Siblings and Twins, a catalogue of Haegue Yang’s installation works, documents the same-titled exhibition held at Portikus, Frankfurt am Main.
(Germ./Engl.)

Verschlungen wirbelnde Linien, die den Betrachter von allen Seiten umfangen – die Bilder von Otto Zitko sprengen jeden Rahmen.

Published on the Occasion of the Exhibition Bad Couples at fette's gallery, Los Angeles, May 30th – July 5th, 2008

BAUHAUS? - Kater Fritzie jedenfalls interessiert sich mehr für Mäuse und Vögel.

What Ever Happened to New Institutionalism? reflects upon the aspirations of these curatorial strategies and assesses their critical efficacy today within the landscape of contemporary art and globalized culture.

Rockets, guns, body fragments, collages, stencils, spray paints and crazy colours are the characteristic elements that populate Kiki

Aus nächster Nähe begleitet der Fotograf und werdende Vater Kurt Hörbst seine Frau während ihrer Schwangerschaft mit seiner Großformatkamera.

Um kulturgeschichtliche Inhalte kommunizieren zu können, bedarf es einer Vermittlungsstrategie, die zugleich Forschungsstrategie ist – und umgekehrt.
„Staging Knowledge“ beschreibt eine künstlerisch-wissenschaftliche Kulturtechnik, welche dem Bildungsbedürfnis unserer Gesellschaft mit dem Einsatz des Mediums „Ausstellung“ entgegenzukommen versucht.

Published in relation to the exhibition “Stray Warmings” at Midway Contemporary Art in Minneapolis, this new monograph brings together writing and reproductions that extend beyond this particular context.

This book is a monument to a rare period of uncertainty, inspired by shame and shamelessness, by dept and guilt, by the tragedy behind statistics.

Co-organized by Hans Ulrich Obrist and Philippe Parreno as a group exhibition that would occupy time rather than space, “Il Tempo del Postino” usurped the durational dimension of theater by presenting time-based art on the stage of the Manchester Opera House (July 12–14, 2007).

The ROM publication documents this program of studies and also forms the basis for future development. It comprises, assembled in one volume, five complementary books, which can also be read individually.

Sweet Sixties is a long-term trans-regional research initiative working between art, research, media, and educational contexts in Europe, the Middle East, western and central Asia, Latin America, and northern Africa. Involving a particular group of experimentally oriented arts and research groups as well as individual artists, researchers, and media, Sweet Sixties investigates hidden histories or underexposed cultural junctions and exchange channels in the revolutionary period of the 1960s.

Soybot is a micro-publishing house based in Vienna that produces and publishes various printed works, mostly created using the Risograph printing process.

Paul McCarthy’s videos from 1970 to 1997 constitute a central field of his artistic practice. Situated between performance, body, language, and media staging,

Henning Bohl’s Cornet of Horse explores the intersection of painting, sculpture, and spatial construction. Known for his use of everyday materials such as wood battens, canvas, or gypsum board, Bohl transforms these into self-referential sculptural elements.

What does it mean to publish today? In the face of a changing media landscape, institutional upheavals, and discursive shifts in the legal, artistic, and political fields, concepts of ownership, authorship, work, accessibility, and publicity are being renegotiated.

Light Out is a series of limited edition Artis´s Colouring Books that celebrate the theme of darkness and femininity. The title of the series knowingly alludes to the erotic.

Books and Ideas after Seth Siegelaub spans an arc of tension between the works of Seth Siegelaub and contemporary cultural production.

This publication accompanies Australian multidisciplinary artist Nicholas Mangan’s survey exhibition “Limits to Growth.”