The publication PENISNOW offers a selection of drawings created by the graffiti collective CAP and dedicated to the penis symbol.

More than ten million people around the world are currently held in a prison, jail, or some other form of penal institution.

Katalog über die Ausstellung "Sound Shifting" von Reinhard Gupfinger die im Traklhaus in Salzburg stattfand und die die Visualisierung von Klang thematisiert.

Today's computer technologies have allowed for the creation of new spaces for typographic communication.

Survey of all built, future and never realized projects of OMA in The Hague, presented in the form of a travel guide

The catalogue for the 8th edition of the Furla Prize

Show titles is an ongoing work by Stefan Brüggemann of titles for exhibitions. They may be used freely by others. There is no need for any authorisation, but their use must be credited to Stefan Brüggemann (Show title, #XXX by Stefan Brüggemann) at the back of the invitation.

Great Bear Pamphlet

Each pamphlet is simply produced with black printing on colored sheets of paper (each pamphlet a different color) except for Cage’s poem DIARY: How to Improve the World (You Will Only Make Matters Worse) Continued Part Three (1967) [fig. 1, and 4] which uses multicolored, and shifting type-faces to help realize his idea. The overall affect is a beautiful stack of reading.

Great Bear Pamphlet

Each pamphlet is simply produced with black printing on colored sheets of paper (each pamphlet a different color) except for Cage’s poem DIARY: How to Improve the World (You Will Only Make Matters Worse) Continued Part Three (1967) [fig. 1, and 4] which uses multicolored, and shifting type-faces to help realize his idea. The overall affect is a beautiful stack of reading.

Great Bear Pamphlet
Each pamphlet is simply produced with black printing on colored sheets of paper (each pamphlet a different color) except for Cage’s poem DIARY: How to Improve the World (You Will Only Make Matters Worse) Continued Part Three (1967) which uses multicolored, and shifting type-faces to help realize his idea. The overall affect is a beautiful stack of reading.

Great Bear Pamphlet

Each pamphlet is simply produced with black printing on colored sheets of paper (each pamphlet a different color) except for Cage’s poem DIARY: How to Improve the World (You Will Only Make Matters Worse) Continued Part Three (1967) [fig. 1, and 4] which uses multicolored, and shifting type-faces to help realize his idea. The overall affect is a beautiful stack of reading.

Great Bear Pamphlet
Each pamphlet is simply produced with black printing on colored sheets of paper (each pamphlet a different color) except for Cage’s poem DIARY: How to Improve the World (You Will Only Make Matters Worse) Continued Part Three (1967) which uses multicolored, and shifting type-faces to help realize his idea. The overall affect is a beautiful stack of reading.

Selected Maria Lind Writing brings together twenty-two essays selected by Beatrice von Bismarck, Ana Paula Cohen, Liam Gillick, Brian Kuan Wood, and Tirdad Zolghadr.

The Story of Unknown Youth of Prof. Erna Furman, Prominent Child Psychoanalytic, Friedl Dicker-Brandeis’s Student and Survivor of Terezin Concentration Camp.

This publication is including a CDRom which presents the discussion between Furman and Elena Makarova in Atlanta 2002.

Im Zentrum der Arbeit des 1957 in Biel (CH) geborenen Künstlers steht die Nichtproduktion künstlerischer Objekte, sondern das Nachdenken über Strukturen, in denen er als Künstler agiert. Im Grenzbereich von Kunst, Wissenschaft und Gesellschaft siedeln seine Projekte, die als Foto-, Video- und Textarchive in Rauminstallationen präsentiert werden.

"Looking through some old stickers, I came across a fat stack of Bob Licky joints. Here it is Bob Licky, I´m with Bob Licky, Sample, not for resale, Licky Good, Consumer watchdog, Borracho, DIstilled and bottled by Bob Licky, Say it with Bob Licky, Nobody knows I´m Bob Licky."

Publikation über ein im Jahre 2006 gestartete Handyfilmprojekt, das 16 farbige QR-Codes enthält, die die medialen Inhalte (Filmaufnahmen) des Katalogs wiedergeben. Das Druckerzeugnis wird so um eine virtuelle Dimension erweitert.

Mit «Notatki z Warszawy» zeichnet der Fotograf ein Porträt der sich rasant verändernden 2-Millionen-Metropole an der Weichsel – ein sehr persönlich gefärbtes Porträt, mit seiner Person als «romantischem Betrachter» der Stadtlandschaft als Bildkonstante.

Die verwobenen Kombinationen von Neidls Holzschnitten "Lost - Found" erscheinen als ein Bemühen zur Problemlösung. Dieses Bestreben scheint in der Lage zu sein sich für immer, ähnlich der abwechslungsreichen und endlosen Dynamik in einer Beziehung oder der Worte, weiterzuentwickeln.

GLAMOUR ist der zweite Band von whyart, einem dreiteiligen Kunstbuchprojekt von Aude Lehmann und Tan Wälchli (Zürich). Das Projekt verfolgt das Ziel, drei Begriffe, die im gegenwärtigen Kunstdiskurs häufig, jedoch nicht trennscharf verwendet werden, theoretisch präzise zu bestimmen: Aura, Glamour und Mode. Der erste Band, AURA, ist im Frühjahr 2004 bei Revolver erschienen.