"Dieses Buch dokumentiert Arbeiten, die in den Jahren 2000-2010 entstanden sind. Die meisten dieser Arbeiten habe ich für bestimmte Orte und Situationen konzipiert.

Die Publikation erschien zur gleichnamigen Ausstellung „Vojin Bakic“, welche von 4. Juni bis zum 24. August 2008 im Grazer Kunstverein stattfand.
(Engl.)

A runner will speed through Tate Britain’s dramatic neo-classical sculpture galleries, again and again, running as if their life depended on it, every day for the next four months. The tightly choreographed live performance Work No. 850 has been specially devised by Martin Creed for the Tate Britain Duveens Commission 2008 sponsored by Sotheby’s. Work No. 850 centres on a simple idea: that a person will sprint as fast as they can every 30 seconds through the 86 metre gallery at the heart of Tate Britain. Each run is followed by an equivalent pause, like a musical rest, during which the gallery is empty.

Die 1993 erschienene Broschüre „Trotz allem… Aron Menczer 1917-1943“ ist heute vollständig vergriffen. Basierend auf dieser Publikation erscheint nun eine erweiterte Neuauflage mit zahlreichen Ergänzungen sowie neuen Texten und Fotos.

The symposium reflects on historical and actual models of art institutions and organisations that deal with production and circulation of art and ideas in an experimental and flexible way.

Décor (P, TG-AIH, TAHoS AE, PGaA ofUS, TF-OtHoJA, S:FaM) contains a collection of recent collages assembled from found book pages, in which the artists specifically seeks a relationship between the abstract and the figurative, and thereby creating new narratives.

An essay about an incident that took place at Ben-Gurion International Airport in Tel Aviv in September 2008.

o.A

Addressing the current upswing of attention in the sciences, arts, and humanities to the proposal that we are in a human-driven epoch called the Anthropocene, this book critically surveys that thesis and points to its limitations.

After studying photography, art and art criticism, Marcelline Delbecq gradually moved away from the image as such and now concentrates on writing. Ellie Ga practises a blend of narrative genres – memoirs and travel diaries.

Die Publikation stellt Dorothea Goldschmidts Arbeit Striptease in the Morning reich bebildert vor:

Mit der Publikation «Art Handling in Oblivion» von Rob van Leijsen eröffnet die edition fink eine Taschenbuchreihe mit Neuauflagen. Einfarbig auf einheitliches Papier gedruckt und in handlicher Form werden Kunstbücher – die nicht zwingend aus dem eigenen Verlagsprogramm stammen – formal reduziert und neu interpretiert wieder verfügbar gemacht.

An Ex-library book is the least desirable book in book collecting terms. The term is used for books that once belonged to a library. Ex-library books are generally unattractive, as they have usually been stamped, taped, glued or had a card pocket glued to them. The books have often been damaged by the patrons of the library themselves.

„Made in dignity“ gibt einen Überblick über die Arbeiten des Künstlerpaares PRINZGAU/podgorschek.

"Faggots: A PSBEUYS Workbook" of the Toronto based artist Andrew Zealley’s is the culmination of his 2012 work with sticks, or faggots, he had collected with his Lover in the David Balfour Park. Zealley uses the word faggot to imply both the gay slur and its original meaning: a bundle of sticks.

Stereopticon photos of Southern California waterfalls are juxtaposed with a text combining real and imagined history, geological phenomena and exploration, and a paradise inhabited only by women.

This Source Book is published on the occasion of Billy Apple's two-part exhibition at Witte de With: A History of the Brand and Revealed/Concealed.

Der Kunstmarkt fordert es: Längst müssen zeitgenössische Künstler und Künstlerinnen für sich passgenaue Rollen zwischen Selbstinszenierung und Selbstverwirklichung, zwischen Kunst und Kommerzialisierung finden.

For the Russian filmmaker and film theorist Dziga Vertov (1896-1954) KINO was both a bold aesthetic experiment and a document of contemporary life.
(Engl./Germ.)

Shooting Time is a collection of conversations with directors of photography (DP) from all over the world, who talk about their profession in the era of transition from analog to digital cinema. The conversations center around two main areas: film language and digital revolution.