"WAR"diary is the product of selective cutting and pasting of New York newspapers between March 20 and April 11, 2003.

Handout zur Ausstellung Gelatin - Loch im 21er Haus von 5. Juni bis 29. September 2013. Text verfasst von Liam Gillick (New York) und ursprünglich veröffentlicht in der Mai/Juni 2013 Ausgabe von "Flash Art International".

Magazine published on the occasion of a group exhibition curated by JIR SANDEL, Galleri Benoni, Copenhagen, June 6 - July 22, 2017

The retooling issue
curated by Peter Weibel (Karlsruhe)

This is the fourth issue of Uncertain States / Scandinavia, a broadsheet newspaper showing lens-based art.

Artist book in newspaper format with black and white figures in web offset print, designed by Kay Bachmann
with texts by Dietmar Dath and Britt Schlehahn

Über 3 Millionen Menschen besuchen jährlich die Stadt an der Donau. Besucher kommen hierher, um Atmosphäre, Flair, Kunst, Kultur und Geschichte zu erleben. Durchschnittlich atmet ein Gast 2,4 Tage Wiener Luft. OPEN#121 ist ein intensiver, konservierter Atemzug auf Papier.

Architect Iris Lacoudre has been investigating the immediate context, looking for the commons within architecture, for undefined space, for non-monuments within the city of Beijing. Through the lens of common places, Paper investigates the multiple forms of inhabitation at the smallest scale, as accidents within a given structure.

Recto Two minutes and fifteen seconds of light from my window,

Illustrating three to four spreads from each scrapbook, and including two essays: Patterns and Scraps by Alex Kitnick and Glue and Cum by Richard Hawkins.

At once scatologically blunt and emotionally suggestive, it is of a piece with innumerable outbursts, complaints and observations—sentences and phrases overheard, read or snatched from TV—that Applebroog has been recording for decades in journals and notebooks.

Das Kunstgespräch – dieser Diskurs zu zweit, über, in Bezug auf, vor den Werken – würde die Grenze des Gesprächs allgemein darstellen, sein Äußerstes, seinen Gipfel. Es würde das Wahnsinnigwerden ins Werk setzen, den inneren Exzeß jeder Konversation. Und wenn ihm diese erhabene Funktion übertragen ist, so deshalb, weil sein Gegenstand die Kunst mit ihren Werken ist.

Published in a limited edition, Le Grand Livre accompanies the exhibitions Antigula at the Ursula Blickle Foundation, November 14 – December 14, 2004, and “Zugabe!” at the Frankurter Kunstverein, March 9 – April 17, 2005. Co-produced by the Ursula Blickle Foundation.

At once scatologically blunt and emotionally suggestive, it is of a piece with innumerable outbursts, complaints and observations—sentences and phrases overheard, read or snatched from TV—that Applebroog has been recording for decades in journals and notebooks.

At once scatologically blunt and emotionally suggestive, it is of a piece with innumerable outbursts, complaints and observations—sentences and phrases overheard, read or snatched from TV—that Applebroog has been recording for decades in journals and notebooks.

At once scatologically blunt and emotionally suggestive, it is of a piece with innumerable outbursts, complaints and observations—sentences and phrases overheard, read or snatched from TV—that Applebroog has been recording for decades in journals and notebooks.

At once scatologically blunt and emotionally suggestive, it is of a piece with innumerable outbursts, complaints and observations—sentences and phrases overheard, read or snatched from TV—that Applebroog has been recording for decades in journals and notebooks.

At once scatologically blunt and emotionally suggestive, it is of a piece with innumerable outbursts, complaints and observations—sentences and phrases overheard, read or snatched from TV—that Applebroog has been recording for decades in journals and notebooks.

At once scatologically blunt and emotionally suggestive, it is of a piece with innumerable outbursts, complaints and observations—sentences and phrases overheard, read or snatched from TV—that Applebroog has been recording for decades in journals and notebooks.

At once scatologically blunt and emotionally suggestive, it is of a piece with innumerable outbursts, complaints and observations—sentences and phrases overheard, read or snatched from TV—that Applebroog has been recording for decades in journals and notebooks.