Sunday, June 21, 1964

“Studio—To date have again done mainly drawings. Coming along. Sometimes I feel they’re good, often I get discouraged. Staying at studio gets a little easier + more pleasant. I usually take break + come home. Tom stays.”---Eva Hesse

(English)

(Deutsch/Englisch)

Fanzine, 2012

This book presents the winners of the Fernand Baudin Prize 2011 for the most beautiful books in Brussels and Wallonia.

Dieses Buch erscheint anlässlich der Austellung 1+3=4x1 in der Galerie für Zeitgenössische Kunst Leipzig. Es ist eine Spezialausgabe der deutschen Übersetzung des Romans Looking Backward 2000-1887 von Edward Bellamy.

Das Künstlerbuch enthält alle 32 Fotoarbeiten der "Polar Bear"-Serie: Fotos der ausgestopften Polarbären in meist dramatischer Situation in den Panoramen der Naturkundemuseen der Welt.

An artist pamphlet by Silvia Kolbowski that compliments the artist’s audio work of the same name commissioned by Fillip for the Living Clay Art Writing Readings series at Whitechapel, London, last Fall.

Masters of Reality brings together the first collection of texts by Steve Rushton. Second in a series of publications on contemporary art inaugurated by the Piet Zwart Institute, the book explores the interrelations between art, anthropology, social sciences, psychology, media, politics, and economy.

Virilios Kunst des Schreckens ist ein provozierendes Pamphlet gegen die grauenvolle, die gnadenlose zeitgenössische Kunst.

Seitdem wir über Medien sprechen, gibt es Endlosschleifen.

„Der Tag bricht endlich über einer Welt der Begleitumstände, der Differenz, des Zufalls und der Unwahrscheinlichkeit an, über einer Welt, die so konkret, bunt, unerwartet, ja schön ist wie die, die ich sehe, höre, berühre, bewundere.“
(Michel Serres)

Judith Groth und Frederike Vidal präsentieren in ihrem Gedichtband Google Carmina technisch generierte Poesie.
(german/english)

Alma Mathijsen is a writer and visual artist from the Netherlands.

Drei Texte zur „Trans-Avantgarde“ (Chia, Clemente, Cucchi, de Maria, Paladino); zum „Labyrinth als Kunstwerk“ und zu Marcel Duchamp.

These 34 pieces have been mastered by martin siewert and are now published on the CD ‘soundrawing’ on www.transacoustic-research.com together with a booklet, which elffriede produced in cooperation with knust/extrapool (nijmegen): 36 pages in the size of a 7’-inch single cram-full with elffriedes fascinating drawings and poetry in german & dutch. a very exclusive product in a limited edition of 500 copies.

„Schriftsteller, Dichter, Musiker, Filmemacher, auch Maler, selbst Leser gelegentlich können sich als Spinozisten wiedererkennen - eher denn Berufs-Philosophen.“

W139 is a presentation and production space for contemporary art in the centre of Amsterdam. (Engl.)

In Hito Steyerl’s writing we begin to see how, even if the hopes and desires for coherent collective political projects have been displaced onto images and screens, it is precisely here that we must look frankly at the technology that seals them in. (engl.)

To accompany his exhibition at the Museum of Contemporary Art Leipzig, this book presents the work of the Swiss-American graphic designer Zak Kyes. In collaboration with the curator, Barbara Steiner, the exhibition and publication bring together a range of works by Kyes, as well as works by a host of collaborators that includes architects, artists, writers, curators, editors, and graphic designers, presenting contemporary graphic design as a practice that mediates, and is mediated by, its allied disciplines.

Four solo exhibitions with Natalie Czech, Bo Christian Larsson, Saâdane Afif, and Maria Loboda, as well as a collaborative project with A Dog Republic