By the same token, emotionally charged scenes are presented as though they were being reported with a childlike lack of understanding. Situations are not translated, but rendered literally; the artist provides no commentary, but lets the image speak for itself.

In Manders's drawings, which clearly occur on a two-dimensional plane, a complex world is constructed. Certain elements continually resurface in different forms. In this way, he invests these individual elements with a visual past. Manders's technical style is diverse. The drawings seem to have been created quickly and directly, sometimes with only a few lines that encompass interior spaces. Depth is created with simple methods of perspective; these never deny the two-dimensional surface of the drawing paper, however.
In his drawings, Mark Manders plays with the spectator's perception and seems to be able to anticipate how one thought follows the next; his images direct the thought process.

Mit THE INNER VOICE hat Asta Gröting einen Werkkomplex vorgelegt, der unsere Vorstellung von der klar definierten menschlichen Persönlichkeit in Frage stellt und damit einen künstlerischen Beitrag zur Erklärung von Persönlichkeitsstrukturen anbietet.

"Decades prior to the radical metamorphoses executed with aplomb by contemporary artists like Nikki S. Lee and Cindy Sherman, there were those of Claude Cahun and her partner Marcel Moore... Besides being prolific theater and performance artists, the pair created countless self-portraits in a variety of guises, all with a smokey, ethereal quality that prefigures the delicate work many years later of a young Francesca Woodman... Don't Kiss Me is a collection of these startling photographs, and also includes drawings, manuscripts and ephemera, framed by essays about the artistic odd couple courtesy of seven international authors. For many, the book will be their first experience of Cahun and Moore's singular artistic vision, but surely not their last." (Nylon Magazine)

Auch Jahre nach seiner Auffindung ist die Faszination, die von Ötzi, dem Mann aus dem Eis, ausgeht, ungebrochen. Bis heute versuchen Wissenschaftler unterschiedlichster Disziplinen den Geheimnissen der Gletschermumie auf die Spur zu kommen.

o.A.

Die Stadt als Fundus, Werkstatt, Expeditionsziel, Vermessungsobjekt. Über 60 Künstlerinnen und Künstler als urbane Streuner und Dokumentaristen.

Warum verlassen gerade junge KünstlerInnen und Kulturschaffende das Land? Gehen sie, weil sie in urbanen Zentren bessere Ausbildungsmöglichkeiten und Jobperspektiven haben?

In order to illustrate the complex and often oppressive relationship that exists human beings and our material things, Dutch artist Melanie Bonajo contorts, binds, balances, and burdens her female models with the objects of everyday life: chairs, bookshelves, aerosol cans, food, empty containers, and cleaning supplies.

Dieses Heft ist ein Beitrag zum Sacher-Masoch Festival "Masomania" der Neuen Galerie Graz, 2003.
(German /English)

o.A

Taro and Hina Hirano are the founders of No.12 Gallery in Shibuyaku, Tokyo. With contacts made in private life and at work, both in Japan and abroad, they provides an exhibitional space for his friends from various fields of artistic practice.

Fukt Magazine is an annual magazine dedicated to contemporary drawing. It was established in Trondheim in 1999 and is based in Berlin since 2001. Artist and editor Björn Hegardt selects work from all over the world with a focus on drawing as an independent research and artistic practice.

Rudolf Polanszky, geb. 1951, ist ein ungewöhnlicher, unkonformistischer Künstler, der Zeit seines Lebens eigene Wege ging und die sogenannten Kunstkenner und Kunstkritiker stets ad absurdum führte.

Sobald die Kunstschaffenden ihre Komplexe in Bezug auf die Realität der Entwicklung Afrikas verloren haben, wird die zeitgenössische Kunst ihren Platz und ihren Respekt finden.

Katalog zur Ausstellung im Kasseler Kunstverein 22.03. - 10.05.1998.

Eine künstlerische Recherche zu nachhaltiger Lebensmittelproduktion und -distribution in Austin, Texas.

His immediate response to the city was to imagine an outdoor performance of Samuel Beckett's legendary play, Waiting for Godot – the 20th century's most emblamatic story of waiting.

Als äußerst vielseitiger Künstler ist Franz Graf an kein künstlerisches Medium gebunden. In seinen Zeichnungen, Objekten, Installationen, Fotografien, Arbeiten im öffentlichen Raum, neo-konzeptuellen Malereien und in seiner Musik finden seine Ideen unterschiedliche Ausdrucksformen.

Hidden Curriculum is a project by artist Annette Krauss and commissioned by Casco. It looks at the unintended and unrecognized forms of knowledge, values and beliefs that are part of the learning processes and daily life within high schools.