170MB is an accumulation of images that combines personal practice with found material.

170MB is an accumulation of images that combines personal practice with found material.

Ingo Niermann’s provocative new novel imagines a Berlin alternative to the activist occupation of public spaces in 2011.

Series Series is a series of interviews between a contemporary artist and curator Jacob Fabricius.

Der vorliegende Roman gibt Erinnerungsprozesse einer Dorfbevölkerung wieder. 2009 realisierte das Künstlerduo hoelb/hoeb die Ausstellung "Oral History " mit 32 Zeitzeugen, wo ein umfangreiches Bild-, Ton- und Videoarchiv entstand.

Das Elend der Kritik wirft die Frage nach dem Verhältnis von Politik und Kunst neu auf und beantwortet sie durchaus ausgefallen: Die politische Perspektive wird dem künstlerischen Schaffen nicht als ein Attribut angeheftet und dabei als ein auswechselbares Sujet verstanden.

formerbellstreet @ Passagegalerie Karlsplatz ist die Fortführung einer Präsentationsreihe
von Arbeiten aus der Textuellen Bildhauerei der Akademie der bildenden Künste Wien. (Deutsch/Englisch)

Die abstrakten Skulpturen des amerikanischen Künstlers Vincent Fecteau widersetzen sich einer einfachen Beschreibung.

Beyond the view that multiple, globally dispersed conceptual art practices provide a heterogeneity of cultural references, Andrei Monastyrski and Collective Actions propose much more: other dimensions altogether, other spatiotemporal politics, other timescales, other understandings of matter, other forms of life—not only as works, but as a basic condition for being able to perceive artworks in the first place. (engl.)

Sequences 28 male silhouettes against multi-coloured sets.

This companion publication to Luke Fowler’s film of the same name features essays by architecture critic and cultural commentator Owen Hatherley and historian Tom Steele.

A project by Alfredo Jaar in homage to Pier Paolo Pasolini.

The writing and objects seen here in this book comprised part of the solo exhibition "The Making of the Means", which took place at Wiels in Bruessels during the Summer of 2009. This book is not a record of that exhibition, but rather intends to focus on representing the conversations and dialogues that were key components of this show.

The internet does not exist. Maybe it did exist only a short time ago, but now it only remains as a blur, a cloud, a friend, a deadline, a redirect, or a 404.

If all things in the world can be considered as sources of aesthetic experience, then art no longer holds a privileged position. Rather, art comes between the subject and the world, and any aesthetic discourse used to legitimize art must also necessarily serve to undermine it. Following his recent books Art Power and The Communist Postscript, in Going Public Boris Groys looks to escape entrenched aesthetic and sociological understandings of art—which always assume the position of the spectator, of the consumer. Let us instead consider art from the position of the producer, who does not ask what it looks like or where it comes from, but why it exists in the first place.

With essays by Franco Berardi Bifo, Keti Chukhrov, Diedrich Diederichsen, Antke Engel, Liam Gillick, Tom Holert, Lars Bang Larsen, Marion von Osten, Precarious Workers Brigade, Irit Rogoff, and Hito Steyerl

Other People Think is a project by Alfredo Jaar in homage to John Cage on the occasion of the 2012 John Cage Centennial.

Series Series is a series of interviews between a contemporary artist and curator Jacob Fabricius.

„Sich selbst nur im Außen sehen: in allem, selbst im Intimsten, nach außen, um es (das Intimste) dort zu erkennen oder allererst entstehen zu lassen – denn, wenn man versucht reinzuschauen: da ist nichts.“

THE MUSEUM TOOK A FEW MINUTES TO COLLECT ITSELF is a new book of short stories by Joseph del Pesco. Based in Baltimore, del Pesco is a curator, writer and publisher and is the International Director of KADIST.