The act, materials and time of painting are directly addressed in Bertolo’s work.

In Robert Wilsons Videoportraits kulminieren Stile der Hoch- und Popkultur mit klassischen wie neuen Medien.

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Der Künstler Nasan Tur setzt existierenden Mythen die gemeinsam mit Grazer Schulkindern erfundene Legende des „Unbekannten Ritters“ entgegen.

Starship ist nicht nur eine Kunstzeitschrift, die seit 1998 in Berlin erscheint.

In der Ausstellung STAGE DIVER präsentiert Tilo Schulz eine speziell für die Secession konzipierte Rauminstallation.

Following the exhibitions at Bonner Kunstverein and Kunsthaus Glarus in 2012 and 2013, This is the first monograph dedicated to the Swiss artist Luca Frei (b. 1976).

Together with isolated drawings and scalemodels, the The Be-Part Exercises can be seen as documents of the act of drawing in the midst of becoming.

One of the top-selling female artists in the world, Marlene Dumas is a young painter whose works deal with the cycle of life as well as issues of gender, sexuality, pleasure, and pain.

The basic idea of this issue of landscape is to explore the field of landscape design with narrative tools. In doing so, new questions arise about how we see and use landscapes within stories of everyday life, work, science, politics, fiction, movies, dreams, or the news.

This latest issue of Trapper Keeper invites fifteen artists from the worlds of underground publishing, zines and comix, installation art, graphic design, and experimental contemporary art to respond to the theme of UTOPIA.

Departing from the figure of the Taowu, a Chinese mythological monster of evil inclination used recently by historians and writers to symbolize the violent fate of Chinese utopian modernity, this publication interrogates the role of systemic and structural violence in the making of modernity and its artistic representations.

The 1980s were a groundbreakign decade for contemporary art in the United Arab Emirates.

In his conceptual sculptures, installations and videos, which are often summarily characterized as “ecopolitical,” Austrian artist Markus Hiesleitner examines the political, social and economic mechanisms of present everyday reality.

„Clemens-Schultz-Straße 43“ lautet der Titel. Die Adresse ist die bürokratisch korrekte Bezeichnung der Privatwohnung des Zeichners und Malers. Wer private, gesteigert noch, eigene Wohnungen beschreibt oder zum Sujet hat, betreibt Seelenarchitekturanalyse.

Was aber passiert, wenn man Traumerinnerungen und Traumprotokolle im Raum Wirklichkeit werden lässt? Wo sind Übersetzungen möglich, wo müssen sie notwendigerweise scheitern? Das Gespräch beschäftigt sich mit den Rändern und Grenzen der Mitteilung.

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Catalogue covering Manders' double solo show "Isolated Rooms" at The Art Institute of Chicago and The Renaissance Society at The University of Chicago (9.13.2003 -1.4.2004).

Ute Vorkoeper (Hg.) für den Württembergischen Kunstverein, Stuttgart, und die Generali Foundation, Wien 2007. Texte von Elke Bippus, Hans D. Christ, Iris Dressler, Felix Ensslin, Kai-Uwe Hemken, Herbert Hossmann, Hanne Loreck, Anna Oppermann und Ute Vorkoeper.

Published to coincide with Welcome to Iraq, an Iraqi participation in the 55th International Art Exhibition la Biennale di Venezia, 2013. Texts by exhibition curator Jonathan Watkins and acclaimed Iraqi writer Tamara Chalabi.

An artist’s book and exhibition catalog at the same time, elegant and precious, designed by the founder of Conceptual Art. It serves as a visual analysis of the conceptual structures that interrogate the nature of color, form, space, and time, where the works and writings of Post-war artists such as Castellani, Fontana, Manzoni, and Klein, converse with Kosuth’s statements, and the theoretical as well as personal account of curator Cornelia Lauf.

For "Social Processes" a total of eleven artists and artists' groups have been invited to explore the social, cultural, and sociopolitical facets of Iasi on site. "Social Processes" is made up of three elements: a dialogic situation during the run-up, the exhibition, and a publication conceived of as a sourcebook.