Feinfühlig, unheimlich und scharfsinnig zugleich – die Fotografien von Silja Yvette „regen zu einer Reihe von Assoziationen an, die von ironischer Reflexion über elegische Anspielungen, die Fragilität des Seins bis zu einer gewissen Sehnsucht nach dem Elementaren reichen." (Annekathrin Müller, Deutsche Börse Photography Foundation).

This publication explores themes of the exhibition through its terms—not, however, to confine into isolated conceptual categories, but to interconnect. These terms characterize exhibiting and emphasize a “between-ness.” Examining a term lays bare its ruptures, shifts, or recreations, as well as social, societal, and cultural changes that have the power to structure through historical conjecture.

This book was published on the occasion of the exhibition Kasper Andreasen: The Place of Writing which ran from 16 November 2014 until 11 January 2015 in the Cultural Centre Hasselt (CCHA), Belgium.

Im September bot sich die Möglichkeit, eine leer stehende Fabrik am Rande der Landesgartenschau und in unmittelbarer Nähe zum Stadtzentrum von Pößneck zu ersteigern.

Er bereitet sich auf die Ankunft jenes großen Künstlers vor, der er eines Tages sein wird, wie er hofft, ein Künstler im wahren modernen Sinne, das heißt ohne Werk, aber überzeugt vom eigenen Genie..

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The photographs in Toppled show an array of attitudes towards the sculptures that expose differences between the cultures but also universally valid aspects of human relationships with carved representations. It becomes apparent, that even in our modern image culture, the ancient magical link between the person (Saddam) and his representation (statue) is still alive in the human psyche.

Appropriation, storytelling, reenactment, and reportage are some of the strategies that the Mexican artist Mario García Torres deploys to uncover (hidden) histories, narratives, and strategies embedded in sites and places and thereby to highlight the limitations of factual evidence and the agency of historical records and objects.

Mit dieser Publikation wird das außergewöhnlich poetische wie konzeptuelle Werk der koreanisch-amerikanischen Künstlerin Theresa Hak Kyung Cha (1951-1982) erstmals in Europa vorgestellt. In nur einer Dekade entstand ein bahnbrechendes Werk, dessen Relevanz erst in den vergangenen Jahren entdeckt wurde.

"Photographs are at the start and end of everything. The photos in this book are the source material for the paintings. The stuff that makes it from the photos and into the paintings is only a tiny part of what the photos hold."

Zeitschrift für Kunst, Literatur und Theorie. Herausgegeben von Thomas Ballhausen und Matthias Schmidt.

With contributions of Roberto Aguirrezabala, Olatz Ganzález, Alejandro Goienetxea, Beatriz Herráez, Miren Jaio, Lars Bang Larsen, Ploma Martín Llopis und Asier Mendizabal

Tucumán Arde ist ein »point of no return« in der Geschichte der politischen und künstlerischen Avantgarde Argentiniens – eine politische Radikalisierung einer gesamten Generation von KünstlerInnen.

Die einzige psychoanalytische Quartalszeitschrift Österreichs widmet sich der Förderung der psychoanalytischen Forschung im interdisziplinären Austausch.

In the three photographic micro-stories that make up Un Sedicesimo 34, The Napoleonic soldier and other stories, Paolo Ventura expresses his bewildering, melancholic and metaphysical poetics.

The latest issue of Un Sedicesimo originates from a journey into the present and from memory as its sediment is deposited in our own personal gaze. It focuses on the dialogue between images and words, taking the shape of a notebook recording our daily lives.

This issue of Un Sedicesimo is a collector’s version of the city of Milan. Studio FM milano designed an original collection of stamps dedicated to Milan in order to celebrate not only its architects, designers, musicians and writers, but also its great trademarks, foods and the important contemporary events that took place in Milan.

Energie rinnovabili – Padri e figli (Renewable Energy – Fathers and sons) is the title of Un Sedicesimo 26, which includes 16 pictures by French photographer Grégoire Korganow taken from the series at the Triennale in Milan on show in an exhibition curated by Alberto Pizzati Caiani.

The Organization and Representation of Violence

Die Ambivalenz zwischen gleichzeitiger An- und Abwesenheit der Fotografierenden wird zum inhaltlichen Ausgangspunkt von MOTIV – FOTOGRAFinnen.