namen des Platzes verbindet sich der Austausch von Geldwerten mit der Mobilität von Menschen. Denn hier und in den umliegenden Straßen und Plätzen versammeln sich jeden Sonntag zehntausende Hausarbeiterinnen aus Süd- und Südostasien und nehmen den öffentlichen Raum für einen Tag in Besitz.

Nicolas Jasmins künstlerischer Ansatz lässt sich als eine Archäologie des Bildes verstehen. Jasmin hat ein Verfahren entwickelt, das Malerei und Lasertechnologie verbindet.

mit Essays von Claus Mewes, Kunsthaus Hamburg, und Christos Ganos, NYArtsmagazine

There is no offline space. Or at least the experience of the Internet so deeply affects media users today that it influences their perspectives of the world outside the Web.

Hauptpublikation zur documenta 14, der weltweit größten Ausstellungen zeitgenössischer Kunst - 2017 in Athen und Kassel! Als siebbedruckter Halbleinen-Band!

The wider project of perpetually wry Swiss artist Florian Graf, FG Artist Service Group has manifested as an installation, extended performance and book project.

Origini is a very small scale publishing house: they plain and create editional objects, which contain nothing more than what is necessary to express their "vision of the world" through photos, texts and other authors´writings.

UKRAINIANCOLDWARNEGATIVES is based on anonymous black and white negatives, discovered in 2010 by photographer Burkhard von Harder on the former territory of the UDSSR.

Choreo-graphic Figures: Deviations from the Line
is an interdisciplinary research collaboration involving artist Nikolaus Gansterer (AT), choreographer Mariella Greil (AT) and art-writer Emma Cocker (UK) in dialogue with a team of international critical interlocutors including Alex Arteaga (ES/D), Lilia Mestre (PT/BE) and Christine de Smedt (BE).