Die Arbeit “SAME TIME, SAME PLACE / Das Portrait eines Ortes, der gewesen sein wird.” untersucht ephemere Stadträume, die ungenutzt sind bzw. die sich in einem Zwischenstadium befinden und hinterfragt deren Stellenwert in einem ansonsten funktions- und nutzungsorientierten Stadtgefüge.

This book documents the architectural results of another Soviet anniversary – the celebrations of the centenary of Lenin’s birth in Ulyanovsk, formerly Simbirsk, the small city on the Volga where he was born.

Organization 1 & 2 recommends dividing oneself internally so as to once again take an impossible, but necessary external position toward art.

a collection of travel journals by 20 artists

In Pages 7 In Translation the editors look at translation as an instance of cultural practice and of political agency. This space is not only found between languages or among cultures, but may be sought, for example, in the spatial and political arrangements of public and private spaces of cities, as communal or individual identities, in representations of state media, and in artistic practice itself.

The Exhibitionist is a journal focusing solely on the practice of exhibition making. Its objectives are to create a wider platform for the discussion of curatorial concerns, encourage a diversification of curatorial models, and actively contribute to the formation of a theory of curating.

The Exhibitionist is a journal focusing solely on the practice of exhibition making. Its objectives are to create a wider platform for the discussion of curatorial concerns, encourage a diversification of curatorial models, and actively contribute to the formation of a theory of curating.

The Exhibitionist is a journal focusing solely on the practice of exhibition making. Its objectives are to create a wider platform for the discussion of curatorial concerns, encourage a diversification of curatorial models, and actively contribute to the formation of a theory of curating.

The Exhibitionist is a journal focusing solely on the practice of exhibition making. Its objectives are to create a wider platform for the discussion of curatorial concerns, encourage a diversification of curatorial models, and actively contribute to the formation of a theory of curating.

The work of artist Chris Evans evolves through conversations with people from various walks of life, selected in relation to their public position or symbolic role—resulting in sculptures, letters, drawings, film scripts, and unwieldy social situations.
(Engl.)

o.A

By the same token, emotionally charged scenes are presented as though they were being reported with a childlike lack of understanding. Situations are not translated, but rendered literally; the artist provides no commentary, but lets the image speak for itself.

In Manders's drawings, which clearly occur on a two-dimensional plane, a complex world is constructed. Certain elements continually resurface in different forms.

Mit THE INNER VOICE hat Asta Gröting einen Werkkomplex vorgelegt, der unsere Vorstellung von der klar definierten menschlichen Persönlichkeit in Frage stellt und damit einen künstlerischen Beitrag zur Erklärung von Persönlichkeitsstrukturen anbietet.

"Decades prior to the radical metamorphoses executed with aplomb by contemporary artists like Nikki S. Lee and Cindy Sherman, there were those of Claude Cahun and her partner Marcel Moore... Besides being prolific theater and performance artists, the pair created countless self-portraits in a variety of guises, all with a smokey, ethereal quality that prefigures the delicate work many years later of a young Francesca Woodman... Don't Kiss Me is a collection of these startling photographs, and also includes drawings, manuscripts and ephemera, framed by essays about the artistic odd couple courtesy of seven international authors. For many, the book will be their first experience of Cahun and Moore's singular artistic vision, but surely not their last." (Nylon Magazine)

Auch Jahre nach seiner Auffindung ist die Faszination, die von Ötzi, dem Mann aus dem Eis, ausgeht, ungebrochen. Bis heute versuchen Wissenschaftler unterschiedlichster Disziplinen den Geheimnissen der Gletschermumie auf die Spur zu kommen.

o.A.

Die Stadt als Fundus, Werkstatt, Expeditionsziel, Vermessungsobjekt. Über 60 Künstlerinnen und Künstler als urbane Streuner und Dokumentaristen.

Warum verlassen gerade junge KünstlerInnen und Kulturschaffende das Land? Gehen sie, weil sie in urbanen Zentren bessere Ausbildungsmöglichkeiten und Jobperspektiven haben?

In order to illustrate the complex and often oppressive relationship that exists human beings and our material things, Dutch artist Melanie Bonajo contorts, binds, balances, and burdens her female models with the objects of everyday life: chairs, bookshelves, aerosol cans, food, empty containers, and cleaning supplies.