This book was published on the occasion of the exhibition "Mizu no Oto - Sound of Water" curated by 3/3 in dialogue with Rinko Kawauchi.

Das Buch basiert auf der Ausstellung ›It's aqua-origami, all right, but is it art?‹ in der Columbus Art Foundation in Leipzig, geht aber in der erstmaligen Dokumentation aller seiner realisierten wie unrealisierten Projekte sowie einem Werkverzeichnis weit über die Leipziger Präsentation hinaus.

Monographic publication with a selection of Laurent Schmid's works, visual essays/reference images and captions.

Was man nicht denken kann, das soll man tanzen.

Künstlerbuch, Edition von 60 Stück, Format 20x 26 cm, Drucktechnik: Risograph, Bindung: japanische Fadenheftung

Mit ihrer starken Präsenz entwickeln die Skulpturen einen wesenhaften, körperlichen Charakter und lenken die Aufmerksamkeit darauf, wie sich die Dinge, der Raum und wir als Betrachter_innen zueinander verhalten.

Tillmann Terbuykens künstlerische Imagination lässt sich nicht einfach irgendeiner Richtung zuschlagen.

Artworks and photography by Michael Hirschbichler
edited by condition H Press in collaboration with Kunstverein Ingolstadt.

Revue Prostor své nové číslo věnuje jevu, který výrazně rezonuje soudobou nejen českou společností – nenávisti.

Die Arbeit “SAME TIME, SAME PLACE / Das Portrait eines Ortes, der gewesen sein wird.” untersucht ephemere Stadträume, die ungenutzt sind bzw. die sich in einem Zwischenstadium befinden und hinterfragt deren Stellenwert in einem ansonsten funktions- und nutzungsorientierten Stadtgefüge.

This book documents the architectural results of another Soviet anniversary – the celebrations of the centenary of Lenin’s birth in Ulyanovsk, formerly Simbirsk, the small city on the Volga where he was born.

Organization 1 & 2 recommends dividing oneself internally so as to once again take an impossible, but necessary external position toward art.

a collection of travel journals by 20 artists

In Pages 7 In Translation the editors look at translation as an instance of cultural practice and of political agency. This space is not only found between languages or among cultures, but may be sought, for example, in the spatial and political arrangements of public and private spaces of cities, as communal or individual identities, in representations of state media, and in artistic practice itself.

The Exhibitionist is a journal focusing solely on the practice of exhibition making. Its objectives are to create a wider platform for the discussion of curatorial concerns, encourage a diversification of curatorial models, and actively contribute to the formation of a theory of curating.

The Exhibitionist is a journal focusing solely on the practice of exhibition making. Its objectives are to create a wider platform for the discussion of curatorial concerns, encourage a diversification of curatorial models, and actively contribute to the formation of a theory of curating.

The Exhibitionist is a journal focusing solely on the practice of exhibition making. Its objectives are to create a wider platform for the discussion of curatorial concerns, encourage a diversification of curatorial models, and actively contribute to the formation of a theory of curating.

The Exhibitionist is a journal focusing solely on the practice of exhibition making. Its objectives are to create a wider platform for the discussion of curatorial concerns, encourage a diversification of curatorial models, and actively contribute to the formation of a theory of curating.

The work of artist Chris Evans evolves through conversations with people from various walks of life, selected in relation to their public position or symbolic role—resulting in sculptures, letters, drawings, film scripts, and unwieldy social situations.
(Engl.)

o.A