Das Buch erscheint zur Ausstellung in der Secession, Wien, 12. April - 16. Juni 2019.

Sequence of newspaper images collected by Raymond Taudin Chabot as source material for his 'men-in-suit' slow motion video works (see: www.raymondtaudinchabot.net).

Curated by Anthony Huberman at the Contemporary Art Museum St. Louis, the group exhibition and catalogue For the Blind Man in the Dark Room Looking for the Black Cat That Isn't There explores the speculative nature of knowledge and insists on the importance of curiosity and the things we don't understand.

Siegfried Zielinski im Gespräch mit Peter Weibel, Joachim Paech, Thomas Elsaesser, Florian Rötzer, Elisabeth von Samsonow, Hans Ulrich Reck und Boris Groys.

In this publication trendy pragmatism coincides with the improvisation of jazz music. The result is a plan of action to constructively deal with disorder in urbanism.

Dritte Ausgabe der Zeitschrift der Akademie der bildenden Künste Wien.

Fünfte Ausgabe der Zeitschrift der Akademie der bildenden Künste Wien.

Von der NZZ über Die Zeit bis zu The New Yorker – kaum ein Medium, das im letzten Jahr nicht über Matera berichtet hätte. Die kleine Stadt in Süditalien galt als „nationaler Schandfleck“ und steht nun als Europäische Kulturhauptstadt 2019 erneut im Fokus der Aufmerksamkeit.

Gudrun Olsen’s diploma thesis »Looking-Glass« is a subjective portrait of Vienna, which focuses on the windows of the city. Gudrun Olsen walked through Vienna from its western to its eastern outskirts along a straight line drawn across the city map. (English)

Recognisably and fearlessly designed by Metahaven and densely illustrated, this uniquely original and experimental publication offers a fresh perspective on Metahaven´s exceptional and versatile practice by offering reflections on how to understand the collectiveʼs work within a broader context, as well as by zooming in on their recent shift to moving image work.

The book Lucky Pieces is an introduction to the painting based artwork of Danish artist Mette Winckelmann (1971).

René Daniels' work often focuses on the interface between seeing and thinking. Between what you perceive and what you think. He plays an amusing game with the seductive power of the image and the meanings our culture assigns to it.

(Engl./Dutch)

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This monograph is the first to focus exclusively on Paul Sietsema's paintings and drawings. With depictions of objects that invoke a sense of history, Sietsema explores how images are made and circulated today. The book opens with a survey essay by Tim Griffin considering the central conundrum of time in the artist's work: "Sietsema outwits his epoch, perhaps, by outlasting it in execution, with his work becoming an article of the past sometimes before being seen, or recognized, in the present."

Landscape photographs are normally full of information about the location, horizon, scale, distances and perspective of the landscape. Not so with the photographs of Frank van der Salm(born in Delft in 1964).

"Die Stadt ist unsere Fabrik" ist ein Bildessay in 158 Zeichnungen. Der Hamburger Künstler Christoph Schäfer erzählt in sechs Kapiteln eine rhizomatische Geschichte des Urbanen: vom Ur-Schlamm bis zur »Recht auf Stadt«-Bewegung in Hamburg 2009.

Lingezegen is a large park between Nijmegen and Arnhem with several functions: housing, agriculture and recreation. In Summer School Lingezegen students from different disciplines addressed the identity of the park in construction, their assignment was to stretch its social and natural boundaries.

Every day FoMu is swamped with portfolios, websites, blogs and photobooks, all desperately in search of a platform: which is why FoMu has decided to create one… .tiff is a future-oriented, annual showcase of young Belgian talent.

Initiated by Swedish artist Anna Lundh, Visions of the Now is a reconsideration of the 1966 Stockholm festival Visioner av Nuet (Visions of the Present), which aimed to examine the impact of technology on humanity, society, and art; half a century later, we are immersed in the technology that was still “new” in 1966.

These magazines intend to show another way to appreciate things. The project designing “Ambiguity” and “Simplicity” magazines for Fabrica is an attempt on re-definition of beauty in our daily life.