„Die letzte Fahrt der Beagle“ versammelt Gedichte und Gedichtzyklen aus unterschiedlichen Produktionsphasen. Dem entsprechend finden sich hier vielfältige formale und thematische Zugänge, bei denen aber immer die sprachliche Reflexion im Vordergrund steht.
Mit Fotografien und Zeichnungen von Eleonore Weber

In 2010/11, a group of Vienna-based art practitioners (artists, art historians, and cultural theorists) embarked on a journey of experimental research, exploring the genealogical and political implications of the ways in which research rhetorics and policies are currently incorporated into the fields of contemporary art and art education. Troubling Research: Performing Knowledge in the Arts, a collection of “books” of essays and conversations, is the quirky and exhilarating outcome of this collaborative endeavor to render a “problematization” by interrogating the very conditions of the current upsurge of the art/research articulation.

This publication is a thorough anthology on Brazilian Antropofagia.

"A collection of black and white images captured using old toy cameras and film. Images are loosely narrated with thoughts, brief and quite possibly--irrelevant."

The initiative is centered around the gentrification that is/has been going on in the areas of Williamsburg & Greenpoint; where the artist lives, in Brooklyn, New York. (Engl.)

sono qui [un esercito di donnacce nude] is a book of drawings realized by Doris Maninger in 2013 during a residency at the European Ceramic Work Centre in s’Hertogenbosch (Netherlands).

This volume takes the speeches as an opportunity to ask what democracy means from the standpoint of a notorious political figure who was anything but democratic, and to reflect on how promises of freedom and security can mask the reality of repressive regimes.

This collection of essays does not aim to illustrate a prefabricated theory of art, but rather follows the impulses given by artworks themselves.

Dysfunctional Comedy documents a series of public events, performances, and workshops conceptualized by German-American artist Olav Westphalen and organized with different partners, mainly in Sweden, between 2012 and 2015.

In this volume, the fourth in the series Helge Mooshammer and Peter Mörtenböck analyze the networked spaces of global informal markets, the cultural frontiers of speculative investments, and recent urban protests, and discuss crucial shifts in the process of collective articulation within today’s “crowd economy.”

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Between a continuous process and a freeze frame, my work is an invitation to explore territories from intervals to intervals, from a linear time to a cyclic time. Isamu Krieger. (French)

The book Iron Head is an essentially visual anthology about one of the most striking moments of the short Human history and the one that noisily announces our entrance in the Contemporary World: the Industrial Revolution.

48 Photographs of sinks in the numerous art students' studios of Kunstakademie Düsseldorf, Germany.

A manic appropriation through erasement. (Engl.)

Finally, the PENGUINS have arrived at the Zoo of Hoh Chi Minh City

A Boulevard Called Sunset, Vol. I and Vol. II of a triology, is part of an ongoing photographic artist’s book-project I am working on since November 2008. (Engl.)

The photographs in this book are based on an european-japanese artist´s project in Sarajevo, called SICE-Sarajevo International Art Project.

"Garniture" is a french word meaning garnish, this book deals with this kind of material used to embellish sophisticated meals.

Marije de Witt works in the fields of installation, sculpture and photography.