Künstlerbuch mit 48 Abbildungen im vierfarbigen Offsetdruck, gestaltet von Cecilie Svanberg mit einem Text von Sara Hatla Krogsgaard.

The Garden is a photographic series that focuses on the relationship between a person and a garden, which can be seen as some sort of artificially created landscape.

Negus has originated from a very specific historical event dating back to the time of the Italian occupation in Ethiopia in 1936, when a wounded soldier was forced to return to Vernasca (PC), Invernomuto’s native town. On the occasion of his return, the community organized a joyful and obscure ritual in the main square during which was burnt the effigy of Haile Selassie I, last Negus of Ethiopia as well as the Messiah according to the Rastafarian cult, developed in Jamaica during the early 30s. The book, further development of the project Negus, contains an extensive visual section developed drawing on various personal archives, two unpublished essays by David Katz and Anna Della Subin and an interview with the two artists held by Frida Carazzato (Museion, Bolzano) and Emanuele Guidi (ar/ge kunst, Bolzano).

Riss/Lücke/Scharnier A war eine Ausstellung, die in der Galerie nächst St. Stephan Rosemarie Schwarzwälder in Wien zum Jahreswechsel 2006/07 mit dem Künstler Heinrich Dunst als Kurator stattfand.

Ausgabe 9/10 des polnischen Bildmagazins.

The Exhibitionist is a journal focusing solely on the practice of exhibition making. Its objectives are to create a wider platform for the discussion of curatorial concerns, encourage a diversification of curatorial models, and actively contribute to the formation of a theory of curating.

A peculiarity of the current field of curating is an ongoing contestation over the very meaning of “to curate.”

Catalogue of works by Aaron Heger, Rob Kulissen, Anraut Lajeunie, Hanna Whitaker.

Vincent Fecteau edited and rearranged magazine pages, which he had primarily colleced for inspirational purposes, for an art project.

Felix Schramm arbeitet zumeist mit industriell gefertigten Materialien, die aber in seinen raumbildenden Prozessen wie ein organisches Gewächs erscheinen.

o.A

Der Katalog zeigt die ersten zweieinhalb Jahre (1959 – 1961) von Schillings Tätigkeit als Künstler.

Book documenting two installations by Barbara Breitenfellner.

This catalogue is an extension of an ongoing research and exhibition project that TBA21 has supported since its inception in 2006. The Sovereign Forest renders visible and collects evidence of what has hitherto been hidden and suppressed within the site of a “modern war,”

Lost Strange Things: On not finding home is a monograph with images from the photographic series of the same title.

mit Texten von Manisha Jothady, Roberto Sernicola,
Stefan Thurner und einem Interview mit Manuela Ammer

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Maarten Janssen (* 1960 in Rijswijk, Niederlande) studierte an der Academie van Beeldende Kunsten Rotterdam. Er lebt und arbeitet in Rotterdam und Berlin.

Exhibition catalogue

Gespräch zwischen Harald Krämer, Robert Lettner, Mara Reissberger und Burghart Schmidt.