›Wie Alpen‹ gehört zu der Sorte von Gedichtbänden, aus denen man unablässig zitieren möchte. Einerseits, weil jedes Gedicht ein so sorgsam abgewogenes Gewebe aus Rhythmus und Klang bildet und dabei voller origineller Bilder, Wendungen und Gedanken steckt.

This booklet was published within the context of MISS READ: The Berlin Art Book Fair 2016.

Endangered Human Movements is a multi-disciplinary project including visual arts, performance and a series of publications. Vol I. Four Remarks on the History of Dance are a discursive and artistic journey through the disappearance of movement.

10 Questions collected by Stefan Klein while traveling through the Balkan. 10 Answers found by Claire Seringhaus.

Ulay is one of the pioneers of performance art. His practice is not about human alienation, but rather the kind of alienation that captures art and then forms its own identity.

For the project documented in this volume, Brandon LaBelle invited people from around the world to send in radio memories--of songs overheard at special moments in their lives. Radio Memory contains contributions by Bastien Gallet, Carmen Cebreros Urzaiz and others, as well as a CD of audio works by LaBelle.

Raetz Frühwerk "eben" offenbart schon die ganze Meisterschaft, mit der uns der Künstler durch sein ganzes Werk immer wieder die alltäglichen Wunder der permamenten Metamorphose der Dinge vor Augen führt.

(D/Frz.)

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war in Vietnam and an expanded notion of artistic practice, Yvonne Rainer presented her evening-length work, The Mind is a Muscle, a multipart performance for seven dancers interspersed with film and text. Catherine Wood examines the political and media context in which Rainer chose to use the dance-theatre situation and analyses her radical approach to image-making in live form.

BLACK PAGES is a monthly releasing artist-fanzine in an edition of 300 pieces.
BLACK PAGES comes in the format A5, including 20 pages, printed in black&white.
BLACK PAGES invites one artist to collaborate and renames after his/her forename.

Art—Read is an exhibition of artists’ books and related work in other media by ten young artists: Tauba Auerbach, Fiona Banner, Chris Duncan, Roe Ethridge, Terence Koh, Jason Polan, Seth Price, Dean Sameshima, Paul Schiek and Derek Sullivan.

Astrid Seme (* 1985) beschäftigt sich in ihrer künstlerischen Arbeit verstärkt mit dem Verhältnis aus gesprochener und geschriebener Sprache. Die grafische Notation von gesprochner Sprache und die akustische Interpretation von grafischenen Notationen bilden dabei ein zentrales Thema.

The Last Book, written by Sabine Hillen (former researcher Theory), edited by Jacqueline Schoemaker (former researcher Design) and designed by Eva Moulaert (former researcher Design) and Marie Sledsens, tells the story of an object – a ‘book’ – that is passed on from one character to the next and succeeds in bringing characters together.

Astrid Seme (*1985) is studying graphic design in the masters program Werkplaats Typografie in Arnhem, the Netherlands. Her main artistic interest is the investigation of the relation between oral and written speech. In this respect, her central theme is the graphic notations of oral speech and the acoustic interpretation of graphic notations.

Lieven De Boeck (researcher Fine Art 2002–2003) and John Murphy (advising researcher Fine Art) put together a publication on the history of the Bonnefantenmuseum in the period when it was housed in the Entre Deux building in the centre of Maastricht.

Anlässlich des 10. Bestandsjubiläum der Galerie Vorspann|Galerija Vprega hat der Verein Kino Kreativ Kulturaktiv im Rahmen des Projektes "Hotel Obir Reception" die Räumlichkeiten des seit Jahren leerstehenden Hotel Obir in Südkärnten als Arbeits- und Ausstellungsflächen genutzt.

This catalouge is published on the occasion of the exhibition "Revenge on Realism - the fictitious moment in current Polish art".

With: Michal Budny, Igor Krenz, Zbigniew Libera, Bartek Materka, Mochalska & Blachut, Zbigniew Rogalski, Szymon Roginski

A reader about applied performance arts.

Collects texts from across many cultures and times and organizes them roughly along a chronology of living, from "beginning," to "childhood," "education," "adulthood," and "death."

By rephotographing an image from a magazine to make his 1977 work Untitled (couple), Richard Prince extracted the uncanny from the generic.