Durch das steigende Bedürfnis der Menschen nach Erlebnis, auch an allem teilzuhaben, steigt das Verlangen nach Besitz, zumindest nach Berührung und haptischem Tun.

Der beruflich Vielreisende wohnt in einem Viersterne-Hotel in der Business Class. Aus der Kontinuität dieser Kurzaufenthalte entsteht eine Art Haßliebe gegenüber dieser scheinbar perfekten Welt, der er sich auch dauernd unterordnen muß.

In einer Wiener Wohnung eines kurz zuvor verstorbenen Tierarztes paßt sich der Akteur der vorgefundenen Situation an und demonstriert inmitten dieser stillstehenden Welt die Nichtbeherrschbarkeit der Wirklichkeit.

The core of this book consists of a richly illustrated text that provides an exhaustive description of avant-garde film production in Austria, both past and present.
(Engl.)

"Returning from leaping, tap-dancing or pirouetting, Schweiger’s polka dots paintings prove to have legs in more ways than one."

Between January 1957 and autumn 1984, 334 issues of the monthly journal Filmkritik were published. In its final decade (1974-1984) Filmkritik no longer accompanied current cinema releases; many issues were monographic studies of neglected or forgotten filmmakers, idiosyncratic forays into the history and present of cinema and television.

This book presents the work of the architects, artists, filmmakers, lawyers, and theorists who participated directly in the “Forensic Architecture” project in the Centre for Research Architecture at Goldsmiths University of London, as well as the work of associates and guests. It includes forensic investigations undertaken by the project and its collaborators aimed at producing new kinds of evidence for use by international prosecutorial teams, political organizations, NGOs, and the UN. It also brings together research and essays that situate contemporary forensic practices within broader political, historical, and aesthetic discourse.

Franz Graf is now playing his characteristic game with emptiness and abundance, black-and-white contrasts, letters and words, small, delicate details and large iconic, archaic, and modern elements at the 21er Haus. For this he is not only meshing the many aspects of his oeuvre with a new series, but also juxtaposing this with works by international

The third issue of the Italian self published magazine RISMA contains artwork by Michele Lombardelli.

The words on the cover of Aslan Gaisumov’s first monograph are names of places no longer inhabited.

Der dänische Architekt Jan Gehl, einer der weltweit wohl bekanntesten Stadtplaner, erläutert in seinem Buch Leben zwischen Häusern die fundamentale Bedeutung sensibler Raumplanung für ein gutes Zusammenleben in unseren Städten.

o.A

A book of and about E.C. Large, which contains a selection of his shorter writings – travel essays, reportage, reveries, reviews, critiques, autobiographical pieces – and which reveals the extent of his achievement.

Green light is an act of welcoming, addressed both to those who have fled hardship and instability in their home countries and to the residents of the cities receiving them. Working together in a playful creative process, participants build a modular light and construct a communal environment in which difference is not only accepted but embraced.
– Olafur Eliasson

Das Projekt «dieKlasse Magazin» wurde 2002 von Studierenden des Studienbereichs Fotografie der Hochschule für Gestaltung und Kunst Zürich initiiert. Das Magazin bietet Einblick in Bildproduktionen und Bilddiskurse der HGK Zürich und verknüpft diese mit benachbarten und entfernteren Feldern wie Instituten.

A limited edition magazine each issue of which is effectively a "performance" by a chosen artist who determines every detail of the text and graphics. Published since 1990. A collector's item.

This book traces the work and research of filmmakers and visual artists Joana Hadjithomas and Khalil Joreige and their exploration through their work of online spam e-mails, specifically, advance-fee frauds and scam messages.

“Alles in Bester Ordnung” ist der Titel sowohl einer Werkgruppe des Künstlers, als auch der einer Ausstellung, bei der diese und andere Werke 2007 in der Landesgalerie Linz gezeigt wurden. Diese Ausstellung ist nun mit diesem umfangreichen Katalog dokumentiert und wird durch theoretische Texte zum Schaffen Hammerstiels und ein Interview mit dem Künstler ergänzt.

Notorious "guitar trasher" Pete Townshend (of the legendary rock band The Who) refers to Gustav Metzger as his teacher-due mainly to the artist/activist's continued reaction to the threat posed by the global nuclear arms race, which he has also opposed politically since 1956. Born the son of Orthodox Jews, Metzger survived the Holocaust through salvation by the Refugee-Children-Movement in England, and, since the 1990s, has worked on a series of Historical Photographs based on his past. Based in topical political, economic, and social themes, Metzger's manifestos, concepts, and demonstrations often thematize the 20th century's destructive potential, and also address the capitalist system and the art industry.

Zwei Softcover in einem Schutzumschlag zu Ausstellung Hawser/Hofer im MUMOK Wien.