at the Museum of Contemporary Art, Belgrade, January 20–March 1, 2007.

"Frank hatte auf dem Weg nach F. plötzlich in sein Handschuhfach gegriffen und eine Kamera, die ich zuvor noch in einem Schrank der Tante gesehen hatte, hervorgeholt und mir gegeben. „Eine Contax D“, sagte er.

INDUSTRIAL (Research) widmet sich einer zunächst simpel erscheinenden Frage: Was ist mit der Industrie passiert?

Anna Herms be-schreibt und um-schreibt in „Kindheit ist eine Erfindhung“ den Übergang vom direkten Er-Leben in die Sprache, den normierenden (Buch)-Druck der Gesellschaft auf die heranwachsenden Einzelnen, die ihrerseits gleichzeitig versuchen sich der Sprache zu bemächtigen.

Today mediation is a cultural given: an environment, a rhythm, a force. It is a modality for easy exchange, with no apparent beginnings or ultimate reason.

Everywhere animals disappear. In zoos they constitute the living monument to their own disappearance.

Die Künstlerin Jeanne Mammen publizierte in allen wichtigen Magazinen der Zeit ihre Illustrationen, konnte davon leben, hatte Erfolg und war Teil einer vielschichtigen urbanen Avantgarde, die sich in Kabaretts, Bars, Cafés und Galerien traf.

»Dann werde ich für Sie das Gesicht der Liebe sein«, sagt die Nonne in Dead Man Walking zu Sean Penn, dem Zum-Tode-Verurteilten.

»Genau! Das ist später die Schlüsselstelle«, sagt Christian, der den Film schon zwei Mal gesehen hat.

»Mann, jetzt verrat nicht alles«, sagt Tom, der den Film zum ersten Mal sieht. »Ex-Madonna-Mann spielt gar nicht schlecht. Ich dachte immer, der hat nix drauf«, fügt er mondän hinzu.

This book contains three documents. Each will let you enter and observe a situation I set up: in the imagination, in the memory and in reality.

APRIL, eine Kurznovelle des chilenischen Poeten Gonzalo David, in deutscher Übersetzung von Gabrielle Cram.

Besides his actual profession, which demands his daily attention, Krier has for years also made a vocation of his love of art, one which he nurtures parallel to his work.

Lapdogs of the Bourgeoisie investigates the latent issue of class underlying the field of contemporary visual art. On the one hand, it raises the question of whether a given socioeconomic background still helps define your artistic career—and to which point the said career might reflect or consolidate the hierarchies in question. On the other hand, the project asks whether the traditional analytical tools at our disposal are helpful in such an examination of the art world today.

For Hegel, the very character and definition of art is anchored in the past. This is the case for many artist, including Dadaists, who declaired that art is „dead“ – that its time has passed. Even in Tristan Tzara’s New York Times obituary from December 25, 1963 the artist and poet is quoted as having declaired that „Dadaism as a movement was dead.“ obituaries!

Paul Gangloff designed this exhibition catalogue in the form of a diary for the year 2020. This diary is based on an eighteenth-century calendar from the French Revolution in which the names of animals, plants and tools replaced heroic religious feats. Gangloff distributed the artists’ specially developed contributions over specific days of the year.

Nick Oberthaler is a draftsman whose work is characterized by a range of intriguing techniques.

Praised by poet Anne Waldman as a "voyeuresque surreal portrait"

Sunday, June 21, 1964

“Studio—To date have again done mainly drawings. Coming along. Sometimes I feel they’re good, often I get discouraged. Staying at studio gets a little easier + more pleasant. I usually take break + come home. Tom stays.”---Eva Hesse

(English)

(Deutsch/Englisch)

Fanzine, 2012

This book presents the winners of the Fernand Baudin Prize 2011 for the most beautiful books in Brussels and Wallonia.