"Curator or the one who takes care of" is an artist publication who brings 80 drawings and an essay from the curator Oscar Holloway.

In an almost pathological way, the project gains intrigue through repetition of the same image, which, being constantly conjugated gets new readings and depths between the artist and the curator.

Katalog für die Swiss Art Awards 2009

Nonprofit collective organizations in the 1960s and 1970s

The texts in this collection of John Miller's writing and criticism span a 20-year period, 1989 to 2009, and are divided into four sections: monographs, cultural essays, theory, and artist's statements

Andy Warhol and Robert Smithson are arguably two of the most influential artists today. Indeed, one might say that they have become dominant figures in the mythical origins of contemporary art in the 1960s. "Warhol's Dream" returns, as it were, to the scene of the crime in order to explore and re-examine the aesthetic and conceptual gestures that define their seminal work.

11 interviews with curatorial pioneers

Künstlerinnen und Künstler für das Künstlerhaus

Die Fassaden der Geschäfte Kreuzbergs, Friedrichshains und so manch anderer Gegend bestechen durch Improvisation sowie durch den Einsatz geringer Mittel, die jedoch zu ästhetischen Spitzenergebnissen führten.

Der Katalog gibt einen Überblick über die Werke Bernsteiners zwischen 2003 und 2008 und enthält u.A. Elemente der Ausstellungen "Arbeiten 2005-2006" und "Gekkou".
(Germ./Engl.)

Eva Weinmayr presents a collection of newsstand posters - capitalized handwritten legends that condense complex realities into three or four-line news splashes. Charged with meaning these headlines give no information; rather they are teasers with no context, telling more about what could happen than what really has happened.

Parodying the format of a regular newspaper column, Today in History presents a series of drawings and paraphrased stories, extracted from Turkish newspapers from the last four decades.

Book with photographs of billboards in which the advertising surfaces display switches, buttons and other daily objects.

Artworks by Megan Francis Sullivan, 2010-2012. All source images found in “Boys, Kerle, Männer”, Issues 1 to 11, 1971.

Black Rooms is an exploration of the book as mental architecture, where language builds up and breaks down notions of space. The book includes 11 imagined spaces where the senses merge and tongues slip, in stories around blindness, deception, darkness and myths.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

Blockbuster presents a selection of artworks by the Austrian artist Axel Stockburger from the period between 2000 and 2014.

In this important book, the influential film-maker and writer Peter Gidal shows how Blow Job is a film about film, about time and also about mortality. Gidal places Blow Job within a history of works by artists, including Duchamp and Velázquez, that directly affect the viewer, enacting a pattern of recognition and loss that constitutes the experience of perception itself.

Artists who work by appropriating conditions implicit notions of hot to Approach and read art. Their practice is not about how to make or construct works, but about how to generally see, define or recognise works as works

The BosBus, an ordinary city bus with a growing forest inside, was a way of probing this cultural interpretation of nature.

Die besten Tusche-Werke eines ausgezeichneten Künstlers,
gesammelt über die vergangenen 10 Jahre, zusammengefasst auf 80 Seiten.